The Tombstone story told in the style of the Japanese classic Rashomon where we see history from several perspectives including that of Wyatt Earp, Doc Holliday, Kate, Ike Clanton, Colonel Hafford and Johnny Behan
Jesse Lee Pacheco,
An episodic look at a young man's life in Mexico's national highway patrol. We follow Pedro Rojas from cadet training and his rookie assignment in a northern border area, to his quick ... See full summary »
The 'has-been' Hollywood Western actors, Mel Torres and Fred Fletcher, hear Fritz Frobisher will attend a screening of one of his movies in Arizona. They decide to go exact revenge on him ... See full summary »
An American art dealer (Miguel Sandoval), who specializes in southwestern topaz, arrives by train in Liverpool. Similarly, a very proper British art dealer (Alex Cox), who specializes in ... See full summary »
A digital remastering and recut version of the 1987 film, Straight to Hell Returns revolves around a group of hapless bank robbers who bury their loot and attempt to hide out in what they ... See full summary »
A gang of bank robbers with a suitcase full of money go to the desert to hide out. After burying the loot, they find their way to a surreal town full of cowboys who drink an awful lot of ... See full summary »
Morbid biographical story of Sid Vicious, bassist with British punk group the Sex Pistols, and his girlfriend Nancy Spungen. When the Sex Pistols break up after their fateful US tour, ... See full summary »
Barely scrapes the surface of what Kurosawa and his films were about. Despite some interesting insights by Japanese film expert Donald Richie and a story by director Arturo Ripstein, all the interviews seem hurried and incomplete. Director Alex Cox doesn't even cover Kurosawa's whole filmography- interviewee Francis Coppola mentions more films than the actual documentary manages to do. But what can really be done in only 50 minutes about such a master? For a more detailed and affectionate approach to Kurosawa, check out Chris Marker's A.K., a documentary of the making of Ran.
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