Tommy Jarvis goes to the graveyard to get rid of Jason Voorhees' body once and for all, but inadvertently brings him back to life instead. The newly revived killer once again seeks revenge, and Tommy may be the only one who can defeat him.
Still haunted by his past, Tommy Jarvis - who, as a child, killed Jason Voorhees - wonders if the serial killer is connected to a series of brutal murders occurring in and around the secluded halfway house where he now lives.
Set way in the future, Earth is no longer inhabitable, so humans have colonized in outer space. One colony receives two cryogenically frozen bodies, and when they defrost them, one of the bodies turns out to be.....who else? Jason Voorhees. No longer in the forest or Camp Crystal Lake, Jason stalks the colonists in a whole new environment. Written by
(at around 22 mins) When all of Rowan's clothes are removed from her frozen body, the outline of a strapless bra can be seen under the metal blanket. It is also seen later when she sits up and the metal blanket slips a little bit. See more »
Why don't you stare at this for a while, you ugly bastard?
[covers Jason with a rag]
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Retrieving a relic of Jason Voorhees frozen in time, a group of students studying in the future find themselves stalked through their space-station home by the reawakened killer and must use the technology of the time to stop him.
This was an absolutely fantastic entry which was one of the more enjoyable and exciting entries in the series. The best part of this is the extremely high-impact action scenes, which generate the best times here, starting with the opening attack on the guards in the facility in rather fun fashion before the big chase that gets him frozen with her, while the retrieval and stowing him on-board gives this one some really good times along with the initial rampage through the ship resulting in a lot of cheesy goodness to come from having these scenes set in the futuristic landscape. The initial resurrection on the heating bed alongside the oblivious worker while the screwing couple signaling the true rebirth which spawns a brilliant, original death scene with the infamous face first into ice, then shattered on a counter-top along with the two soldiers playing a virtual reality game and don't know Jason isn't part of the game, then they allow Jason to kill them quite easily. The action is non-stop, and there are many impressive scenes with this one, as the inclusion of the soldiers allows for some incredibly fun times with a spectacular stalking scene in a cargo-bay that generates some fine deaths and great suspense as Jason uses a ton of creativity to his kills which allows the great shoot-outs with the soldiers as well to generate even more good times with this one. There are more, from the battle in the engineer's room to the numerous stalking in the lab where it gets some fun action and classic stalking scenes involved in here as well as getting the action requirements out very nicely. The gunfight in the corridor getting the cyborg into the proceedings on Jason is a standout, and Jason's continual sit-ups after being hit by the shotgun really makes the scene impressive. Also, the humor is here with a bit of subtle comedy here and there and a total tongue-in-cheek attitude, not just from the jokes but the goofy tone here with the look of Jason and Uber-Jason and his dealings throughout here. As well, the shift to outer space was a refreshing change of pace and a source of much needed originality here with all these changes giving this a rather unique change in appearance that suits the film's more Sci-Fi leanings perfectly. Coupled with a Jason that is absolutely menacing and scary and looks like he's having too much fun in the role and a few nice odes to the others in the series, there's not a lot wrong here. The biggest issue here comes from the apparent lack of logic here, most of which comes from the behavior of the characters. It's really hard to believe that Jason is fooled by a holographic representation of Crystal Lake that's not even a full-on trick with the edges exposed, yet he still takes time to destroy holographs of two women who look like they belonged in the first movie and allow the good guys to escape, which is the biggest example here. The plot line involving the idiotic professor who only wants to profit from Jason and his continuous assurance that Jason will get taken care of is quite lame, as well as the finale of Jason gets ridden like a surfboard as he's falling back to Earth. However, here the action tends to hide a lot of these issues and it's really not all that noticeable when they occur. All in all, it really only comes down to personal tolerance of the cheese to find any flaws here, since it's a lot of fun regardless.
Rated R: Graphic Violence, Graphic Language, Brief Nudity, and a short sex scene.
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