IMDb > Himitsu (1999)

Himitsu (1999) More at IMDbPro »


Overview

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6.9/10   421 votes »
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Director:
Writers:
Keigo Higashino (based on the novel by)
Hiroshi Saitô (scenario)
Contact:
View company contact information for Himitsu on IMDbPro.
Release Date:
25 September 1999 (Japan) See more »
Genre:
Plot:
A man is shocked to find out that after a deadly car accident involving his wife and daughter, his wife died, but her mind somehow got transfered into their daughter's body. | Add synopsis »
Awards:
2 wins & 4 nominations See more »
User Reviews:
Prepare to be emotionally battered See more (6 total) »

Cast

  (in credits order)
Ryôko Hirosue ... Monami Sugita / Naoko Sugita

Kaoru Kobayashi ... Heisuke Sugita
Ken Kaneko ... Fumio Kajikawa
Yuriko Ishida ... Taeko Hashimoto
Hideaki Itô ... Haruki Soma
Tomoe Shinohara ... Kuniko Kimura
Kayoko Kishimoto ... Naoko Sugita
Rie Shibata ... Kazuko Yoshimoto
Ren Ohsugi ... Hiroyuki Kajikawa
Hatsuo Yamaya ... Naoko Sugita
rest of cast listed alphabetically:
Kimihiro Reizei ... Tomio

Directed by
Yôjirô Takita 
 
Writing credits
Keigo Higashino (based on the novel by)

Hiroshi Saitô (scenario)

Produced by
Yasuhiro Mase .... executive producer
Jun'ichi Shindô .... producer
Setsuro Tagami .... producer
 
Original Music by
Ryûdô Uzaki 
 
Cinematography by
Naoki Kayano 
 
Costume Design by
Mari Miyamoto 
 
Visual Effects by
Bernard Edlington .... shader artist
 
Camera and Electrical Department
Tatsuya Osada .... gaffer
 
Music Department
Hikaru Ishikawa .... music producer
Kaoru Wada .... music arranger
Akihiko Ôno .... music recordist
 
Other crew
Mizuho Kudô .... script supervisor
 

Production CompaniesDistributorsOther Companies

Additional Details

Also Known As:
"Secret" - Hong Kong (English title)
See more »
Runtime:
119 min
Country:
Language:
Certification:

Did You Know?

Movie Connections:
Remade as The Secret (2007)See more »
Soundtrack:
Tenshi no tameikiSee more »

FAQ

This FAQ is empty. Add the first question.
5 out of 8 people found the following review useful.
Prepare to be emotionally battered, 28 August 2005
Author: WonKaiKo from London, England

This film is probably one of the most seductive films you will ever see providing that you are a person who actually prefers to be emotionally taxed at the cinema rather than simply wooed with special effects and large explosions.

The story is about a husband whose wife and daughter are both involved in a coach accident on the way back from a skiing trip. However, in the hospital as the mother and daughter lay side by side in the emergency ward, a last dying wish by the mother to hold her daughter's hand is to throw the husband's life into turmoil; the personality of the mother being transferred to their daughter's body moments before she dies due to some mysterious power in the wedding ring she is wearing.

From that moment, the story is sensitive and delicate, it's meandering pace worked so masterfully that you barely notice the 2 hours or so rapidly slipping by delivering situation after anxious situation, such as the husband's turmoil of wanting to satisfy his wife's emotional and sexual needs but being unable to violate the boundaries presented in his daughter's physical appearance. Along the way, as the daughter's personality appears to be coming back, the wife's personality ebbs away and many poignant moments are created as the husband has to deal with the possibility that his wife is finally going to leave him.

Since "Ghost" first came out all those years ago, there have been countless re-workings in different languages of what was, undoubtedly, one of the most original stories of it's time - a story of a loved one coming back and living in a mysterious temporal space between life and death, giving the widowed spouse one final opportunity of companionship. Only last year a Korean version was released with the title "I Introduce to You My Girlfriend" (title translated from Japanese release).

However, the art of film-making is always in the execution, and that is why Japanse film making is never to be underestimated when it comes to getting to the crux of what makes human emotions tick. Unlike the dreary and shallow Hollywood efforts, this is a masterpiece and the ending is a true shocker; gently delivered and seriously potent. It left me frustrated with my mind in pieces, not because the film was sub-standard in any way, but because I felt so much for the situations of the characters involved. Great films have the power to emotionally absorb their audience and this is definitely one of those films.

I have not seen the English translation of this film as I watch all of my Japanese movies in Japanese with no subtitles. This allows me to see and appreciate the film with all the inflections and nuances that the writers and film makers intended. I hope that the subtitling on this film does it justice, otherwise it could very easily ruin what is a masterful piece of film making.

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