Diane, a young and attractive archaeologist, gets to know Dr. Neal Hogan in the secret archives at the Vatican. Both of them are interested in the great mystery that Diane's father, the ...
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In 1986, David Whitman came home, contaminated his wife and child, and watched them die. Years later, he leads a hazmat team investigating an industrial accident near Budapest. One ... See full summary »
In Las Vegas for a quicky divorce, a just-paroled ex-cop and his wife wander into the Top of the World Casino, run by the shady Charles Atlas. They win big, right as the casino is being ... See full summary »
This seven episode RAI-1 TV-series production is about the quest of archaeologist Desmond Jordan to discover the location of the legendary Talking Mountain of the Sahara desert and find the secret that it hides.
Michael is a recovering alcoholic/drug user. Back on the wagon, he's now responsible for a young, beautiful, and pregnant wife. He's working the graveyard shift at a gas station to support ... See full summary »
Isaac H. Eaton
Diane, a young and attractive archaeologist, gets to know Dr. Neal Hogan in the secret archives at the Vatican. Both of them are interested in the great mystery that Diane's father, the famous scientist Dr. Shannon, must have uncovered in Africa -- because since that time her father has not been seen by a living soul. Nevertheless, Diane is absolutely convinced that her father is still alive: he was looking for the "tower of the first born", which according to ancient records is supposed to lead to "great wisdom". Ignoring her friends' warnings, Diane decides to travel off in search of her father and find the legendary tower. Also in search of the monument -- which has contained secret knowledge about space and time for millennia -- are a sheik's horde of wild desert riders, as well as a heavily-armed group of soldiers under the command of the brave officer Léon. Together with her protector Rashid, an mysterious prince of the desert and old friend of her father's whom she knows from ... Written by
Peter Weller (RoboCop) is in this movie... well, we all have to work to pay our bills.
The movie is just not even what I'd charitably call a 'B' movie... it is tortuously drawn out... not well written, not Hollywood-made (and if you value 'indies' above Hollywood, then this is still even below Hollywood-made)... simply sub-par. I picked this up as a rental hoping it would be an Indiana Jones (or something) knock-off... I wish it could have been.
Lots of camera work where it simply lingers too long on the actor... the (bad) dialog is done, overdone, burnt offering done... just not well done.
The 'wonder' and awe is not there... even though you're led up to the wall and bashed into it at the end. I don't want to quit watching very many movies in the middle (or beginning)... but I would have, if someone else didn't insist on fast forwarding through parts to see the end.
It needs to be re-edited just to hope it could be a 'B' movie... I really don't think it can be. Lionsgate included previews of other movies that you could tell were just as far off the mark for video entertainment... a line of excruciating time killers. I didn't really expect this kind of quality still existed... not in the U.S. at least?
In comparison, "Sahara" is a blockbuster... at least Sahara made a professional effort... and I don't mean effects/explosions. I mean a script that could be spoken and not in silent era dramatics.
Ooh, simple-minded story, ear-painful dialog... even bad fight scenes. Sorry, I'd watch "Titus", twice, before this. It's punishment.
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