Based on Michel Houellebecq's controversial novel, this movie focuses on Michael and Bruno, two very different half-brothers and their disturbed sexuality. After a chaotic childhood with a ... See full summary »
A teen faces her impending adulthood in the carefree sex and drug revolution years of the early 80's prior to fears of AIDS. She lives with her bitter, divorced mother and her sadistic kid ... See full summary »
This movie is foremost distinguished by the use of a subjective camera, and nearly 100 % of the time consists of close-up of Isabelle Carré's face. She is capable of changing her facial ... See full summary »
Turning her back on her wealthy, established family, Diane Arbus falls in love with Lionel Sweeney, an enigmatic mentor who introduces Arbus to the marginalized people who help her become one of the most revered photographers of the twentieth century.
Robert Downey Jr.,
Cultural critic David Kepesh finds his life -- which he indicates is a state of "emancipated manhood" -- thrown into tragic disarray by Consuela Castillo, a well-mannered student who awakens a sense of sexual possessiveness in her teacher.
Faithful adaptation of witty and interesting French novel about a cynical and depressed middle-aged software engineer (or something), relying heavily on first-person narration but none the worse for that. Downbeat (in a petit-bourgeois sort of way), philosophical and blackly humorous, the best way I could describe both the film and the novel is that it is something like a more intellectual Charles Bukowski (no disrespect to CB intended). Mordantly funny, but also a bleak analysis of social and sexual relations, the film's great achievement is that it reflects real life in such a recognisable way as to make you ask: why aren't other films like this? One of the rare examples of a good book making an equally good film.
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