Thiss drama focuses on three very different brothers, all searching for happiness. Hans-Jörg is a sex addicted librarian, who is interested in young students. Werner is a successful ... See full summary »
A young woman named Clara is captured by a serial killer named Leonard who records his "life story" by keeping a scrapbook of his many victims. In addition to adhering Polaroids, scraps of ... See full summary »
Dino is forty years old and an immense love for Anna, who is unable to touch and consume in an embrace. Anesthetist by day, compulsive lover at night, seeking satisfaction with prostitutes ... See full summary »
Sam (Joe Swanberg) has feelings for Juliette (Josephine Decker), the lead actress in a sexually explicit drama centered on a couple's one night stand. He must maintain a professional ... See full summary »
This movie is foremost distinguished by the use of a subjective camera, and nearly 100 % of the time consists of close-up of the young girl's face. She is capable of changing her facial ... See full summary »
My name is Louis Depre. I am 28 years old. I live in a hole called Montreal. I do not know what I like. I do not know who I like. I do not know what I want to do with my life. I do not know... See full summary »
Lazarus is a Cuban appeal that makes a living in Madrid. When his girlfriend Dolores travels from Cuba to Spain to live with him, he is in prison for kidnapping and attempted rape. Dolores ... See full summary »
Another ray of hope in a largely bleak French cinematic landscape
Having commented a few times on the decline of recent French cinema it is always a pleasure to report the discovery of works that run counter to this trend, the films of Andre Techine for instance. Although not quite in the same league as Bresson or the best of Chabrol or Truffaut, his films are outstanding because of the compassion with which he depicts his characters, generally young men caught up in adversity. Philippe Harel has achieved something similar in "Extension du Domaine de la Lutte" with a somewhat older pair of working men who are trying to face up to the fact that life is proving a disappointment. "Our hero", as the unseen voice-over narrator refers to him, is a computer systems salesman who, nearing his forties, has had no luck in attracting feminine affection. He lives alone and is unhappy and unfulfilled in his work. The youthful promise and enthusiasm for life glimpsed only in boyhood photographs have been drained out of him and he has all but given up on finding a lasting relationship. His colleague with whom he is obliged to share a sales promotion tour approaches a similar sexual predicament in a different way. Shorter and uglier he has adopted a defence mechanism of bravado and the bonhomie of the blue joke teller. He refuses to retire into his shell to the extent of continually looking for conquests in nightclubs. These always end in rebuttal with tragedy the eventual inevitable outcome. "Our hero" on the other hand finds a different sort of defence mechanism in voluntarily committing himself to a mental institution when no longer able to cope with normal relationships at his workplace. The film's conclusion is open-ended in its suggestion that he might be on the verge of finding a relationship but it only hints at the possibility. Such an outcome is by no means certain. The director has elected to play the central role and a remarkable job he has made of it, balancing stoicism with self-pity most convincingly. That we are offered such a three-dimensional view of his character is largely due to the way Harel shares that most French device, the voice-over commentary, between two narrators, an unseen storyteller and the character himself. The alternation of the two voices illuminates the central character in a way that justifies this narrative device more effectively than I can remember from any other film.
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