| Photos (see all 47 | slideshow) |
| Glenn Close | ... | Cruella de Vil | |
| Gérard Depardieu | ... | Jean-Pierre Le Pelt (as Gerard Depardieu) | |
| Ioan Gruffudd | ... | Kevin Sheperd | |
| Alice Evans | ... | Chloe Simon | |
| Tim McInnerny | ... | Alonzo, Cruella De Vil's Butler | |
| Eric Idle | ... | Waddlesworth (voice) | |
| Ben Crompton | ... | Ewan | |
| Carol MacReady | ... | Agnes (as Carol Macready) | |
| Ian Richardson | ... | Mr. Torte | |
| Jim Carter | ... | Detective Armstrong | |
| Ron Cook | ... | Mr. Button | |
| Timothy West | ... | Judge | |
| David Horovitch | ... | Dr. Pavlov | |
| Dick Brannick | ... | Pavlov's Assistant | |
| Mike Hayley | ... | Constable | |
| Nicholas Hutchison | ... | Reporter | |
| Tim Willcox | ... | ITN Reporter | |
| June Watson | ... | Prison Warden | |
| Tony Bluto | ... | Photocopier Repairman | |
| Tessa Vale | ... | Ticket Seller | |
| John Styles | ... | Punch & Judy Man | |
| Kerry Shale | ... | Le Pelt's Assistant | |
| Thierry Lawson | ... | Le Pelt's Assistant | |
| Hugh Futcher | ... | Brakeman | |
| Charles Simon | ... | Lord Carnivore | |
| Dorothea Phillips | ... | Mrs. Mirthless | |
| Delphine Annaiis | ... | Paris Poodle Lady | |
| rest of cast listed alphabetically: | |||
| Sherwood Ball | ... | Singer (uncredited) | |
| Macéo Bhardwaj | ... | Audience Member (uncredited) | |
| JB Blanc | ... | Police Captain (uncredited) | |
| Ian Boo Khoo | ... | Passenger at station (uncredited) | |
| Julia Bridgeman | ... | Schoolgirl / Puppy (uncredited) | |
| Delphine de Turckheim | ... | (uncredited) | |
| Linda Harmon | ... | Singer (uncredited) | |
| Leilani Holmes | ... | Orient Express Passenger (uncredited) | |
| Karen Kennedy | ... | Social Worker / Driver (uncredited) | |
| Suzy Kewer | ... | French Model (uncredited) | |
| David Keyes | ... | Waddlesworth (voice) (uncredited) | |
| Jack Mason | ... | Boy on Climbing Frame (uncredited) | |
| Ann Mills | ... | Fashion Show Editor (uncredited) | |
| James Payne | ... | Taxi driver on westminster bridge covered in black and white dots (uncredited) | |
Directed by | |||
| Kevin Lima | |||
Writing credits(WGA) | ||
| Dodie Smith | (novel "The One Hundred and One Dalmatians") | |
| Kristen Buckley | (story) & | |
| Brian Regan | (story) | |
| Kristen Buckley | (screenplay) & | |
| Brian Regan | (screenplay) and | |
| Bob Tzudiker | (screenplay) & | |
| Noni White | (screenplay) | |
Produced by | |||
| Patricia Carr | .... | co-producer | |
| Edward S. Feldman | .... | producer | |
| Michelle Fox | .... | associate producer | |
| Paul Tucker | .... | co-producer | |
Original Music by | |||
| David Newman | |||
Cinematography by | |||
| Adrian Biddle | (director of photography) | ||
| Roger Pratt | |||
Film Editing by | |||
| Gregory Perler | |||
| Sophie Sorensen | |||
Casting by | |||
| Priscilla John | |||
Production Design by | |||
| Assheton Gorton | |||
Art Direction by | |||
| Jean-Michel Ducourty | |||
| Rosie Hardwick | |||
| Keith Pain | |||
| John Ralph | |||
| Cliff Robinson | (as Clifford Robinson) | ||
| Tony Woollard | |||
Set Decoration by | |||
| Joanne Woollard | |||
Costume Design by | |||
| Anthony Powell | |||
Makeup Department | |||
| Tricia Cameron | .... | key hair stylist (as Patricia A. Cameron) | |
| Tricia Cameron | .... | key makeup artist | |
| Sallie Evans | .... | hair stylist | |
| Sallie Evans | .... | makeup artist | |
| Jean-Luc Russier | .... | makeup artist: Ms. Close | |
| Jemma Scott-Knox-Gore | .... | contact lens technician | |
| Norma Webb | .... | hair stylist | |
| Norma Webb | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| James Armstrong | .... | third assistant director: second unit | |
| Terry Bamber | .... | first assistant director: second unit | |
| David Brandon | .... | assistant director: second unit (as David Cain) | |
| David Cain | .... | second assistant director: second unit | |
| Jamie Christopher | .... | key second assistant director | |
| Simon Downes | .... | second assistant director | |
| Dan John | .... | key second assistant director | |
| Gilles Kenny | .... | assistant director | |
| Cliff Lanning | .... | first assistant director | |
| Michael D. Moore | .... | second unit director (as Micky Moore) | |
| Lee Tailor | .... | third assistant director | |
| Kevin Westley | .... | additional assistant director | |
Art Department | |||
| Pierre Bohanna | .... | propmaker | |
| Claudio Campana | .... | draughtsman | |
| Amber Carter | .... | assistant scenic artist | |
| Tony Chance | .... | storyboard artist | |
| Jordan Crockett | .... | art department runner | |
| Gary Gleeson | .... | head of department painter | |
| Robert Hill | .... | chargehand stand-by | |
| Christian Huband | .... | assistant art director | |
| Patricia Johnson | .... | draughtsman | |
| Kate Lovejoy | .... | junior draughtsman | |
| Jon Marson | .... | greensman | |
| Meike Meng | .... | graphics designer | |
| Alice Milburn-Foster | .... | assistant scenic artist | |
| Steve Mitchell | .... | scenic artist | |
| Ali Moshref | .... | construction accountant | |
| John O'Shaughnessy | .... | production buyer | |
| Martin Smeaton | .... | sculptor | |
| Gert Stevens | .... | concept artist | |
| Gert Stevens | .... | junior draughtsman | |
| Dan St. Pierre | .... | visual consultant | |
| Chris Buchinsky | .... | storyboard artist (uncredited) | |
| Darren Holland | .... | stand-by stagehand (uncredited) | |
Special Effects by | |||
| Vince Abbott | .... | animatronic supervisor | |
| John Amitt | .... | special effects technician | |
| Nick Bonathan | .... | special effects crew | |
| Richard Brown | .... | special effects senior technician | |
| Paul Clancy | .... | special effects senior technician | |
| Chris Clarke | .... | creature designer | |
| Chris Corbould | .... | special effects coordinator | |
| Richard Darwin | .... | animatronic model designer | |
| Dave Eltham | .... | special effects senior technician | |
| Nick Finlayson | .... | special effects senior technician | |
| Michael Fox | .... | special effects technician | |
| Darrell Guyon | .... | special effects senior technician | |
| Steve Hamilton | .... | special effects supervisor | |
| John Holmes | .... | special effects senior technician | |
| Stephen Hutchinson | .... | special effects technician | |
| Paul Knowles | .... | special effects senior technician | |
| Steve Knowles | .... | special effects technician | |
| Ian Lowe | .... | special effects technician | |
| Peter Notley | .... | special effects supervisor | |
| Stephen Onions | .... | special effects senior technician (as Steve Onions) | |
| Jeremy Pelzer | .... | special effects buyer | |
| Roy Quinn | .... | special effects senior technician | |
| Andy Roberts | .... | animatronic designer | |
| Andy Roberts | .... | special effects technician | |
| Andrew Smith | .... | special effects senior technician (as Andy Smith) | |
| George Theophanous | .... | motion control | |
| John Van Der Pool | .... | special effects senior technician | |
| Andrew Warner | .... | special effects technician | |
| Brian Warner | .... | special effects senior technician | |
Visual Effects by | |||
| Jacqueline Allard | .... | lead digital artist | |
| Roger Balart | .... | 2D technical manager | |
| James Colby Bette | .... | visual effects | |
| David Booth | .... | film scanning and recording | |
| Barbara A. Bordo | .... | digital artist | |
| Jon R. Brown | .... | visual effects | |
| Grady Campbell | .... | compositor | |
| Marc Canas | .... | scanning/recording | |
| Ozzie Carmona | .... | digital artist | |
| Floyd Casey | .... | digital compositor | |
| D. Wallace Colvard | .... | digital effects supervisor | |
| Elisabeth Cotter | .... | visual effects color timer | |
| Christine Cram | .... | digital artist | |
| Doug Cram | .... | digital artist | |
| Michael Curtis | .... | digital compositor | |
| Lisa Dackermann | .... | digital compositor (as Lisa M. Tse) | |
| Amanda Dague | .... | digital effects artist | |
| Dan Deleeuw | .... | visual effects supervisor | |
| Lino DiSalvo | .... | animator | |
| Hank Driskill | .... | 3D technical manager | |
| Mark Duvall | .... | 3D artist: opening credits | |
| Pauline Duvall | .... | compositor: The Secret Lab/Walt Disney Feature Animation | |
| Pauline Duvall | .... | compositor: titles, Asylum | |
| Bill Fadness | .... | digital camera | |
| Janet Freedland | .... | digital artist | |
| Steven Hall | .... | camera operator | |
| Steven Hall | .... | visual effects director of photography | |
| Kyle J. Healey | .... | art/previs manager | |
| Linda Henry | .... | digital artist | |
| Rory Hinnen | .... | supervising compositor | |
| Meredith Hook | .... | paint and rotoscope artist: Disney Feature Animation | |
| Mark Hopper | .... | visual effects | |
| Sandy Houston | .... | digital 2D paint and roto supervisor | |
| Lawrence Huang | .... | digital artist | |
| Derrick Huckvale | .... | scene setup | |
| Allana Michelle James | .... | associate production coordinator | |
| David James | .... | visual effects plate producer | |
| Michael Kaelin | .... | paint/rotoscope artist: Disney/TSL | |
| Patrick Kavanaugh | .... | digital artist: Asylum | |
| Joan Kim | .... | digital compositor | |
| Daryl Klein | .... | digital compositor | |
| Marta Knudsen | .... | spot removal artist: The Secret Lab | |
| Kenneth Kurras | .... | digital artist | |
| Brian Leach | .... | compositing supervisor | |
| Mark Lefitz | .... | digital effects artist | |
| Michael Levine | .... | technical director | |
| Adolph Lusinsky | .... | lighting lead | |
| Jay Mallet | .... | motion control operator | |
| Colman McMahon | .... | art/previs coordinator: DQI | |
| Jim McPherson | .... | sculptor | |
| Rexford L. Metz | .... | visual effects director of photography: second unit pick-ups | |
| Rick Mietkowski | .... | motion control supervisor | |
| Daniel Miller | .... | digital compositor | |
| Matt Mueller | .... | survey lead: The Secret Lab | |
| John Murrah | .... | technical director | |
| Marc Nanjo | .... | digital compositor | |
| Tony Noel | .... | digital compositor | |
| January Nordman | .... | digital artist | |
| Matthew O'Callaghan | .... | visual effects supervisor | |
| Kim O'Donnell | .... | digital compositor | |
| Felix Ojeda | .... | digital painter | |
| David Oliver | .... | technical director | |
| Amy Pawlowski | .... | visual effects editor | |
| Amy Pfaffinger | .... | digital compositor | |
| Winston Quitasol | .... | digital compositor | |
| Liz Ralston | .... | visual effects producer | |
| Barbara C. Reed | .... | digital artist | |
| Marian Rudnyk | .... | digital artist | |
| Merrick Rustia | .... | match mover | |
| Jim Rygiel | .... | visual effects supervisor | |
| Joe Salazar | .... | digital artist | |
| Atsushi Sato | .... | lead animator | |
| Marc Scott | .... | digital compositor | |
| Jay Shindell | .... | roto and paint artist | |
| Mark Siegel | .... | lighting and texture artist | |
| Brad Smith | .... | render I/O administrator | |
| Doyle Smith | .... | digital paint and tracking | |
| Baudouin Struye | .... | digital painter | |
| Patrick Taylor | .... | digital artist: character rigger | |
| Alessandro Tomassetti | .... | digital compositor | |
| Katie Tucker-Fico | .... | digital compositor (as Katie Tucker) | |
| Erich Turner | .... | digital compositor | |
| Gina Warr | .... | lead compositor: TSL | |
| Makul Wigert | .... | visual effects coordinator | |
| Dean Wright | .... | visual effects executive producer | |
| Steve Yamamoto | .... | animator | |
| Yuichiro Yamashita | .... | visual effects | |
| Allen Battino | .... | visual development artist (uncredited) | |
| Edward Derian Boyke | .... | render I/O administrator (uncredited) | |
| Andy Davis | .... | digital compositor: Asylum (uncredited) | |
| Christian M. Elsensohn | .... | render I/O administrator: Disney/TSL (uncredited) | |
| Christopher James Miller | .... | visual effects (uncredited) | |
Stunts | |||
| George Cottle | .... | stunt driver | |
| Steve Dent | .... | stunt coordinator | |
| Rowley Irlam | .... | stunts | |
| Dominic Preece | .... | stunt double | |
| Tom Delmar | .... | stunt double: Gerard Depardieu (uncredited) | |
| Kelly Dent | .... | stunt double: Alice Evans (uncredited) | |
| Bradley Farmer | .... | stunts (uncredited) | |
| Bradley Farmer | .... | utility stunts (uncredited) | |
| Sy Hollands | .... | stunt double: Glenn Close (uncredited) | |
| Paul Howell | .... | stunts (uncredited) | |
| Paul Jennings | .... | assistant stunt coordinator (uncredited) | |
| Theo Kypri | .... | stunts (uncredited) | |
| Dominic Preece | .... | stunt double: Ioan Gruffudd (uncredited) | |
| Gordon Seed | .... | stunts (uncredited) | |
| C.C. Smiff | .... | stunt double: Tim McInnerny (uncredited) | |
| Peter White | .... | stunts (uncredited) | |
Animation Department | |||
| Rob Dressel | .... | supervising animator | |
| Neal Scanlan | .... | animatronic character effects | |
| Bryan Taylor | .... | digital ink and paint artist | |
Casting Department | |||
| Barbara Harris | .... | adr voice casting | |
| Orla Maxwell | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Rosemary Burrows | .... | costume supervisor | |
| John Cowell | .... | head costume painter | |
| David J. Evans | .... | costume assistant | |
| Jane Law | .... | costumes | |
| Barbara Matera | .... | costumes executed by | |
| William McPhail | .... | wardrobe supervisor | |
| William Steggle | .... | key costumer | |
Editorial Department | |||
| Paul Apted | .... | assistant editor | |
| Mark Deimel | .... | assistant editor | |
| Rus Ekkel | .... | post-production runner: UK | |
| Daniel Fair | .... | assistant editor | |
| Dale E. Grahn | .... | color timer | |
| Jonathan Lucas | .... | first assistant editor | |
| Staci R. Pontins | .... | assistant editor | |
| Mark Sanger | .... | assistant editor: avid | |
Music Department | |||
| Earl Ghaffari | .... | music editor | |
| Jim Harrison | .... | supervising music editor | |
| Gregory Jamrok | .... | orchestrator | |
| Alexander Janko | .... | orchestrator | |
| John Kurlander | .... | score mixer | |
| John Kurlander | .... | score recordist | |
| John Rodd | .... | orchestral scoring recordist | |
| Steven L. Smith | .... | music preparation | |
| Tom Villano | .... | music editor | |
| Michael Fey | .... | music executive (uncredited) | |
| Paul Kegg | .... | musician: cello (uncredited) | |
Transportation Department | |||
| Guy Bostock | .... | picture vehicle technician | |
| Ian Clarke | .... | vehicle technician | |
| Charles Heidet | .... | action vehicle coordinator: France | |
| Graham Kelly | .... | action vehicle coordinator | |
| Smith Laurence | .... | driver: Miss Close | |
| Harry Taylor | .... | driver: Gerard Depardieu | |
| Sean Thornton | .... | picture vehicle technician | |
| Grégoire Mouveau | .... | transportation coordinator (France) (uncredited) | |
Thanks | |||
| Mike Roberts | .... | in memory of | |
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| 101 Dalmatians | Around the World in Eighty Days | The Chronicles of Narnia: The Lion, the Witch and the Wardrobe | One Hundred and One Dalmatians | Garfield: A Tail of Two Kitties |
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Review Summary: Not as good as the first, but decent family fun nonetheless.
Yes we know, it's kid's stuff compared to the original, which is an enjoyable film, no less. This one follows where the original left off. Cruella "Ella" DeVille is kept in prison, and a group of scientist have altered her mind, turning her from evil to a good. Sadly, when the Big Ben rings its chimes, compassionate little Ella turns back to evil Cruella, with plots to capture more puppies for her "Poppy Coat" and for vengeance.
Of course, this one adds one more puppy to the 101 others. Sadly only one of the puppies from the first makes it here (of course, he's full-grown now), it's none other than Dipstick. Besides the dog, Cruella and her stuttering butler Alonzo (Tim McInnerny), no other character from the first film returns for this sequel. The plot, if you removed some elements, is basically similar to the first film. Making this a formulaic sequel, but let's not get to harsh in reviewing this. You got to admit it still has some entertainment value, despite the flaws. The puppies are cute, as always, and some of the laughs are well enjoyable for the kiddies.
So overall, not a brilliant flick, but a fun one for the family.
Rating: *** out of 5.