Riley Davis and Cliff Davis are Seattle police detectives - Riley in narcotics, Cliff recently promoted into the detective ranks in homicide - and estranged brothers. The estrangement is ...
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David A.R. White
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The Shadow Men are immortal beings of darkness and destruction. One such Shadow Man, Os (Zane), is confronted by the White Warrior, a being of light, and given the chance to change his ways... See full summary »
Riley Davis and Cliff Davis are Seattle police detectives - Riley in narcotics, Cliff recently promoted into the detective ranks in homicide - and estranged brothers. The estrangement is due to a former case gone wrong that involved both and their police officer father. The brothers end up working together again on a case, that of murdered model Mark Pearson, the brother of Riley's fiancée, Kenzie Pearson, also a model who works for the same agency. Before Mark died, he mysteriously left for Riley a camera with only one shot taken on the roll of film in it. Riley, after developing the film, finds blurry, indistinguishable images on that photograph. He is certain that those images or the camera itself have something to do with the murder. The case takes on new dimensions when Kenzie is kidnapped. Cliff and the rest of the police force's prime goal is to determine the motive for the murder and thus catch the murderer, while Riley's is to get Kenzie back alive and safe. The process of ... Written by
When you take Eric Bischoff's innovative genius for crafting original and intelligent plots, add to it Steve "Sting" Borden's dynamic and riveting personality(as well as his limitless array of acting and physical skills), combine the two and sprinkle liberally with unsurpassed production values and you get the pinnacle of made-for-TV wrestledrama cop films... Shutterspeed. This magnificent rampaging beast of a film never ceases to amaze, zigging when you expect it to zag. And when you expect it to zig, it punches you right in the brain. My only regret in watching this film is that I didn't die first, so that I could say that I came back from the dead to watch Steve "Sting" Borden turn in the best ever portrayal of a renegade cop by a reanimated mannequin. That's mostly true, my only regret really is that I didn't die first.
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