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Center Stage (2000)

 -  Drama | Music  -  12 May 2000 (USA)
6.6
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Ratings: 6.6/10 from 13,594 users   Metascore: 52/100
Reviews: 206 user | 70 critic | 33 from Metacritic.com

A group of 12 teenagers from various backgrounds enroll at the American Ballet Academy in New York to make it as ballet dancers and each one deals with the problems and stress of training and getting ahead in the world of dance.

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Title: Center Stage (2000)

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Cast

Cast overview, first billed only:
...
Jody
Christine Dunham ...
Audition Teacher
Stephen Stout ...
Maryann Plunkett ...
Laura Hicks ...
Nervous Mother
Barbara Caruso ...
ABA Scout
Jeff Hayenga ...
ABA Scout (as Jeffrey Hayenga)
...
Eva (as Zoë Saldana)
...
Thomas
Karen Shallo ...
Mother at Audition
...
Eva's Friend
Giselle Daly ...
Eva's Friend
...
...
Maureen
...
Erik (as Shakiem Evens)
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Storyline

The education of three young students, Jodie, Eva and Maureen, as they study at the American Ballet Academy. Life isn't what they expected at the esteemed ABA, and all three face problems along the road. Jodie doesn't have the "ideal" body for dancing, Eva doesn't have the right attitude, and Maureen doesn't have the heart. Along the way, they learn that love can be found in unlikely places, and dancing should be a passion, not a duty. Written by the lexster

Plot Summary | Plot Synopsis

Plot Keywords:

ballet | dancer | love | dancing | dance | See more »

Taglines:

Life doesn't hold tryouts.

Genres:

Drama | Music

Motion Picture Rating (MPAA)

Rated PG-13 for language and some sensuality | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

12 May 2000 (USA)  »

Also Known As:

City Ballet  »

Box Office

Budget:

$18,000,000 (estimated)

Opening Weekend:

$4,604,621 (USA) (12 May 2000)

Gross:

ESP 14,363,416 (Spain) (29 June 2001)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

The American Ballet Company does not exist. There is, however, the American Ballet Theater (ABT), where Ethan Stiefel (Cooper Nielson) was a principal dancer until 2012. He is now the artistic director of the Royal New Zealand Ballet See more »

Goofs

When the Jonathan Reeves and Cooper are chatting in the theater, you see Eric coming down from the jump solidly in the background. In the next instant he has fallen over and injured his ankle. His landing from the jump shows no imbalance that would lead to an injury. See more »

Quotes

Maureen Cummings: I'm just trying to be honest. That's what friends do.
Eva: I guess that would explain why you have so many friends.
See more »

Connections

Featured in The Making of 'Center Stage' (2000) See more »

Soundtracks

We're Dancing
Written by Phillip Aaron, John Mortera & Vaughn Stewart
P.Y.T.
See more »

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User Reviews

Shut Up and Dance
3 June 2000 | by (Baton Rouge, LA) – See all my reviews



Every now and then there's a new movie about dancers, or dancing, or one with a lot of dancing in it. From Astaire to Kelly to Hines, it's the poetry of motion. If you have any appreciation for the art form whatsoever, the one to see right now is Center Stage. It's about a school year in the life of three teenage girls who are roommates at a ballet academy in New York. They pass the auditions to get into the school, but then have to work as hard as possible to move on from there. At the end of the year is a workshop performance where they can be seen by most of the people in the industry who could hire them, including the resident company. They work toward and hope for a career in the most demanding pursuit imaginable, facing gifted competition, and placed on a limited schedule. "A dancer has ten years, maybe fifteen if they're not injured" in order to peak in their career and be the best they can ever be. A singer can sing most of their life. An actor can act all his life. A dancer's clock is ticking. It's only a matter of time before they can only teach and choreograph, so there's a unique sense of urgency to start young, study hard, and survive. All that might make a good movie. Might not.

Along with the good, you have to take the less than good. The characters are nothing new. There's the naive female ingŽnue (Amanda Schull), the bad girl (Zoe Saldana), the favorite girl (Susan May Pratt), the cocky lead boy (Ethan Stiefel, "hailed as the most advanced male dancer in the world"), the nice guy dancer (Sascha Radetsky), the nice guy non-dancer (Eion Bailey), the gay friend (Shakiem Evans), the pushy mother (Debra Monk), the demanding teacher (Donna Murphy), and the dictatorial company director (Peter Gallagher). How'd he get in there? There's even a Russian figure skater (Ilia Kulik) in the cast as a dancer. By the way, everybody is amazingly good-looking. Kind of like, Friends as done by George Ballanchine. Only in the movies, right? The story is nothing new either. Will everything work out? Will their dreams come true? Will they survive the heartbreaks of love, and the bodyaches of dance? Well, it's the movies, isn't it? Since the cast features some of the youngest and best dancers in the world, the acting comes second. Often a distant second. Or third. Don't expect any awards to be handed out in that area. Some parts are surprisingly weak, but then they move on and get back to letting their feet do the talking.

Did I mention that the only reason to see this is for the dancing? The way it's filmed here is excellent, without actually having to go to a ballet. The beauty of movement, the grace of the girls, and the strength and skill of the boys is captured as well as any other movie in the subject you're likely to see. The big dance numbers at the end are worth seeing by themselves, including more modern styles. Beforehand, there are a couple of dance scenes without ballet. The kids go to a club one night and salsa, and later we see a bunch of Broadway hoofers in a jazz class lead by Priscilla Lopez (original cast of A Chorus Line) that reminded me of scenes in All That Jazz. Those were the most fun. Other scenes will remind you of The Turning Point, White Nights, and even Dirty Dancing. The comparison to Fame is inevitable. That was then, this is a new century. The natural talent, dedication, motivation, support, and ass-busting hard work needed to succeed at this kind of life is touched on here, but also touched on is the sheer love of the game. For dance itself. That's the main thing. E-mail and comments are welcome.


20 of 26 people found this review helpful.  Was this review helpful to you?

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