A group of 12 teenagers from various backgrounds enroll at the American Ballet Academy in New York to make it as ballet dancers and each one deals with the problems and stress of training and getting ahead in the world of dance.
Cool is a struggling actor fed up with stereotypical African-American roles. While pumping gas to make ends meet, he collides with his ex-fiance after 3 years of silence. She is getting ... See full summary »
Sara joins Julliard in New York to fulfill her and her mother's dream of becoming the Prima ballerina of the school. She befriends her roommates, Zoe and Miles, who teach hip-hop classes. ... See full summary »
A Catholic priest (Padre Geronimo) goes to a small town to solve some strange things that are happening in that town, things that come from the unknown, and gets involved in a romantic relationship with a young woman of the village.
The education of three young students, Jodie, Eva and Maureen, as they study at the American Ballet Academy. Life isn't what they expected at the esteemed ABA, and all three face problems along the road. Jodie doesn't have the "ideal" body for dancing, Eva doesn't have the right attitude, and Maureen doesn't have the heart. Along the way, they learn that love can be found in unlikely places, and dancing should be a passion, not a duty. Written by
After Jody tells her parents she has been accepted into the ABA, her mom suggests she could still go to college, and says, "Indiana has a great dance program." Amanda Schull, who plays Jody, actually attended Indiana University for two years. See more »
When Charlie and Jody are looking in the paper, Charlie has his arm behind Jody's head. When Jonathan gets onto them for talking, he moves it down, but when Cooper comes over and pulls the paper down, Charlie's arm is behind Jody's head again. See more »
Come on, I know it's not cool to admit to liking what is essentially a cheesy teen flick. But go ahead, say it aloud - this is a fun movie! Sappy, badly acted, full of exaggerated clichés and one-liner groaners, Center Stage nevertheless has a kind of charm to it. No, it's not an Oscar contender or a change-your-life kind of movie. This is pure escapism, plain and simple. But - say it together with me now - there's nothing wrong with that.
Amanda Schull plays Jody, a wannabe ballet dancer who gets accepted to the prestigious American Ballet Academy. The movie follows her life and that of her friends and fellow students, who fall into the predictable stereotypes. There's Eva (Zoe Saldana), the city kid with attitude. There's Maureen (Susan May Pratt), the teacher's pet. There's Erik (Shakiem Evans), the gay guy. There's Cooper (Ethan Stiefel), the bad-boy celebrity who's still in love with the director's wife ballerina. There's Charlie (Sascha Radetsky), the perfect good guy. One has the obnoxious stage mom. Another has the talent but not the drive. A third has the drive but not the talent. Etcetera. And the lives of the students take the typical high school romantic twists and turns, as the students compete for one of three spots in the company by the end of the year, and also in the various love triangles between the cast. There are few surprises here.
None of the cast is much of an actor - Schull is particularly uneven - and the plot has a sort of predictability to it that make eyes roll.
So why the 8/10? Well, because despite all this, Center Stage is a great amount of fun - mostly due to the dancing.
By casting real dancers in a lot of the roles, Center Stage lends an air of credibility to the lavishly filmed dance sequences, clearly done with love by such talents as world-leading dancers Julie Kent and Ethan Stiefel (widely considered to be one of the best ballet dancers in the world) as well as relatively new talents such as Amanda Schull. Some of the actors have body doubles dancing for them, such as Zoe Saldana - who had some dance training but not at the level required by the film. But overall, the dance scenes are the best part of the movie, especially Cooper's ballet at the end.
Some movies are great because they change your life or make you think. Center Stage is great because it's like candy - full of saccharine sugar and empty calories, but eminently watchable over and over again. Sometimes movies don't have to be socially relevant or intellectually stimulating to be good. Sometimes, escapism is OK too.
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