A group of 12 teenagers from various backgrounds enroll at the American Ballet Academy in New York to make it as ballet dancers and each one deals with the problems and stress of training and getting ahead in the world of dance.
Cool is a struggling actor fed up with stereotypical African-American roles. While pumping gas to make ends meet, he collides with his ex-fiance after 3 years of silence. She is getting ... See full summary »
A Catholic priest (Padre Geronimo) goes to a small town to solve some strange things that are happening in that town, things that come from the unknown, and gets involved in a romantic relationship with a young woman of the village.
The education of three young students, Jodie, Eva and Maureen, as they study at the American Ballet Academy. Life isn't what they expected at the esteemed ABA, and all three face problems along the road. Jodie doesn't have the "ideal" body for dancing, Eva doesn't have the right attitude, and Maureen doesn't have the heart. Along the way, they learn that love can be found in unlikely places, and dancing should be a passion, not a duty. Written by
During the last ballet sequence that has Jody dressed in red, in the beginning shot her point shoes are pink. In all shots afterward, they are red. This is because she is wearing pink shoes the entire performance leading up to this, and as the camera pans down her body and back up, she is in a new outfit with new hair and makeup. This is a transition to let the audience know without showing it, that there has been an intermission and Jody has changed. See more »
[In pas de deux class]
I am your slave.
I'd believe it more if you weren't staring at your fucking reflection when you said it.
If someone wants to hear profanity, Miss Rodriguez, they can take a subway. They don't need to spend sixty dollars on a ballet ticket.
Though she has a point.
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Wouldn't it be nice if someone produced a film about ballet with an interesting story? Unfortunately, `Center Stage' is not it. While charming at times with a very upbeat ending, the story is ultimately just another jejune and unoriginal teen flick. Instead of teens in jeans, we have teens in tights. Otherwise, the storylines are indistinguishable, lacking anything that approaches novelty, depth or substance.
That having been said, this likeable film was easy to watch and the dancing was exquisite. If only there had been more of it. The fact that the cast was filled with real dancers instead of actors pretending to be dancers improved its realism and delivered fantastic dancing scenes without the need for stunt dancers. Unfortunately, the flip side of this decision was the fact that the acting was generally mediocre.
Two standouts were Amanda Schull (Jody Sawyer) and Zoe Saldana (Eva Rodriguez). Schull was affable yet determined and was most credible in her portrayal of a struggling dancer. Saldana played the irreverent bad girl who was brilliantly talented but had trouble with authority. She emerged as the most complete of any of the cast members, being both a good dancer and an excellent actor.
On the terrible side, we have Susan May Pratt (Maureen), who has done a string of teen flicks (`Drive Me Crazy', `Ten Things I Hate About You'). As always, she was consistently puerile and abrasive. Peter Gallagher is not known for lighting up the screen, but he was flat even for him (if that is possible).
I rated this film a 7/10 because I love ballet and all kinds of dance. Subtract at least two points if you don't share that passion, unless you love teen flicks.
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