| Ian Holm | ... | Narrator (voice) | |
| Jeffrey Golden | ... | Editor (as Jeff Golden) | |
| Jo Vukelich | ... | Mary Sweeney | |
| Marcus Monroe | ... | Young Anderson | |
| Marilyn White | ... | Pauline L'Allemand | |
| John Schneider | ... | Asylum Clerk / Whispering Voice | |
| John Baltes | ... | Undertaker | |
| Raeleen McMillion | ... | Crying Woman | |
| Krista Grambow | ... | Mourning Woman | |
| Clay Anton | ... | Eloping Couple (male) | |
| Bobbie Jo Westphal | ... | Eloping Couple (female) | |
| Scott Hulbert | ... | Pouch | |
| Zeke Dasho | ... | Edgar L'Allemand | |
| rest of cast listed alphabetically: | |||
| Kathryn Anderson | ... | Mrs. Larson | |
| Kevin Anderson | ... | Larson Child | |
| Liam Anderson | ... | Larson Child | |
| Molly Anderson | ... | Mrs. Larson | |
| Nathan Butchart | ... | Dead Boy | |
| Angel Hamilton | ... | Fire Girl | |
| Ali Ide | ... | Winter Bride | |
| Brittany Istre | ... | Baptized Girl | |
| Marc Jacobs | ... | Hanging Man | |
| Dana Joseph | ... | Girl at Window | |
| Joshua Kapp | ... | Baby | |
| Eddie Kunz | ... | Abandoned Boy | |
| Cody Marenes | ... | Boy | |
| Tyler Marenes | ... | Running Boy | |
| Tess Miller | ... | Coffin Girl | |
| Braden Moran | ... | Husband | |
| Michael Olson | ... | Asylum Guard | |
| Emily Roske | ... | Sister | |
| Will Roske | ... | 9 Year Old Shooter | |
| Clayton Simchick | ... | Hanging Man (as Clay Simchick) | |
| Debbi Sommi | ... | Servant Girl | |
| Jeana Stillman | ... | Drowned Girl | |
| Steven Strobel | ... | Union Man | |
| M. Scott Taulman | ... | The Jailer | |
Directed by | |||
| James Marsh | |||
Writing credits | ||
| Michael Lesy | (book) | |
| James Marsh | (writer) | |
Produced by | |||
| Nancy Abraham | .... | supervising producer: Cinemax | |
| Carol Hirschi | .... | executive producer: Hands On Productions | |
| James Marsh | .... | producer | |
| Sheila Nevins | .... | executive producer: Cinemax | |
| Maureen A. Ryan | .... | producer | |
| Anthony Wall | .... | executive producer | |
Original Music by | |||
| DJ Shadow | |||
Cinematography by | |||
| Eigil Bryld | (director of photography) (segments: "The Possessed", "The Eighteenth", "Rikoschet") | ||
Film Editing by | |||
| Jinx Godfrey | |||
Casting by | |||
| Teresa Boyeson | |||
Art Direction by | |||
| Carol Hirschi | |||
Costume Design by | |||
| Ellen Kozak | |||
Makeup Department | |||
| Christopher Russo | .... | hair stylist | |
| Christopher Russo | .... | makeup artist | |
Sound Department | |||
| Trevor Barber | .... | sound mixer | |
| Thomas Berna | .... | additional sound recordist | |
| Kevin Falk | .... | additional sound recordist | |
| Jinx Godfrey | .... | sound effects designer | |
| Jeff Irwin | .... | additional sound recordist | |
| James Marsh | .... | sound effects designer | |
| David Old | .... | sound dubbing mixer: De Lane Lea Studios | |
| Otto Rammer | .... | additional sound recordist | |
| Jimmy Roache | .... | sound recordist | |
| Dave Wysocky | .... | additional sound recordist (as David Wysocky) | |
Special Effects by | |||
| Lynn Marie Neunfeldt | .... | special effects assistant (as Lyn Marie Nuenfeldt) | |
| Christopher Russo | .... | special effects makeup | |
| Clayton Simchick | .... | special effects foreman (as Clay Simchick) | |
Visual Effects by | |||
| Steen Lyders Hansen | .... | Inferno artist: Destiny 601 | |
| Andreas Rostock | .... | Inferno artist: Destiny 601 | |
Stunts | |||
| Marc Jacobs | .... | stunts | |
| Clayton Simchick | .... | stunts (as Clay Simchick) | |
| Joe Spang | .... | stunt safety | |
| Don Unverrich | .... | stunt safety | |
Camera and Electrical Department | |||
| Janice Arthur | .... | Steadicam operator | |
| Carlo Besasie | .... | gaffer (as Carl 'Vinny' Besasie) | |
| P.J. Bodi | .... | crane operator: Bodi & Company | |
| Frank G. DeMarco | .... | additional photographer (as Frank DeMarco) | |
| Frank G. DeMarco | .... | camera operator: additional black & white photography (as Frank DeMarco) | |
| Kevin Dexter | .... | additional assistant camera | |
| Bob Donnelly | .... | additional photographer | |
| Bob Donnelly | .... | camera operator: additional color photography | |
| Doug Foote | .... | assistant camera | |
| Mike Gillis | .... | electrician | |
| Mike Gillis | .... | grip | |
| Patrick Haley | .... | electrician | |
| Patrick Haley | .... | grip | |
| Otto Mation | .... | key grip | |
| Scott Quimby | .... | electrician | |
| Scott Quimby | .... | grip | |
| Chris Shelley | .... | camera operator: rostrum camera, Frameline | |
| Joe Spang | .... | electrician | |
| Joe Spang | .... | grip | |
| Don Unverrich | .... | electrician | |
| Don Unverrich | .... | grip | |
Casting Department | |||
| Carol Hirschi | .... | casting consultant | |
| Raeleen McMillion | .... | casting consultant | |
Costume and Wardrobe Department | |||
| Ellen Kozak | .... | wardrobe supervisor | |
Editorial Department | |||
| Phil Bricklebank | .... | colorist | |
| Pamela Esterson | .... | post-production coordinator | |
| Richard Wilding | .... | on-line editor | |
Other crew | |||
| Todd Bausch | .... | horse wrangler | |
| Warwick Gee | .... | production consultant | |
| Kristin Gibbons | .... | production assistant | |
| Darleen Gutknecht | .... | production assistant | |
| Joe Hazelton | .... | production assistant | |
| Roger Hendry | .... | finance manager | |
| Ron Micoley | .... | production assistant | |
| Lynn Marie Neunfeldt | .... | additional production coordinator (as Lyn Marie Neuenfeldt) | |
| Becky Whitehorse | .... | production coordinator | |
| Recent Posts (updated daily) | User |
|---|---|
| Music Help | bachemar |
| A beautifully disturbing film | sabbersolo |
| Where can I watch this online? | Cletus-Van-Dam |
| Mary Sweeney | joygu1 |
| Static-X | Van_Detta |
| Take it for what it is | ranarian |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
'Nowhere in this great continent of ours can be found a more desirable residence.' This is a pitch for the small town of Black River Falls, Wisconsin. If by any chance you've already accepted this seemingly ordinarily little exaggeration as the truth, then its time you saw a melancholic little documentary called Wisconsin Death Trip.
This is a film which details the events that occurred in Black River Falls during the 1890s and is the director James Marsh's take on the 1970s literary cult classic of the same name, written by Michael Lesy. It seems that the whole town was besieged by fits of suicide, murder, lunacy and several inexplicable and bizarre events that could have been plucked cleanly from an Edward Gory poem. The grim and dark character of this strange little town and its inhabitants are communicated through photographs taken at the time and newspaper reports. The photos are connected to starkly beautiful black and white recreations of the odd goings-on of Black River Falls. Ian Holm narrates the film in a haunting and sometimes blackly comic manner, and a few records from the local insane asylum are whispered disturbingly, telling us about the many inhabitants who were committed there. The recreations are shot with dazzling fluidity, all are stunning to watch and every single one shocks or horrifies to an enthralling degree.
Like Aronofsky's Requiem for a Dream, this twisted tale takes place over several seasons and the other-worldly events just keep on happening; from a farmer who blew his own head off with dynamite to a 63 year old-14 year old paedophilliac marriage, they seem never-ending as the depressing Wisconsin Winter looms over the horizon. There are certain characters who keep reappearing throughout the film such as the 13 year old who shot an old man for fun and then participated in a western style chase and gun fight with a posse, and the has-been opera singer, Pauline L'Allemand, who moved to Black River Falls and slowly went mad, hearing voices from the spirit world and ended up in the Mendota Asylum for the Insane.
It is the morbid fascination that resides in some of us which makes us want to watch this to the end, to see just how tantalizingly strange the events in this town can get. The macabre style is pulled off with perfection; it is often grisly and melancholic to watch and yet I was fascinated by it and soaked up every moment. Wisconsin Death Trip fails, however in trying to convince us that Black River Falls hasn't changed since the 1890s. Its attempts (in colour, rather than black and white like the rest of the film), are rather forced and unsatisfying. But the blank, placid faces of the old people of the modern day town are certainly reminiscent of the photos taken back at the end of the 19th century. Perhaps the sheer number of the events at the time makes the film a little unbelievable, but it is the photos which remind us that these events actually took place and aid in bringing home the Gothic and demented atmosphere of the whole tragic tale.
The truth is: I was horrified and engrossed in the story of this freakish town and the maniacs who resided there. Then, after thinking about it, I realized that the crimes of passion, suicides and gun violence of our so-called 'modern society' were happening over a century ago. I believe that this is one of the most significant points James Marsh was trying to put across.
However, there are still some out and out undeniably weird happenings that took place in Black River Falls which would leave us utterly aghast if we saw them in the present day. When viewing, be sure to look out for the Polish girl who set fire to numerous buildings because she was 'lonely and homesick and needed some excitement.' and especially Mary Sweeney, with her window smashing antics.