The film dramatizes about a dozen vignettes from the life of St. Francis and his early followers - starting with their return in the rain to Rivotorlo from Rome when the Pope blessed their ... See full summary »
A demon bestows on a self-righteous working photographer's camera the power to smite from the Earth "evil-doers". Naturally, the indignant photographer turns his new weapon on, one by one, ... See full summary »
A barber, murderer because of jealousy, spends twenty years in jail. He cannot, however adjust himself to a changed world and to the hypocracy of his own relatives and decides to return ... See full summary »
Karen, a young woman from the Baltic countries, marries fisherman Antonio to escape from a prisoners camp. But the life in Antonio's village, Stromboli, threatened by the volcano, is a tough one and Karen cannot get used to it.
Irene Girard is an ambassador's wife and used to always live in luxury. After the dramatic death of her son, she feels guilty of having neglected him and feels compelled to help people in ... See full summary »
A French/Italian co-production with two episodes from Italy and five from France covering the seven deadly sins---actually eight as two of the sins are covered in one episode while a new "... See full summary »
An excellent treatment of the last days of Socrates
Apparently, no one else has seen this. That's a pity. Anyone who has studied Plato would love it, I think. Of course, it doesn't beat the actual reading of Plato's dialogues, but it's a nice supplement. The adaptation is straightforward. The Euthyphro, Apology, Crito, and Phaedo are reduced in size, but their contents are there. Also there is to be found pieces of The Republic and many others that I probably haven't read yet (the Protagoras and Lysias are mentioned directly). The Symposium, which is the only dialogue that I can say I know particularly well, is briefly alluded to. There's also a great scene where a man teases Socrates by citing Aristophanes' The Clouds, which was the play that, according to the Apology, sowed the seeds of his death. Rosselini's direction is subtle and exquisite. The camera moves perfectly. The production design is great. A lot of research went into this to make it as accurate as possible. I don't know of any film that has done as well in these aspects. The acting is also perfect. The man who plays Socrates IS Socrates. 9/10.
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