Is the story of Samantha and Dov Ernst, American Zionists who emigrated to Palestine. Kalkofsky, a German Jew and bookseller, left behind his family in Europe. He accommodates Silvia, a young revolutionary against British rule.
Based on the life of a classic french cineast Jean Vigo, the story follows his daily struggle with sanity, normal life and uncompromising filmmaking. Story also focuses on his relationship ... See full summary »
The film is set in Northern Ireland shortly after 1994 cease-fire. Hazel is a Protestant and Malachy a Catholic. Romance between them is threatened by Rohan (leader in militant underground ... See full summary »
Somerset, 1958. Eva enters adulthood with good humor, keeping house for her absent-minded father, letting her younger sister Janie in on the secrets of growing up, working at a furniture ... See full summary »
Although married and pregnant Rose has always been Mother's favorite, it is younger sister Iris whose life is shaken up by Mother's death. Suffocating, Iris spirals out of control and copes... See full summary »
Butch "Bullet" Stein is a Jewish junkie from the mean streets of Brooklyn, is paroled after eight years in prison. Butch rips off a runner for local drug dealer, Tank, and is soon right ... See full summary »
As they are rolling around from the effects of "Thornapple", the shot of the clouds rolling by show the quick streak of the exhaust of a jet airplane zipping from bottom to top of the picture. See more »
Samuel Taylor Coleridge:
Like one that on a lonesome road doth walk in fear and dread, and having once turned 'roud walks on and turns no more his head, because he knows a frightful fiend doth close behind him tred. 'Tis a strange place this limbo, not a place yet named so.
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The Cast Listing credits starts with Coleridge in modern day London. The soundtrack is Olivia Newton-John's 1980's hit, Xanadu. See more »
A drama first and biopic second, "Pandaemonium" tells of the midlife of renown classical wordsmith and critic Samuel Taylor Coleridge who's life was not terribly interesting though he was on the cutting edge of 19th century neoromantic poetry. Probably taking some liberties for dramatic purposes, the film involves the poet's relationships with William Wordsworth, his opium addiction, his troubled marriage, and, of course, his struggle with the demons of the creative process. Visually beautiful, well acted, but a tad theatrical with some annoying interjections, Pandaemonium" is probably too esoteric for the film-going public at large. A splendid effort which will likely be most appreciated by those into classical literature - particularly 19th century poetry. (B)
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