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Bayside Shakedown (1998)
"Odoru daisosasen" (original title)

6.7
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Ratings: 6.7/10 from 525 users  
Reviews: 9 user | 5 critic

Aoshima, a police detective working in the Bayside Precinct, is continually frustrated by the hierarchy and red tape that plague the system. His friend Muroi is climbing the ladder of the ... See full summary »

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Title: Bayside Shakedown (1998)

Bayside Shakedown (1998) on IMDb 6.7/10

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6 wins & 10 nominations. See more awards »
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Cast

Credited cast:
Yûji Oda ...
Toshirô Yanagiba ...
Eri Fukatsu ...
Miki Mizuno ...
Chôsuke Ikariya ...
Sôichirô Kitamura ...
Takehiko Ono ...
...
Manami Hyuga
Kenta Satoi ...
Yûsuke Santamaria ...
Toshio Kakei ...
Daisuke Ryû ...
Ohbayashi
Rest of cast listed alphabetically:
Kuniyasu Atsumi
Shigeru Kôyama ...
Tokyo Metropolitan Police Station vice-chief Toshiaki Yoshida
Jun Oda
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Storyline

Aoshima, a police detective working in the Bayside Precinct, is continually frustrated by the hierarchy and red tape that plague the system. His friend Muroi is climbing the ladder of the police bureaucracy. Muroi has made a pact with Aoshima that while Aoshima looks after the streets, Muroi would make life easier for the cops on the beat. One day in Bayside, a series of events turns the small station upside down. A corpse is found in the river, then the Police Commissioner is kidnapped, leading to the Metropolitian Police Department to take over the investigation which is led by Murai. Will he be true to his pact with Aoshima and co-operate with the local police? In the meantime, the murder investigation leads to a morbid web page and a deadly chat room in cyberspace... Written by L.H. Wong <lhw@sfs.org.sg>

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Wangan-sho shijo saiaku no 3-kakan!


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31 October 1998 (Japan)  »

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Odoru daisosasen  »

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User Reviews

 
Directionless
28 November 2000 | by (Singapore) – See all my reviews

What is this show trying to say? Action, Horror, Romance, Culture Clashes, Loyalty, the old and the new etc. I know it's wrong to pigeonhole something but really, this show suffers from a lack of focus. Done properly, it would have carried some merit. But what I saw was just slipshod film-making. The ending was so over sentimentalised that it was barf-inducing. Terrible.


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