LeAnn Rimes plays herself from her childhood in Nashville to her performing around the country as a country-western singer, until she has to make a choice: Does she perform at the Grand Ole... See full summary »
Do you like Terrence McNally's stage plays? If so, you'll probably like his television play "The Last Mile" just fine.
If, on the other hand, you find McNally narrow and self-referential in his concerns; if it seems to you that he displays his passions rather than sharing them; if you suspect that, deep down, he genuinely despises women -- well, "The Last Mile" won't change your mind one bit.
It doesn't help that Bernadette Peters gives what may be the worst performance of her career. Granted, she's a singer, but there is a world of difference between belting into a microphone that's an inch away and singing opera. Every time Peters opens her mouth to "sing," she tells us that she doesn't know a thing about the latter. (Paul Sorvino, a classically trained tenor, does a lot better with this, and whomever that is dubbing Peters is awfully good!)
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