| Photos (See all 11 | slideshow) | Videos (see all 3) |
| Emily Perkins | ... | Brigitte | |
| Katharine Isabelle | ... | Ginger | |
| Kris Lemche | ... | Sam | |
| Mimi Rogers | ... | Pamela | |
| Jesse Moss | ... | Jason | |
| Danielle Hampton | ... | Trina | |
| John Bourgeois | ... | Henry | |
| Peter Keleghan | ... | Mr. Wayne | |
| Christopher Redman | ... | Ben | |
| Jimmy MacInnis | ... | Tim | |
| Lindsay Leese | ... | Nurse Ferry | |
| Wendii Fulford | ... | Ms. Sykes | |
| Ann Baggley | ... | Mother | |
| Graeme Robertson | ... | Toddler | |
| Maxwell Robertson | ... | Toddler | |
| Pak-Kwong Ho | ... | Janitor (as Pak-Kong Ho) | |
| Bryon Bully | ... | Hockey Kid | |
| Steven Taylor | ... | Puppy Kid | |
| Nick Nolan | ... | Creature / Gingerwolf | |
| rest of cast listed alphabetically: | |||
| Joey Paul Gowdy | ... | Student Blue Backpack (uncredited) | |
| Lucy Lawless | ... | Announcer on School's PA System (voice) (uncredited) | |
Directed by | |||
| John Fawcett | |||
Writing credits | ||
| Karen Walton | (story) & | |
| John Fawcett | (story) | |
| Karen Walton | (written by) | |
Produced by | |||
| Tina Goldlist | .... | associate producer | |
| Karen Lee Hall | .... | producer | |
| Steven Hoban | .... | producer (as Steve Hoban) | |
| Dan Lyon | .... | executive producer (as Daniel Lyon) | |
| Alicia Reilly Larson | .... | executive producer (as Alicia Reilly-Larson) | |
| Noah Segal | .... | executive producer | |
Original Music by | |||
| Mike Shields | (as Michael Shields) | ||
Cinematography by | |||
| Thom Best | (director of photography) | ||
Film Editing by | |||
| Brett Sullivan | |||
Casting by | |||
| Robin D. Cook | |||
Production Design by | |||
| Todd Cherniawsky | |||
Art Direction by | |||
| Mary Wilkinson | |||
Set Decoration by | |||
| Eric McNab | |||
Costume Design by | |||
| Lea Carlson | |||
Makeup Department | |||
| Gérald Altenburg | .... | wig maker (as Gerald Altenburg) | |
| Sarah Fairbairn | .... | makeup artist | |
| Jenn Gould | .... | makeup assistant: second unit (as Jen Gould) | |
| Paul Jones | .... | special makeup effects artist | |
| Candice Ornstein | .... | makeup assistant: second unit | |
| Jordan Samuel | .... | makeup artist | |
| Suzanne Savage | .... | hair stylist | |
Production Management | |||
| Robert J. Pazoro | .... | production manager (as Roberta J. Pazdro) | |
| Lori A. Waters | .... | post-production supervisor (as Lori Waters) | |
Second Unit Director or Assistant Director | |||
| Patrick Arias | .... | second assistant director: second unit | |
| Grant Harvey | .... | second unit director | |
| Sheldon Inkol | .... | first assistant director: second unit | |
| David McLennan | .... | first assistant director | |
| Craig Newman | .... | third assistant director | |
| Michelle Redel | .... | trainee assistant director: second unit | |
| Neil Winemaker | .... | trainee assistant director | |
| Laura Wood Fawcett | .... | second assistant director | |
Art Department | |||
| Frank Consiglio | .... | set dresser | |
| Patrick Cooke | .... | on-set dresser | |
| Joanne Filleti | .... | key painter (as Joanne F. Filleti) | |
| Michael Followes | .... | property master | |
| Julia Holden | .... | storyboard artist | |
| Vincenzo Natali | .... | storyboard artist | |
| Dan Norton | .... | first assistant art director | |
| Derreck Roemer | .... | assistant property master | |
| Monique Roy | .... | lead set dresser | |
| Jack St. John | .... | head carpenter | |
| Frans Van Gerwen | .... | construction coordinator | |
| Joanna Weinstein | .... | food stylist | |
| Cindy Yetman | .... | property master: second unit (uncredited) | |
Sound Department | |||
| Marina Adam | .... | foley assistant | |
| Tom Blainey | .... | adr recordist | |
| Fred Brennan | .... | adr editor | |
| Kathy Choi | .... | second assistant sound editor | |
| Susan Fairbairn | .... | first assistant sound editor | |
| Robert Fletcher | .... | location sound recordist | |
| Jeff Hamon | .... | adr recordist | |
| Garrett Kerr | .... | supervising dialogue editor | |
| Bob Lacivita | .... | adr recordist | |
| Mishann Lau | .... | dialogue editor | |
| Geoff Lippman | .... | sound consultant: Dolby (as Geof Lipman) | |
| Kirk Lynds | .... | sound re-recording assistant | |
| Stephen Marian | .... | boom operator (as Steve Marian) | |
| David McCallum | .... | sound designer | |
| David McCallum | .... | supervising sound editor | |
| Jason Milligan | .... | boom operator | |
| Steve Moore | .... | sound re-recording assistant | |
| Donna Powell | .... | foley artist | |
| Ian Rankin | .... | additional sound re-recording mixer | |
| Ian Rankin | .... | foley recordist | |
| Lou Solakofski | .... | sound re-recording mixer | |
| Orest Sushko | .... | sound re-recording mixer | |
| Jane Tattersall | .... | sound effects editor | |
| Robert Warchol | .... | sound effects editor | |
| Randy Wilson | .... | adr recordist | |
| David Yonson | .... | adr recordist | |
Special Effects by | |||
| Reg Ashby | .... | special effects assistant | |
| Rob Crawford | .... | special effects assistant | |
| Fifi Dadanka | .... | effects artist | |
| Carl Faber | .... | effects artist | |
| Matthew Galliford | .... | effects artist | |
| Kelly Groh | .... | prosthetic costume coordinator | |
| Shaune Harrison | .... | key prosthetic artist | |
| Kate Hill | .... | key prosthetic artist | |
| Tiar Hollub | .... | effects artist | |
| Brock Jolliffe | .... | special effects supervisor | |
| Paul Jones | .... | creature effects | |
| John Kernigan | .... | prosthetic costume coordinator | |
| Vicky Mifsud | .... | prosthetic artist | |
| Mike Pyette | .... | effects artist | |
| Rudy Rivas | .... | special effects assistant | |
| David Scott | .... | effects artist | |
| Dan Sheehan | .... | effects artist | |
| Anthony Veilleux | .... | effects artist | |
| Scott Patton | .... | sculptor (uncredited) | |
Visual Effects by | |||
| John Furniotis | .... | visual effects supervisor | |
| Jamie Hallett | .... | digital composites | |
| Jamie Hallett | .... | opening title composite | |
| Chris Nguyen | .... | film scanning and recording | |
| David Salter | .... | digital composites | |
| Bob Yoshioka | .... | digital composites | |
Stunts | |||
| Brittney Banks | .... | stunt performer | |
| Shelley Cook | .... | stunt coordinator | |
| Kym Kristalie | .... | stunt performer | |
| Jessica Meyer | .... | stunt performer | |
| Regan Moore | .... | stunt performer | |
| Edward A. Queffelec | .... | stunt rigger | |
| Billy Oliver | .... | stunts (uncredited) | |
Casting Department | |||
| Megan Conacher | .... | extras casting | |
| Caroline Klein | .... | extras casting assistant | |
| Robert McGee | .... | casting: USA | |
| Linda Phillips-Palo | .... | casting: USA (as Linda Philips-Palo) | |
Editorial Department | |||
| Michele Francis | .... | first assistant editor | |
| Ricardo Olivero | .... | color timer | |
| Catherine Rankin | .... | negative cutter | |
Music Department | |||
| Howard Jones | .... | composer: song "Temple from Within" | |
| Tanya Kalmanovitch | .... | music arranger: strings | |
| Jason Lawrence | .... | music recording assistant | |
| Scot McFadyen | .... | music supervisor | |
| Beau Shiminsky | .... | music recordist | |
Transportation Department | |||
| Glen Avigdor | .... | transportation captain | |
| Allan Fear | .... | driver | |
| Lora Kitchener | .... | transportation coordinator | |
| Scott Magee | .... | driver | |
| Richard Miazek | .... | driver | |
| John Osmokrovic | .... | driver | |
| Doug Warren | .... | driver | |
Other crew | |||
| Taryn Ash | .... | stand-in | |
| Mark 'The Bish' Bishop | .... | production assistant | |
| Debbie Bromley | .... | location maintenance | |
| Ken Chubb | .... | story editor | |
| Karen Colaco | .... | production accountant | |
| Jane Conway | .... | animal wrangler | |
| Conor Cronin | .... | location scout | |
| Lincoln D'Souza | .... | assistant accountant (as Lincoln Desouza) | |
| Marco Di Venanzo | .... | location production assistant (as Marco 'Ratboy' Di Venanzo) | |
| Lara Edwards | .... | production legal: Heenan Blaikie | |
| Charlotte Engel | .... | production coordinator | |
| Cori Ferguson | .... | publicist | |
| Dan Greenwood | .... | production assistant | |
| Orest Haba | .... | location manager | |
| Pamela Hackwell | .... | contact lens technician | |
| Violetta Hessing | .... | animal wrangler | |
| Mandy Ketcheson | .... | contact lens technician | |
| Victor Kushmaniuk | .... | associate to producer | |
| Rachel Landry | .... | script supervisor | |
| Sam Lee | .... | production assistant | |
| Tina Madden | .... | script supervisor: second unit | |
| Sasha Marusich | .... | production accountant | |
| David McKane | .... | production assistant | |
| Steven Merrick | .... | location scout | |
| Anne Marie Murphy | .... | clearance | |
| Anne Marie Murphy | .... | legal researcher | |
| Andrea Nesbitt | .... | assistant production coordinator | |
| Mark Osler | .... | contact lens technician | |
| Martin Osler | .... | contact lens technician (as Dr. Martin Osler) | |
| Jason Skrobar | .... | production assistant | |
| Rebecca Smith | .... | post-production accountant | |
| David Steinberg | .... | production legal: Heenan Blaikie | |
| Iain Stewart | .... | location scout | |
| Brian Weiner | .... | tutor | |
| Glen Wylie | .... | assistant accountant | |
| Kirk Jarrett | .... | animal trainer (uncredited) | |
| R. Emerson John | .... | daily script supervisor (uncredited) | |
Thanks | |||
| Jonathan Agenski | .... | thank you to (as Sprawl - Jonathan Agenski) | |
| Stewart Aziz | .... | thank you to | |
| Shirley Barrie | .... | thank you to | |
| Robert E. Baruc | .... | thank you to (as Robert Baruc) | |
| Crissy Boylan | .... | thank you to | |
| Amy Caplan | .... | thank you to | |
| Semi Chellas | .... | thank you to | |
| Ken Cherniawsky | .... | thank you to (as Ken) | |
| Rose Cherniawsky | .... | thank you to | |
| Suzette Couture | .... | thank you to | |
| Janet E. Cuddy | .... | thank you to (as Janet Cuddy) | |
| Jennifer Cypher | .... | thank you to | |
| Inge Fawcett | .... | thank you to | |
| Keith Fawcett | .... | thank you to (as Keith) | |
| Nicola Gallimore | .... | thank you to | |
| Karen German | .... | thank you to | |
| Lynne Godin | .... | thank you to | |
| Joan Groote | .... | thank you to | |
| Bill Hall | .... | thank you to | |
| Marg Hall | .... | thank you to (as Marg) | |
| Tyler Harcott | .... | thank you to | |
| Fabiana Harvey | .... | thank you to | |
| Grant Harvey | .... | thank you to (as Grant) | |
| Jack Heath | .... | thank you to | |
| Kate Holloway | .... | thank you to (as Kate) | |
| Michael Holloway | .... | thank you to | |
| Jennifer Hollyer | .... | thank you to | |
| Roger Honeywell | .... | thank you to | |
| Geoff Hubbard | .... | thank you to | |
| Verda Johnston | .... | thank you to (as Verda) | |
| William Johnston | .... | thank you to | |
| Bernadette Joyce | .... | thank you to | |
| Ralph Kircher | .... | thank you to (as Sprawl - Ralph Kircher) | |
| Mary Larocque | .... | thank you to | |
| Lucy Lawless | .... | thank you to | |
| Janis Lundman | .... | thank you to | |
| Allan Magee | .... | thank you to (as Al Magee) | |
| Heidi Marshall | .... | thank you to | |
| Kevin May | .... | thank you to | |
| Michaelle McLean | .... | thank you to (as Michaelle MacLean) | |
| Lisa Miller Wood | .... | thank you to | |
| Adrienne Mitchell | .... | thank you to | |
| Jim Murphy | .... | thank you to | |
| Hugh Murray | .... | thank you to | |
| Vincenzo Natali | .... | thank you to | |
| Nigel Phelps | .... | thank you to | |
| Debbie Reeves | .... | thank you to | |
| Jeff Sackman | .... | thank you to | |
| Pierre Sarrazin | .... | thank you to | |
| Helen Souza | .... | thank you to | |
| Robert G. Tapert | .... | thank you to (as Rob Tapert) | |
| Cheri Turner | .... | thank you to (as Cherie Turner) | |
| Joanne Walton | .... | thank you to (as Joanne) | |
| Neale Walton | .... | thank you to | |
| Peter Wellington | .... | thank you to | |
| Laura Wood Fawcett | .... | thank you to (as Laura Fawcett) | |
| Anne Wood | .... | thank you to | |
| Carole Wood | .... | thank you to (as Carole) | |
| Grant Wood | .... | thank you to | |
| Michael Wood | .... | thank you to | |
| Jeremy Wright | .... | thank you to | |
| Scott Yoselow | .... | thank you to | |
| Lora Yowell | .... | thank you to | |
| Bernard Zukerman | .... | thank you to (as Bernard Zuckerman) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Canada section |
The first thing you need to know before you watch Ginger Snaps is that's a real horror movie. That means genuinely unsettling, disturbing, makes-your-skin-crawl kind of stuff. And you're plunged right into this from the start. The opening scene involves a mother and her young son discovering that the family dog has been torn to pieces, bloody scraps and guts all over the back yard ... which pretty much sets the tone for the rest of the movie.
In a way it's not really that gratuitous. The whole movie is a metaphor for adolescence, which in itself is a pretty gruesome thing to have to go through. There are these two morbid sisters, Ginger and Bridgette, who are afraid of growing up so much that they have a suicide pact together. They are obsessed with death, and for art class they take photos of each other in disturbingly realistic fake death poses. Ginger begins going through puberty, has her first period, and whoosh! Cue the werewolf attack.
The initial changes she goes through are pretty common -- mood swings, bleeding, pains, hairy legs, growing a tail ... okay, maybe that last one isn't quite so common. Bridgette, along with a drug dealer named Sam who accidentally hit the original werewolf with his van, begin to suspect what's really going on and start thinking of how they can cure the disease of lycanthropy. The idea of werewolves is introduced early on, and the characters accept it pretty quickly after the things they see which means we can just get on with the story.
Karen Walton has written a fantastic script here, and John Fawcett proves himself a competent director. All of the leads are excellent in their roles, with the two lead actresses Emily Perkins and Katharine Isabelle expertly playing the disturbed Fitzgerald sisters with fantastic chemistry. Kris Lemche is also notable as the drug dealer, giving a performance reminiscent of Christian Slater's shining moment in "Heathers". In fact, the two movies are similar in tone in a number of ways, and both have become cult classics with very similar audiences. The special effects team, headed by Paul Jones who worked on such projects as "Dracula 2000" and "Wolf Girl", have also done a pretty good job, creating some great-looking physical effects, with blood and guts piling up in every passing minute. The design of the wolf itself is interesting and original, giving us something that we really haven't seen before.
And so, though not for the faint of heart, this dark and wonderful piece of work ranks as probably the smartest, most subtle and intelligent werewolf movie ever made.