The family of Raymond, his wife Val and her brother Billy live in working-class London district. Also in their family is Val and Billy's mother Janet and grandmother Kath. Billy is a drug ... See full summary »
The film is based loosely around events in December 1995 that culminated in the murders of three drug dealers in Rettendon, Essex, UK. On 6th December Patrick Tate, Craig Rolfe and Tony ... See full summary »
Ray is an aging ex-socialist who has become a bankrobber after seeing the demise of socialism in 1980s Britain. Teaming up with a gang of other has-beenish crims, he commits one bank job ... See full summary »
Harold, a prosperous English gangster, is about to close a lucrative new deal when bombs start showing up in very inconvenient places. A mysterious syndicate is trying to muscle in on his ... See full summary »
Frankie decides he's had enough with his life as a street thug living on a South London estate, and jets off to spain where he meets big time businessman Charlie, who's currently running ... See full summary »
A middle-aged crime boss smugly reflects back from 1999, narrating the brutality which made him triumphant - and feared. As an unnamed young hood in Swinging 60's London, he aped his mod boss Freddie Mays, and seemed to do anything for him. But his narration exposes all-consuming envy: of Freddie's supremacy, and especially his tall bird. The baby shark develops his viciousness and backstabbing, scheming to be Gangster No. 1. Written by
Freddie Mays is shown living in a groovy flat in the Lauderdale Tower of The Barbican in London in the late 60s; however the building was not completed until 1974. See more »
[song "The Good Life" begins as scene opens at boxing match; crowd noises]
What? With Scotland Yard breathing down me neck? Fuck off. Do me a favor!
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Written by Norman Sleek
Published by Blackhill Music Ltd
Used by kind permission of Warner/Chappell Music Ltd
Performed by Albertos y Los Trios Paranoias
Courtesy of Demon Records Ltd
Licensed by kind permission from Bruce Mitchell Productions See more »
The story might be rather ordinary and it may become less interesting after the first hour or so, but this is generally intriguing stuff. The film is effectively narrated and performed by Malcolm McDowell, but Paul Bettany is the one who really shines here, replicating McDowell's charisma as an uncaring and violent youth, whilst also injecting some of his own spirit into his character. The film is rather clever in fact with how it uses McDowell and what he has come to stand for, with a number of interesting echoes of A Clockwork Orange throughout the film. The biggest problem that I found in the whole production was that the flashbacks to the 1960s looked just like the present with no feel for the era. But really, other than that and a story that is not out of the ordinary, this is a well made film with an interesting visual and audio style, and quality acting to top it all off.
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