6.8/10
11,504
130 user 61 critic

Gangster No. 1 (2000)

Chronicles the rise and fall of a prominent, and particularly ruthless English gangster.

Director:

Writers:

(screenplay), (original screenplay) | 1 more credit »

On Disc

at Amazon

1 win & 9 nominations. See more awards »
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Cast

Cast overview, first billed only:
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Tommy (as Ken Cranham)
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Maxie King
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Roland
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Billy
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Fat Charlie
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Derek
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Trevor (as Anton Valensi)
Alex McSweeney ...
Bloke In Tailor's
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Storyline

A middle-aged crime boss smugly reflects back from 1999, narrating the brutality which made him triumphant - and feared. As an unnamed young hood in Swinging 60's London, he aped his mod boss Freddie Mays, and seemed to do anything for him. But his narration exposes all-consuming envy: of Freddie's supremacy, and especially his tall bird. The baby shark develops his viciousness and backstabbing, scheming to be Gangster No. 1. Written by David Stevens

Plot Summary | Add Synopsis

Taglines:

There can only be ONE. See more »

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for strong brutal violence, pervasive language, and brief drug use and nudity | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

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Country:

| |

Language:

Release Date:

9 June 2000 (UK)  »

Also Known As:

Gangster Nr. 1  »

Box Office

Opening Weekend:

£133,092 (UK) (9 June 2000)

Gross:

$30,915 (USA) (19 July 2002)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Jamie Foreman (Lennie Taylor) is the son of Freddie Foreman, a notorious gangster who used to run with the Kray Brothers. His life was the basis for the movie The Long Good Friday (1980). See more »

Goofs

The scene where a man is hanging from the balcony of a large block of flats was filmed on the Heygate estate in London. Work on this estate did not begin until around 1970 and the estate was not complete until 1974. Even then, it would have taken another year or two to populate the estate. There is a similar estate just down the road called the Aylesbury, but that wasn't completed until much later. See more »

Quotes

[first lines]
[song "The Good Life" begins as scene opens at boxing match; crowd noises]
Gangster 55: [laughing] What? With Scotland Yard breathing down me neck? Fuck off. Do me a favor!
[laughter]
See more »

Connections

References Superman (1978) See more »

Soundtracks

The Good Life
Written by Sacha Distel and Jack Reardon
Published by Prosadis S.A.
Performed by Neil Hannon
Music Arranged and Recorded by John Dankworth
Neil Hannon appears courtesy of EMI Records Ltd
See more »

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User Reviews

McDowell redivivus
13 July 2002 | by (los angeles) – See all my reviews

What a mug! The evil-harlequin mask of Malcolm McDowell, so familiar from those bugeyed closeups of him "mounching lumpchiks of toast" in A CLOCKWORK ORANGE, has aged into a fabulous ruin. And one of the pleasures of the glib, slick, cocky, brutal, shallow, and terrifically entertaining GANGSTER NO. 1 is in the realization that McDowell is the same McDowell--his voiceover has the same energetic sneer it had 31 years ago in CLOCKWORK. He's the same guy under a withered and weathered facade. As Gangster No. 1--a sociopath with a schoolgirl crush on his boss, spit-shined David Thewlis--McDowell brings you into the succulent pleasures of aged corruption and long-swallowed brutality. No. 1's nuttiness--a kind of belch of guilt, generally released in Francis Bacon-derivative silent screams--seems, for a while, like fun. Paul Bettany, playing Young No. 1, has a great, lizardlike, histrionic deadpan--he keeps telling his victims "Look into my eyes!" as if something scary and deep were hidden there. (Instead, there is zero--an effect Young No. 1 may be unaware of.) The movie takes such a jaunty and directorially piquant view of its own shin-kicking nihilism that you can't help but play along; until the moralizing but utterly earned finale sets you on your ear.

Not deep stuff--not even as deep as the superbly unself-reflective head-smackers who made up GOODFELLAS' crew. But Saffron Burrows, as a Cockney chanteuse who's mad in love with Thewlis' Mr. Big, brings you back to the days of much-posher-and-prettier-than-their-parts British character actresses. (Could Burrows in fact be the Susannah York of the millennium?) And the director, Paul McGuigan, and Bettany keep the joint jumpin'. Why did this get such a crummy release? There's been almost nothing this year as sheerly, undilutedly fun.


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