The family of Raymond, his wife Val and her brother Billy live in working-class London district. Also in their family is Val and Billy's mother Janet and grandmother Kath. Billy is a drug ... See full summary »
The film is based loosely around events in December 1995 that culminated in the murders of three drug dealers in Rettendon, Essex, UK. On 6th December Patrick Tate, Craig Rolfe and Tony ... See full summary »
Ray is an aging ex-socialist who has become a bankrobber after seeing the demise of socialism in 1980s Britain. Teaming up with a gang of other has-beenish crims, he commits one bank job ... See full summary »
Harold, a prosperous English gangster, is about to close a lucrative new deal when bombs start showing up in very inconvenient places. A mysterious syndicate is trying to muscle in on his ... See full summary »
Frankie decides he's had enough with his life as a street thug living on a South London estate, and jets off to spain where he meets big time businessman Charlie, who's currently running ... See full summary »
A middle-aged crime boss smugly reflects back from 1999, narrating the brutality which made him triumphant - and feared. As an unnamed young hood in Swinging 60's London, he aped his mod boss Freddie Mays, and seemed to do anything for him. But his narration exposes all-consuming envy: of Freddie's supremacy, and especially his tall bird. The baby shark develops his viciousness and backstabbing, scheming to be Gangster No. 1. Written by
The two actors who play the "gangster" at the two points in his life are 7 inches different in height. When paired with the older versions of the same character later in life, there are few if any scenes when Malcolm McDowell (the shorter actor) is standing beside them. Surprisingly, they did not attempt the old Hollywood box or trench technique. See more »
[song "The Good Life" begins as scene opens at boxing match; crowd noises]
What? With Scotland Yard breathing down me neck? Fuck off. Do me a favor!
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The story begins in 1999, with an old gangster performed by Malcolm McDowell being advised that Freddie Mays (David Thewlis) would leave jail after thirty years in prison. His mood changes and he recalls 1968, when he was a young punk (performed by Paul Bettany), and he joined Freddie Mays' gang, his envy of his mob boss and his betrayal. The whole story of these two characters is presented slowly, alternating violent and luxury places and action. I liked this movie a lot. I would dare to say that it mixes 'Goodfellas', 'Casino', 'Pulp Fiction' and 'Reservoir Dogs'. Paul Bettany has a great performance as a psycho-killer: differently of those sadists in Hollywood movies that make grimaces, the simple look and expression of Paul Bettany is enough to terrify the viewer. The direction is great, and there is one specific scene that I appreciated very much. When Freddie Mays invites Paul Bettany's character to have a drink in a nightclub: Freddie is giving his overcoat to the attendant and the image of Paul Bettany is reflected in the glass of the door exactly over Freddie. The selection of Paul Bettany for this role is perfect, but why not ages him through make-up? Malcolm McDowell looks totally different from Paul Bettany! My vote is eight.
Title (Brazil): "Os Gangsters" ("The Gangsters")
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