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Gangster No. 1 (2000)

 -  Crime | Drama | Thriller  -  9 June 2000 (UK)
6.8
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Ratings: 6.8/10 from 10,127 users   Metascore: 60/100
Reviews: 125 user | 60 critic | 15 from Metacritic.com

Chronicles the rise and fall of a prominent, and particularly ruthless English gangster.

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(screenplay), (original screenplay), 1 more credit »
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Title: Gangster No. 1 (2000)

Gangster No. 1 (2000) on IMDb 6.8/10

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Cast

Cast overview, first billed only:
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Tommy (as Ken Cranham)
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Maxie King
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Roland
Cavan Clerkin ...
Billy
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Fat Charlie
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Derek
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Trevor (as Anton Valensi)
Alex McSweeney ...
Bloke In Tailor's
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Storyline

A middle-aged crime boss smugly reflects back from 1999, narrating the brutality which made him triumphant - and feared. As an unnamed young hood in Swinging 60's London, he aped his mod boss Freddie Mays, and seemed to do anything for him. But his narration exposes all-consuming envy: of Freddie's supremacy, and especially his tall bird. The baby shark develops his viciousness and backstabbing, scheming to be Gangster No. 1. Written by David Stevens

Plot Summary | Add Synopsis

Taglines:

It's not who you know, it's who you kill. See more »

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for strong brutal violence, pervasive language, and brief drug use and nudity | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

|

Country:

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Language:

Release Date:

9 June 2000 (UK)  »

Also Known As:

Gangster Nr. 1  »

Box Office

Opening Weekend:

$5,514 (USA) (14 June 2002)

Gross:

$30,915 (USA) (19 July 2002)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

In the opening bathroom scene, it is actually director Paul McGuigan at the urinal, according to the director's commentary. See more »

Goofs

Freddie Mays is shown living in a groovy flat in the Lauderdale Tower of The Barbican in London in the late 60s; however the building was not completed until 1974. See more »

Quotes

[first lines]
[song "The Good Life" begins as scene opens at boxing match; crowd noises]
Gangster 55: [laughing] What? With Scotland Yard breathing down me neck? Fuck off. Do me a favor!
[laughter]
See more »

Connections

References A Clockwork Orange (1971) See more »

Soundtracks

Mercy Mercy Mercy
Written by Josef Zawinul, Gail Levy and Vincent Levy
Published by Zawinul Music (BMI)
Performed by Saffron Burrows
See more »

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User Reviews

McDowell redivivus
13 July 2002 | by (los angeles) – See all my reviews

What a mug! The evil-harlequin mask of Malcolm McDowell, so familiar from those bugeyed closeups of him "mounching lumpchiks of toast" in A CLOCKWORK ORANGE, has aged into a fabulous ruin. And one of the pleasures of the glib, slick, cocky, brutal, shallow, and terrifically entertaining GANGSTER NO. 1 is in the realization that McDowell is the same McDowell--his voiceover has the same energetic sneer it had 31 years ago in CLOCKWORK. He's the same guy under a withered and weathered facade. As Gangster No. 1--a sociopath with a schoolgirl crush on his boss, spit-shined David Thewlis--McDowell brings you into the succulent pleasures of aged corruption and long-swallowed brutality. No. 1's nuttiness--a kind of belch of guilt, generally released in Francis Bacon-derivative silent screams--seems, for a while, like fun. Paul Bettany, playing Young No. 1, has a great, lizardlike, histrionic deadpan--he keeps telling his victims "Look into my eyes!" as if something scary and deep were hidden there. (Instead, there is zero--an effect Young No. 1 may be unaware of.) The movie takes such a jaunty and directorially piquant view of its own shin-kicking nihilism that you can't help but play along; until the moralizing but utterly earned finale sets you on your ear.

Not deep stuff--not even as deep as the superbly unself-reflective head-smackers who made up GOODFELLAS' crew. But Saffron Burrows, as a Cockney chanteuse who's mad in love with Thewlis' Mr. Big, brings you back to the days of much-posher-and-prettier-than-their-parts British character actresses. (Could Burrows in fact be the Susannah York of the millennium?) And the director, Paul McGuigan, and Bettany keep the joint jumpin'. Why did this get such a crummy release? There's been almost nothing this year as sheerly, undilutedly fun.


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