The film is based loosely around events in December 1995 that culminated in the murders of three drug dealers in Rettendon, Essex, UK. On 6th December Patrick Tate, Craig Rolfe and Tony ... See full summary »
Set in the Thatcher era with the cool sounds of the 80's, THE BUSINESS is an action packed gangster flick set in Spain's sun drenched Costa Del crime. Frankie (Danny Dyer), is on the run ... See full summary »
Two young heroin addicts, recently released from prison - both are desperate to "get off the gear". But poverty and boredom in their home town in North England means that it is only a ... See full summary »
A middle-aged crime boss smugly reflects back from 1999, narrating the brutality which made him triumphant - and feared. As an unnamed young hood in Swinging 60's London, he aped his mod boss Freddie Mays, and seemed to do anything for him. But his narration exposes all-consuming envy: of Freddie's supremacy, and especially his tall bird. The baby shark develops his viciousness and backstabbing, scheming to be Gangster No. 1. Written by
The two actors who play the "gangster" at the two points in his life are 7 inches different in height. See more »
Exactly an hour into the film, the young Gangster states that he is carrying a "Beretta" on his way to kill Lennie. It is actually a Browning P-35 "Hi-Power," the same weapon he has carried throughout the movie. See more »
[song "The Good Life" begins as scene opens at boxing match; crowd noises]
What? With Scotland Yard breathing down me neck? Fuck off. Do me a favor!
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GANGSTER NO.1 (2002) *** Malcolm McDowell, Paul Bettany, David Thewlis, Saffron Burrows. Bloody good Brit flick about English thugs recalled in flashback by McDowell and portrayed by Bettany (both equally excellent in a teeth-gnashing kind of way) recollecting their bumpy ride to the top and rocky relationship with head kingpin Thewlis getting in the way. Graphically violent yet smartly directed by Paul McGuigan eschewing stylistic violence for violence sake and encapsulating the Mod 60s effectively.
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