| Rachel Sheppard | ... | Rachel Crosby | |
| Analía Ivars | ... | Countess Irina von Murnau | |
| Lina Romay | ... | Marga, the Gipsy | |
| Jesus Franco | ... | The Merchant | |
| Pedro Temboury | ... | The Guitarist | |
| rest of cast listed alphabetically: | |||
| Jessica Luo | ... | Rachel Crosby (voice) | |
| Leyora Zuberman | ... | Countess Irina von Murnau (voice) | |
Directed by | |||
| Jesus Franco | (as Jess Franco) | ||
Writing credits(in alphabetical order) | ||
| Kevin Collins | additional dialogue | |
| Jesus Franco | (as Jess Franco) | |
Produced by | |||
| Kevin Collins | .... | producer | |
| Peter Evanko | .... | producer (as Peter J. Evanko) | |
| Hugh Gallagher | .... | associate producer | |
| Karen Wong | .... | associate producer | |
Original Music by | |||
| Jesus Franco | |||
| Brian D. Horrorwitz | |||
| Randy Manos | |||
| Daniel White | |||
Cinematography by | |||
| Raquel Cabra | |||
Film Editing by | |||
| Juan Jose Villar | |||
Makeup Department | |||
| Eva Salcedo | .... | makeup artist (as Eva I. Salcedo) | |
Production Management | |||
| Josh Kalman | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Kevin Collins | .... | first assistant director: second unit | |
| Pedro Temboury | .... | first assistant director | |
Sound Department | |||
| Jessica Luo | .... | sound | |
| Leyora Zuberman | .... | sound | |
Special Effects by | |||
| Joaquin Phre | .... | special effects | |
| Juan Jose Villar | .... | special effects | |
Camera and Electrical Department | |||
| Alazrad | .... | electrician | |
| Benito Carles | .... | electrician | |
| Juan Murten | .... | best boy | |
| A. Renford | .... | assistant camera | |
| Emilio Schargorodsky | .... | still photographer (as E. Sharchgorosky) | |
Thanks | |||
| Peter Evanko | .... | special thanks (as Peter J. Evanko) | |
| Karen Wong | .... | special thanks | |
| Full cast and crew | Company credits | External reviews |
| IMDb Horror section | IMDb USA section |
I am a Franco fan. I don't even bother to deny it in polite company. I have collected much of his eclectic oeuvre. I scan the net for new releases...
However this home-video flick falls into his "worthless" category (alongside "Lust for Frankenstein" etc). It has little plot, amateur special effects and a budget which would probably not exceed the weekly expenditure of a middle class woman in Chad. It lacks any sensuality- the (sadly) crotch shaven women (including an elderly Romay) who shed their clothes raise not so much as a flicker of interest in the viewer.
Where was the creative impsulse, the tension- the eroticism? In this case, who cares?
Bin please.....