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Stavros Kazantzidis (story)
Stavros Kazantzidis (screenplay) ...
(more)
7 October 1999 (Australia) more
3 girls. 3 guys. 365 days to get it together. more
This romantic comedy takes place over the course of one year - opening on New Year's Eve of one year and closing exactly one year later... more | add synopsis
1 nomination more
Actually a Pretty good movie more (8 total)
| Claudia Karvan | ... | Judy | |
| Naomi Watts | ... | Alice | |
| Alice Garner | ... | Sally | |
| Tom Long | ... | Ewan | |
| Aaron Jeffery | ... | Joel | |
| Felix Williamson | ... | Neil | |
| Hugo Weaving | ... | Steven | |
| Rebecca Frith | ... | Amanda | |
| Marshall Napier | ... | Robert | |
| Loene Carmen | ... | Amy | |
| Heidi McDonald | ... | Bridget | |
| Harry Cripps | ... | Paul | |
| Rebel Penfold-Russell | ... | Producer | |
| Hugh Baldwin | ... | Bob | |
| Helen Thomson | ... | Lulu | |
| Gennie Nevinson | ... | Therapist | |
| Andrea Moar | ... | Dating Agency Woman | |
| Kim Deacon | ... | Joan | |
| David Gibson | ... | Danny | |
| Kate Beahan | ... | Poppy | |
| Ling Hsueh Tang | ... | Verna (as Ling-Hsueh Tang) | |
| Emily Rickard | ... | Flora | |
| Leah Vandenberg | ... | Sarah | |
| Jeremiah Dupre | ... | Sammy (as Jeremiah Tickell) | |
| David Walsman | ... | Nightclubber | |
| Cressida Wilson | ... | Nightclubber | |
| Sandy Gutman | ... | Old Hippie (as Austen Tayshus) | |
| Louise Birgan | ... | Loser-Magnet Woman | |
| Nathalie Roy | ... | Ewan's NY Kissing Girl | |
| Miles Paras | ... | Solicitor | |
| Rabbi Brian Fox | ... | Rabbi | |
| Reg Mombassa | ... | Bon | |
| Mental As Anything | ... | The Band | |
| Martin Plaza | ... | The Band | |
| Greedy Smith | ... | The Band (as Andrew Smith) | |
| Peter O'Dougherty | ... | The Band | |
| Dave Toohill | ... | The Band | |
| Megan Ormsby | ... | Groupie |
Directed by | |||
| Emma-Kate Croghan | |||
Writing credits | ||
| Stavros Kazantzidis | (story) | |
| Stavros Kazantzidis | (screenplay) and | |
| Emma-Kate Croghan | (screenplay) | |
Produced by | |||
| Bruno Charlesworth | .... | executive producer | |
| Stavros Kazantzidis | .... | producer | |
| Maggie Lake | .... | line producer | |
| Anastasia Sideris | .... | producer | |
Cinematography by | |||
| Justin Brickle | |||
Film Editing by | |||
| Ken Sallows | |||
Production Design by | |||
| Annie Beauchamp | |||
Art Direction by | |||
| Michael Iacono | |||
Set Decoration by | |||
| Richie Dehne | |||
Costume Design by | |||
| Emily Seresin | |||
Makeup Department | |||
| Kathy Courtney | .... | hair stylist | |
| Kathy Courtney | .... | makeup artist | |
| Mary Georgiou | .... | additional makeup artist (as Mary Georgio) | |
| Mary Georgiou | .... | assistant hair stylist (as Mary Georgio) | |
| Kerry Lee Jury | .... | hair stylist | |
| Kerry Lee Jury | .... | makeup artist | |
| Lynn Wheeler | .... | hair styles supervisor | |
| Lynn Wheeler | .... | makeup supervisor | |
Production Management | |||
| Robert Graham | .... | unit manager (as Bob Graham) | |
Second Unit Director or Assistant Director | |||
| Debbie Antoniou | .... | second assistant director (as Deb Antoniou) | |
| John Martin | .... | first assistant director | |
| Jessica Turner | .... | third assistant director | |
Art Department | |||
| Martin Bruveris | .... | scenic artist | |
| Brandon Hendroff | .... | storyboard artist | |
| John King | .... | stand-by props | |
| Mike Murphy | .... | art department runner | |
| Beth Pickworth | .... | graphic artist | |
| Beth Pickworth | .... | property buyer | |
| Beth Pickworth | .... | set dresser | |
| Amanda Schmidt | .... | art department attachment | |
| Yann Vignes | .... | property buyer | |
| Yann Vignes | .... | set dresser | |
| Russell Wade | .... | art department runner | |
| Jack Whiddon | .... | greens | |
Sound Department | |||
| Andrew Belletty | .... | sound recordist | |
| Steve Burgess | .... | foley artist | |
| Craig Carter | .... | sound designer | |
| Bruce Emery | .... | stereo sound consultant: Dolby Stereo | |
| Helen Field | .... | sound post-production | |
| Laura Gothiery | .... | sound post-production | |
| Morgan Gregory | .... | sound attachment | |
| Bryce Grunden | .... | sound effects | |
| Nicole Lazaroff | .... | boom operator | |
| Frank Lipson | .... | dialogue editor | |
| Gerry Long | .... | foley artist | |
| Ian McLoughlin | .... | adr | |
| Paul Pirola | .... | sound mixer (as Paul 'Go Hawkes' Pirola) | |
| Livia Ruzic | .... | sound editor | |
| Roger Savage | .... | sound post-production | |
| Liz Wright | .... | sound post-production | |
Special Effects by | |||
| John Bowring | .... | special effects | |
Visual Effects by | |||
| Fiona Crawford | .... | title design and production | |
| Grant Everett | .... | digital compositor | |
| Grant Everett | .... | title design and production | |
| Krista Jordan | .... | title design and production | |
| Zareh Nalbandian | .... | title design and production | |
| Angela Pelizzari | .... | title design and production | |
| Ken Phelan | .... | opticals | |
| Melanie Ritchie | .... | title design and production | |
Stunts | |||
| Damian Bradford | .... | stunts | |
| Paul Doyle | .... | stunts | |
| Tony Lynch | .... | stunts | |
| Rocky McDonald | .... | stunt coordinator | |
| Steve Morris | .... | stunts | |
Camera and Electrical Department | |||
| Phil Balsdon | .... | Steadicam operator | |
| Joe Bruneteau | .... | grip | |
| Sionlad Buhler | .... | clapper loader (as Sionead Buhler) | |
| Kiren Chang | .... | still photographer | |
| Grahame Dickson | .... | best boy (as Graham Dickson) | |
| Cameron Dunn | .... | focus puller | |
| Karl Engeler | .... | gaffer | |
| Silver Henenberg | .... | camera attachment | |
| Pip Shapiera | .... | key grip (as Pip 'The Grip' Shapiera) | |
| Andrew Williams | .... | generator operator | |
Casting Department | |||
| Jodie McKenna | .... | casting assistant | |
| Mim Weger | .... | extras casting | |
| Shauna Wolifson | .... | casting | |
Costume and Wardrobe Department | |||
| Shareen Beringer | .... | costume assistant | |
| Ivana Daniele | .... | costume attachment | |
| Celeste Franklin | .... | stand-by costume | |
| Kerry Thompson | .... | costume supervisor | |
Editorial Department | |||
| Arthur Cambridge | .... | grader | |
| Maria Kaltenthaler | .... | assistant editor | |
Transportation Department | |||
| Tim Parry | .... | vehicles coordinator | |
Other crew | |||
| Greg Blandy | .... | safety officer | |
| Anni Browning | .... | completion guarantor | |
| Anton Denby | .... | location assistant | |
| Leisa Francis | .... | production accountant | |
| Rob Greenough | .... | safety report | |
| Peter Hicks | .... | location assistant | |
| Mojgan Khadem | .... | continuity | |
| Mojgan Khadem | .... | script supervisor | |
| Rob McKenzie | .... | studio assistant | |
| Sue Milliken | .... | completion guarantor | |
| Jeannie Nove | .... | production runner | |
| Bill Pepper | .... | acting coach | |
| Gary Pettersen | .... | coach: kick-boxing | |
| Laurie Pettinari | .... | unit assistant | |
| Phillip Roope | .... | location manager | |
| Ian Russell | .... | laboratory liaison | |
| Blair Slater | .... | studio assistant | |
| Mardi Thompson | .... | unit assistant | |
| Ruth Watson | .... | production coordinator | |
| Joe Weatherstone | .... | production secretary | |
| H.W. Woods | .... | insurer (as H.W. Wood) | |
| Allanah Zitserman | .... | producer's attachment | |
Thanks | |||
| Martin Lubran | .... | thanks | |
96 min
Iceland:12 | Australia:MA | New Zealand:M | UK:15 | Argentina:16 | Canada:14A (Ontario)
Ewan: I'd tell my friend it's a risky game falling in love with a married man, and that if you play tennis with the devil, you can't complain if he cheats. more
References Taxi Driver (1976) more
Hard more
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| The Last Days of Chez Nous | Choses secrètes | Music from Another Room | Die Blechtrommel | Candy |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb Australia section | Add this title to MyMovies |
I thought it was a pretty good movie. The acting was good and the story was well told. It's one of those *feel good movies* that you know how it's going to turn out but you want to watch and see how it all ends anyway.