| Videos (see all 5) |
| Claudia Karvan | ... | Judy | |
| Naomi Watts | ... | Alice | |
| Alice Garner | ... | Sally | |
| Tom Long | ... | Ewan | |
| Aaron Jeffery | ... | Joel | |
| Felix Williamson | ... | Neil | |
| Hugo Weaving | ... | Steven | |
| Rebecca Frith | ... | Amanda | |
| Marshall Napier | ... | Robert | |
| Loene Carmen | ... | Amy | |
| Heidi McDonald | ... | Bridget | |
| Harry Cripps | ... | Paul | |
| Rebel Penfold-Russell | ... | Producer | |
| Hugh Baldwin | ... | Bob | |
| Helen Thomson | ... | Lulu | |
| Gennie Nevinson | ... | Therapist | |
| Andrea Moar | ... | Dating Agency Woman | |
| Kim Deacon | ... | Joan | |
| David Gibson | ... | Danny | |
| Kate Beahan | ... | Poppy | |
| Ling Hsueh Tang | ... | Verna (as Ling-Hsueh Tang) | |
| Emily Rickard | ... | Flora | |
| Leah Vandenberg | ... | Sarah | |
| Jeremiah Dupre | ... | Sammy (as Jeremiah Tickell) | |
| David Walsman | ... | Nightclubber | |
| Cressida Wilson | ... | Nightclubber | |
| Sandy Gutman | ... | Old Hippie (as Austen Tayshus) | |
| Louise Birgan | ... | Loser-Magnet Woman | |
| Nathalie Roy | ... | Ewan's NY Kissing Girl | |
| Miles Paras | ... | Solicitor | |
| Brian Fox | ... | Rabbi (as Rabbi Brian Fox) | |
| Reg Mombassa | ... | Bon | |
| Mental As Anything | ... | The Band | |
| Martin Plaza | ... | The Band | |
| Greedy Smith | ... | The Band (as Andrew Smith) | |
| Peter O'Dougherty | ... | The Band | |
| Dave Toohill | ... | The Band | |
| Megan Ormsby | ... | Groupie |
Directed by | |||
| Emma-Kate Croghan | |||
Writing credits | ||
| Stavros Kazantzidis | (story) | |
| Stavros Kazantzidis | (screenplay) and | |
| Emma-Kate Croghan | (screenplay) | |
Produced by | |||
| Bruno Charlesworth | .... | executive producer | |
| Stavros Kazantzidis | .... | producer | |
| Maggie Lake | .... | line producer | |
| Anastasia Sideris | .... | producer | |
Cinematography by | |||
| Justin Brickle | |||
Film Editing by | |||
| Ken Sallows | |||
Production Design by | |||
| Annie Beauchamp | |||
Art Direction by | |||
| Michael Iacono | |||
Set Decoration by | |||
| Richie Dehne | |||
Costume Design by | |||
| Emily Seresin | |||
Makeup Department | |||
| Kathy Courtney | .... | hair stylist | |
| Kathy Courtney | .... | makeup artist | |
| Mary Georgiou | .... | additional makeup artist (as Mary Georgio) | |
| Mary Georgiou | .... | assistant hair stylist (as Mary Georgio) | |
| Kerry Lee Jury | .... | hair stylist | |
| Kerry Lee Jury | .... | makeup artist | |
| Lynn Wheeler | .... | hair styles supervisor | |
| Lynn Wheeler | .... | makeup supervisor | |
Production Management | |||
| Robert Graham | .... | unit manager (as Bob Graham) | |
Second Unit Director or Assistant Director | |||
| Debbie Antoniou | .... | second assistant director (as Deb Antoniou) | |
| John Martin | .... | first assistant director | |
| Jessica Turner | .... | third assistant director | |
Art Department | |||
| Martin Bruveris | .... | scenic artist | |
| Brandon Hendroff | .... | storyboard artist | |
| John King | .... | stand-by props | |
| Mike Murphy | .... | art department runner | |
| Beth Pickworth | .... | graphic artist | |
| Beth Pickworth | .... | property buyer | |
| Beth Pickworth | .... | set dresser | |
| Amanda Schmidt | .... | art department attachment | |
| Yann Vignes | .... | property buyer | |
| Yann Vignes | .... | set dresser | |
| Russell Wade | .... | art department runner | |
| Jack Whiddon | .... | greens | |
Sound Department | |||
| Andrew Belletty | .... | sound recordist | |
| Steve Burgess | .... | foley artist | |
| Craig Carter | .... | sound designer | |
| Bruce Emery | .... | stereo sound consultant: Dolby Stereo | |
| Helen Field | .... | sound post-production | |
| Laura Gothiery | .... | sound post-production | |
| Morgan Gregory | .... | sound attachment | |
| Bryce Grunden | .... | sound effects | |
| Nicole Lazaroff | .... | boom operator | |
| Frank Lipson | .... | dialogue editor | |
| Gerry Long | .... | foley artist | |
| Ian McLoughlin | .... | adr | |
| Paul Pirola | .... | sound mixer (as Paul 'Go Hawkes' Pirola) | |
| Livia Ruzic | .... | sound editor | |
| Roger Savage | .... | sound post-production | |
| Liz Wright | .... | sound post-production | |
Special Effects by | |||
| John Bowring | .... | special effects | |
Visual Effects by | |||
| Fiona Crawford | .... | title design and production | |
| Grant Everett | .... | digital compositor | |
| Grant Everett | .... | title design and production | |
| Krista Jordan | .... | title design and production | |
| Zareh Nalbandian | .... | title design and production | |
| Angela Pelizzari | .... | title design and production | |
| Ken Phelan | .... | opticals | |
| Melanie Ritchie | .... | title design and production | |
Stunts | |||
| Damian Bradford | .... | stunts | |
| Paul Doyle | .... | stunts | |
| Tony Lynch | .... | stunts | |
| Rocky McDonald | .... | stunt coordinator | |
| Steve Morris | .... | stunts | |
Camera and Electrical Department | |||
| Phil Balsdon | .... | Steadicam operator | |
| Joe Bruneteau | .... | grip | |
| Sionlad Buhler | .... | clapper loader (as Sionead Buhler) | |
| Kiren Chang | .... | still photographer | |
| Grahame Dickson | .... | best boy (as Graham Dickson) | |
| Cameron Dunn | .... | focus puller | |
| Karl Engeler | .... | gaffer | |
| Silver Henenberg | .... | camera attachment | |
| Pip Shapiera | .... | key grip (as Pip 'The Grip' Shapiera) | |
| Andrew Williams | .... | generator operator | |
Casting Department | |||
| Jodie McKenna | .... | casting assistant | |
| Mim Weger | .... | extras casting | |
| Shauna Wolifson | .... | casting | |
Costume and Wardrobe Department | |||
| Shareen Beringer | .... | costume assistant | |
| Ivana Daniele | .... | costume attachment | |
| Celeste Franklin | .... | stand-by costume | |
| Kerry Thompson | .... | costume supervisor | |
Editorial Department | |||
| Arthur Cambridge | .... | grader | |
| Maria Kaltenthaler | .... | assistant editor | |
Transportation Department | |||
| Tim Parry | .... | vehicles coordinator | |
Other crew | |||
| Greg Blandy | .... | safety officer | |
| Anni Browning | .... | completion guarantor | |
| Anton Denby | .... | location assistant | |
| Leisa Francis | .... | production accountant | |
| Rob Greenough | .... | safety report | |
| Peter Hicks | .... | location assistant | |
| Mojgan Khadem | .... | continuity | |
| Mojgan Khadem | .... | script supervisor | |
| Rob McKenzie | .... | studio assistant | |
| Sue Milliken | .... | completion guarantor | |
| Jeannie Nove | .... | production runner | |
| Bill Pepper | .... | acting coach | |
| Gary Pettersen | .... | coach: kick-boxing | |
| Laurie Pettinari | .... | unit assistant | |
| Phillip Roope | .... | location manager | |
| Ian Russell | .... | laboratory liaison | |
| Blair Slater | .... | studio assistant | |
| Mardi Thompson | .... | unit assistant | |
| Ruth Watson | .... | production coordinator | |
| Joe Weatherstone | .... | production secretary | |
| H.W. Woods | .... | insurer (as H.W. Wood) | |
| Allanah Zitserman | .... | producer's attachment | |
Thanks | |||
| Martin Lubran | .... | thanks | |
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| Prime | Head-On | Kings & Queen | Definitely, Maybe | Personal Velocity: Three Portraits |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Australia section |
Strange Planet is set in Sydney and is the story of six twenty-something young folk -- three girls, three boys. If you're thinking "Oh, it's an Aussie version of Friends", you'd be right, and wrong.
What Strange Planet has over the sit-com is characters who you can sort of like, and not want to punch. Unfortunately, as much as you want to like them, they're let down by some appalling writing, especially for the male characters. Tom Long does well with what little he has, while Jeffries and Williamson make do. Of the girls, Claudia Karvan acts Watts and Garner off the screen. Why Karvan isn't a huge star is one of life's great mysteries.
While Strange Planet is hard to dislike, it leaves you with a sickly feeling, not unlike after eating an entire packet of jelly babies. And the ending -- holy mother of... Has there ever been a more tooth-rotting conclusion to a film that has tried so hard to make you like it? No. This is one of those 'close but not really' efforts -- all it needed was a better, punchier, cleverer script with just a touch of insight into the psyche of men. is it worth seeing? Maybe, but for what it's worth, it's still better than Friends.