This romantic comedy takes place over the course of one year - opening on New Year's Eve of one year and closing exactly one year later. The film focuses on three women living together in a... See full summary »
This romantic comedy takes place over the course of one year - opening on New Year's Eve of one year and closing exactly one year later. The film focuses on three women living together in a house in Sydney and three male best friends. The men and women at the film's start have not yet met, but it is obvious that all will get together by film's end. The three women are all ending nowhere relationships with married men, older men, or just life's losers. One of the men is just a shy law graduate, one is a sexual conqueror who has just learned one of his conquests is pregnant, and the last is facing a breakup of his marriage. Through various events, each of the two trios end up together at the turn of the year. Written by
John Sacksteder <firstname.lastname@example.org>
After her promising debut, Love and other Catastrophes, made on a shoestring budget and employing mostly ex-Aussie soap stars, Emma Kate Groghan misfired with this Friends-style "comedy" - if you can call it that. While her debut embodied verve and a vitality borne of its low-budget, Strange Planet has the opposite effect, mainly because of its bigger budget. With more money, the sets and photography are better but the acting and story are substandard Home and Away fare with a touch of melancholic romanticism thrown in to evoke quasi-seriousness. The acting is okay at times but most of the actors can't really summon enough gusto to deal with the cliché-ridden script. The film is only really notable for the inclusion of Naomi Watts who coincidentally made the pilot for Mulholland Drive the same year. Visually, the film resembles an ecstasy-induced advert with bright tones and little else. One to avoid.
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