| Photos (see all 17 | slideshow) | Videos |
| Frayne Rosanoff | ... | John Cooper | |
| Robert Englund | ... | Dr. Anton Rudolph | |
| Casper Van Dien | ... | Bart Parker | |
| William Zabka | ... | Greg Larsen | |
| Dana Barron | ... | Kristin | |
| Sara Mornell | ... | Theresa | |
| Wil Wheaton | ... | Tommy | |
| Jenny McCarthy | ... | Francesca Garibaldi | |
| Chris Owens | ... | Brian Cooper | |
| Sean Whalen | ... | Deputy Lewis Ross | |
| Gary Grubbs | ... | Sheriff Griffin Wade | |
| Theo Nicholas Pagones | ... | Dootsen (as Theo Pagones) | |
| Scott Williamson | ... | Kenny Summers | |
| David Bowe | ... | Boone | |
| Keith Coogan | ... | Lenny | |
| John Franklin | ... | Floyd Fuller | |
| LoriDawn Messuri | ... | Lisa | |
| Kathleen Randazzo | ... | Roberta (as Kathleen Lambert) | |
| Robert Lepucki | ... | Bravo Leader | |
| Ed Lauter | ... | Pilot | |
| Marc McClure | ... | Co-Pilot | |
| Natasha Roth | ... | Little Girl in Park | |
| Trevor Baer | ... | Billy | |
| Greta | ... | Baby | |
| rest of cast listed alphabetically: | |||
| Lisa Michele Jones | ... | NSA agent | |
Directed by | |||
| Richard Clabaugh | |||
Writing credits | ||
| Phillip J. Roth | (story) (as Phillip Roth) | |
| Chris Neal | (screenplay) and | |
| Gary Hershberger | (screenplay) and | |
| Paul Bogh | (screenplay) (as Paul J.M. Bogh) | |
Produced by | |||
| Jeffery Beach | .... | producer | |
| Melanie J. Elin | .... | line producer | |
| James Hollensteiner | .... | executive producer (as Jim Hollensteiner) | |
| Thomas J. Niedermeyer Jr. | .... | executive producer | |
| Ken Olandt | .... | producer (as Kenneth Olandt) | |
| Phillip J. Roth | .... | producer (as Phillip Roth) | |
| Richard Smith | .... | executive producer | |
| Plamen Voynovsky | .... | co-producer | |
Original Music by | |||
| Daniel J. Nielsen | |||
Cinematography by | |||
| Patrick Rousseau | |||
Film Editing by | |||
| Christian McIntire | |||
Casting by | |||
| Nannette Troutman | |||
Production Design by | |||
| David Huang | |||
Art Direction by | |||
| Roger Baer | |||
Set Decoration by | |||
| Eden Barr | |||
Makeup Department | |||
| Teal Druda | .... | assistant makeup artist | |
| Francie Hart | .... | makeup department head | |
| Michael Shelton | .... | makeup effects crew: creature effects | |
Second Unit Director or Assistant Director | |||
| Paul Bogh | .... | first assistant director | |
| Christian McIntire | .... | second unit director | |
Art Department | |||
| Marco De Oreo | .... | property maker | |
| Jakub Durkoth | .... | leadman | |
| Bill Kincaid | .... | set dresser | |
Sound Department | |||
| James H. Coburn IV | .... | sound mixer | |
| Bill Reinhardt | .... | sound mixer: second unit | |
Special Effects by | |||
| J.M. Logan | .... | animatronics | |
Visual Effects by | |||
| Steven M. Blasini | .... | video playback screens | |
| John R. Ellis | .... | digital compositor | |
| Andrew Hofman | .... | director of visual effects | |
| Alisa Loren Klein | .... | character technical director | |
| Michael Kory | .... | character animator | |
| Kevin Little | .... | visual effects supervisor | |
| David Fred Masselink | .... | optical effects line-up | |
| Michael McGee | .... | wrangler: snake guts | |
| Marc Perrera | .... | visual effects supervisor | |
| Claudia Sumner | .... | visual effects producer | |
Stunts | |||
| David Brinton | .... | stunts | |
| Kurt Bryant | .... | stunts | |
| Rick Denman | .... | bike stunt | |
| Debbie Evans | .... | stunts | |
| Joseph L. Gardner | .... | stunts (as Joseph Gardner) | |
| Anthony Kramme | .... | stunts | |
| Ron Otis | .... | stunt coordinator | |
| Susan Purkhiser | .... | stunts | |
| Patrick J. Statham | .... | bike stunt (as Pat Statham) | |
Costume and Wardrobe Department | |||
| Yulia Gershenzon | .... | costumer | |
Editorial Department | |||
| Michael R. Hall | .... | assistant editor | |
Music Department | |||
| Michael R. Hall | .... | music supervisor | |
Transportation Department | |||
| Michael Dawes | .... | driver | |
| Gary Jackson | .... | driver | |
| Ken Kaplan | .... | transportation coordinator | |
Other crew | |||
| Jennifer M. Byrne | .... | production coordinator | |
| Robert Kazlauskas | .... | production assistant | |
| Robert Lepucki | .... | location manager | |
| Ken Meyer | .... | legal services | |
| Mike Tristano | .... | weapons handler | |
| Kelli Wilson | .... | production assistant | |
| Debra Leilani Bakeman | .... | medic (uncredited) | |
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| Chik loh go yeung | Sleepaway Camp | Basic Instinct | Cry-Baby | Jimmy and Judy |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb USA section | Add this title to MyMovies |
There are good animal-horror movies like the first class movie Jaws. There are other animal-horror movies that are not first class but still entertaining enough, like They Nest, Slugs and Anaconda.
But most of the animal-horror movies are bad and Python is one of the worst.
Some movies have a predictable plot, but can still be exciting, because they are well made and make you nervous as you wait for something expected but terrible to happen. Python is certainly predictable, but it is not well made and it never gets exciting. The only entertainment you can get is to marvel over how bad it is.
The snake itself doesn't look bad, but it doesn't look like it fits into the movie. It looks computer generated and it is so big that it is laughable.
There are no gore scenes to compensate for lousy and exaggerated acting. Van Dien has never showed good acting but here he is so bad that it is obvious that he got instructions from a director without talent.
Some of the roles seem to be created for comical relief (the stupid cop and the unbelievable woman that is buying a house) but they are not funny, only irritating, unconvincing and exaggerated.
The plot is not only predictable, it´s also full of logical errors such as: Why would the government leave explosives in an abandoned laboratory? If the snake is so big and powerful, why keep it in a box of wood? If the snake can move with the laughable speed of 50 mph and you can see that it moves fast (although not that fast), why is it so slow when it is chasing people that it seems to take forever for it to catch up? If you are chased by a gigantic snake would you stop to check out what looks like a small house? If you went in would you forget to close the door? Of course it just happens to be a special house. How can the snake hear things? Did the obligatory mad scientist provide it with ears? I am prepared to oversee some mistakes in a movie, but there are no good scenes in Python that make it worth to see. My rating of this movie is 1, awful.