| Jean-Luc Godard | ... | Walter | |
| Stéphane Audran | ... | Charlotte (recorded 1961) (voice) | |
| Anna Karina | ... | Clara (recorded 1961) (voice) | |
| rest of cast listed alphabetically: | |||
| Andrée Bertrand | ... | Clara (filmed 1951) (uncredited) | |
| Anne Couderet | ... | Charlotte (filmed 1951) (uncredited) | |
Directed by | |||
| Eric Rohmer | |||
Writing credits | ||
| Eric Rohmer | (written by) uncredited | |
Original Music by | |||
| Maurice Leroux | (as Maurice Le Roux) | ||
Film Editing by | |||
| Agnès Guillemot | |||
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| The Devil Wears Prada | Côte d'Azur | Groundhog Day | Chocolat | Brokeback Mountain |
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| Full cast and crew | Company credits | IMDb Comedy section |
| IMDb France section |
For fans of the French New Wave, this is a must-see film as you actually get to see a young Jean-Luc Godard acting! Unfortunately, it's only a 12 minute long film, however, so don't get your hopes set too high.
This is one of director Eric Rohmer's first films--a short that appears more like an experiment than a commercial product. And, as a New Wave film, it's allowed to defy typical conventions (like a plot). When the film begins, the narrator (Godard) explains what is happening and what has happened--as if he's explaining what had occurred on the first reel (as if it was lost). It's odd...but again, it's New Wave.
Much of the film consists of Godard and a lady standing around her apartment. She cooks for him, he wants to kiss and she just sits down to eat. Exciting stuff, huh? Well, no...it's not--it's exceptionally talky and dull. But it did help Rohmer and Godard to perfect their craft, so it's a film that their fans would adore--despite being very low energy. As I am not a huge fan of either, however, I found it all pretty mundane--like watching a student film would normally be or like watching paint dry.
As this is an experimental and non-commercial film, I am declining to give this one a numerical rating.