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Overview
User Rating:
Director:
Writers:
Juan Bonilla (novel)
Mateo Gil (writer)
Release Date:
26 November 1999 (Spain) more
Plot:
Amid the spectacular festivities of Holy Week in Seville, an aspiring novelist stuggles with his work... more | add synopsis
Awards:
1 win & 2 nominations more
NewsDesk:
Spanish horror vets team on new thriller
(From Fangoria. 20 November 2008, 1:57 PM, PST)
User Comments:
Fine example of European commercial cinema more (16 total)
Cast
(Credited cast)| Eduardo Noriega | ... | Simón Cárdenas | |
| Jordi Mollà | ... | Sapo | |
| Natalia Verbeke | ... | María | |
| Paz Vega | ... | Ariadna | |
| Pedro Álvarez-Ossorio | ... | Padre Andrés | |
| Mauro Ribera | ... | Rocha | |
| Jesús Olmedo | ... | Brujo | |
| Críspulo Cabezas | ... | Pirata | |
| Joserra Cadiñanos | ... | Dinamitero | |
| José Manuel Seda | ... | Capa | |
| Richard Henderson | ... | Hernández | |
| rest of cast listed alphabetically: | |||
| José Cantero | ... | Presidente | |
| Anne de Luz | ... | Madre de Sapo | |
| Petra Martínez | ... | Encargada del Archivo de Indias | |
| Pablo Matilla | ... | Capillita - Uncredited | |
| Manuel Morón | ... | Jefe de redacción | |
| Joaquín Notario | |||
| Juan Carlos Roldán | ... | Presentador | |
| Lucio Romero | ... | Hermano mayor | |
| José Salas | ... | Sacerdote | |
| Silvia Sánchez | ... | Reportera | |
| Agustín Ustarroz | ... | L. Vázquez | |
Additional Details
Also Known As:
Nobody Knows Anybody (International: English title)
more
MPAA:
Rated R for some strong sexuality, violence and language.
Parents Guide:
Runtime:
Colombia:105 min | Japan:108 min
Country:
Language:
Color:
Aspect Ratio:
2.35 : 1 more
Sound Mix:
Certification:
Germany:12 | France:U | Japan:R-15 | Spain:13 | USA:R | Australia:MA (TV rating)
Company:
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NOBODY KNOWS ANYBODY (Nadie Conoce a Nadie)
Aspect ratio: 2.39:1 (Panavision)
Sound format: Dolby Digital
Unusual thriller from Mateo Gill, in which an unhappy crossword designer (Spanish heartthrob Eduardo Noriega, from THE DEVIL'S BACKBONE and BURNT MONEY) is inadvertently 'recruited' by a sinister organization during Holy Week in Seville, plunging him into a nightmare of serial murder and terrorism, and culminating in a heartstopping sequence at the height of the city's religious festivities, during which Noriega is forced to make the most catastrophic decision of his life.
Gill and cinematographer Javier Salmones frame their widescreen images in a manner which suggests nothing less than cosmic forces at work, rendering the population of an entire city culpable in the moral destruction of an unwitting hero (illustrated by an extraordinary sequence in which Noriega is pursued by hooded figures through narrow back-streets lined with tourists who simply stand back and gape as hunters and quarry engage in a battle with toy ray guns!). The reason for all this mayhem stretches credibility, but the film - based on a novel by Juan Bonilla - is crafted with technical precision, and distinguished by an extravagant music score by Gill's longtime associate and fellow filmmaker Alejandro Almenábar (OPEN YOUR EYES, THE OTHERS), designed to convey the central character's growing isolation as he falls ever deeper into a city-wide conspiracy. A fine example of European commercial cinema, with scenes that rival Hitchcock or Argento at their most creative.
(Spanish dialogue)