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Nobody Knows Anybody (1999)
"Nadie conoce a nadie" (original title)

6.0
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Ratings: 6.0/10 from 1,821 users  
Reviews: 18 user | 6 critic

Amid the spectacular festivities of Holy Week in Seville, an aspiring novelist stuggles with his work and pays his bills by composing crossword puzzles. A cryptic recording left on his ... See full summary »

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Title: Nobody Knows Anybody (1999)

Nobody Knows Anybody (1999) on IMDb 6/10

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Cast

Credited cast:
...
Simón Cárdenas
...
Sapo
...
María
...
Pedro Álvarez-Ossorio ...
Padre Andrés
Mauro Rivera ...
Rocha
Jesús Olmedo ...
Brujo
Críspulo Cabezas ...
Pirata
Joserra Cadiñanos ...
Dinamitero
...
Capa
Richard Henderson ...
Hernández
Rest of cast listed alphabetically:
José Cantero ...
Presidente
Anne Deluz ...
Madre de Sapo (as Anne de Luz)
Petra Martínez ...
Encargada del Archivo de Indias
Pablo Matilla ...
Capillita - Uncredited
Edit

Storyline

Amid the spectacular festivities of Holy Week in Seville, an aspiring novelist stuggles with his work and pays his bills by composing crossword puzzles. A cryptic recording left on his answering machine demands that he include a certain word in a future puzzle, and he becomes drawn into a spiraling tangle of mystery, danger and confusion. Soon he's forced into participating in a real-life version of a computer game on the narrow streets of Seville, the stakes being extremely high for the entire city. Written by mikhail080@cs.com

Plot Summary | Add Synopsis

Genres:

Romance | Thriller

Motion Picture Rating (MPAA)

Rated R for some strong sexuality, violence and language | See all certifications »
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Details

Country:

Language:

Release Date:

26 November 1999 (Spain)  »

Also Known As:

Bruderschaft des Todes  »

Box Office

Budget:

€2,400,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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User Reviews

 
A movie about NOTHING
1 April 2005 | by (Israel) – See all my reviews

Absolutely nothing happens in this sloooow, annoying, thrill-less thriller directed by Amenabar's usual collaborator Mateo Gil. The film, which in some way deals with the effect of boredom and the quest for thrills, actually delivers none, and seems like an exercise in boredom. The only mildly suspenseful moment is the movie's climax, which takes about 30 seconds of the whole agonizing 100-plus minutes, and is resolved too simply. The plot lacks sophistication or credibility, and while the idea is original, the way the story unfolds is arbitrary and every plot device or twist is a result of outside interference (deus-ex-machina). The hero is always passive, everything happens to him without forcing him to show any initiative or resourcefulness. If you're fans of the genre, watch "Tesis" instead.


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