Nadja is a guest student, who stays at Cité Universitaire and visits the Sorbonne, while preparing a thesis on Proust. Besides her student life she likes to stroll about Paris, to explore ... See full summary »
In Paris outskirts Blanche, a young clerk, befriends Lea, a girl livelier than she is. Lea is going steady with Fabien who is a friend to Alexandre who is going steady with Adrienne but is ... See full summary »
A careless mother hires a young tutor to bring up her son's marks, as bad in mathematics as in French language. The young woman tries to teach the boy the easiest things in the curriculum, ... See full summary »
Six vignettes set in different sections of Paris, by six directors. St. Germain des Pres (Douchet), Gare du Nord (Rouch), Rue St. Denis (Pollet), and Montparnasse et Levallois (Godard) are ... See full summary »
Reinette and Mirabelle are two young girls. Reinette lives in the countryside, Mirabelle in Paris. They meet during a holiday of Mirabelle in the country, when Reinette helps her to repair ... See full summary »
Eric Rohmer leads a conversation with Jean Renoir and Henri Langlois on the art of filmmaker Louis Lumière. The cinematographic pioneer Lumière produced thousands of documentaries in the ... See full summary »
Educational documentaries are not exactly my cup of tea so I approached this Rohmer short (from the series "The Industrial Era"), running 22 minutes, with reasonable trepidation. Despite affording landscape the same consideration he usually bestowed upon his human characters, it all proved somewhat less than entertaining, even a little dull. Nevertheless, I cannot deny the film's basic instructiveness: delineating the way the once picturesque French countryside (which had inspired many a celebrated Impressionist painter) has been gradually 'devoured' in the name of progress by noisy machinery deployed in the erection of imposing steel structures. Incidentally, while the deliberately gray quality of the cinematography suggests that something of the vitality so representative of Paris has definitely been lost in the process, one can still detect a certain elegance in these abstract forms which, either by coincidence or design, can often be seen to evoke past monuments.
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