In 1933 New York, an overly ambitious movie producer coerces his cast and hired ship crew to travel to the mysterious Skull Island, where they encounter Kong, a giant ape who is immediately smitten with leading lady Ann Darrow.
Many years ago, in Ancient Egypt, the Scorpion King led a menacing army, but when he sold his soul to Anubis, he was erased from history. Now he is only a myth...or is he? Rick and Evelyn O'Connell are still discovering new artifacts, along with their 8 year old son Alex. They discover the Bracelet of Anubis. But someone else is after the bracelet. High Priest Imhotep has been brought back from the dead once again and wants the bracelet, to control the Scorpion King's army. That's not the only problem. Imhotep now has Alex and with the bracelet attached to him, doesn't have long to live. Written by
According to Arnold Vosloo, his axe weighed about 50 lbs. After three days, he felt like his arms were coming out of their sockets. See more »
When the bus crosses Tower Bridge, the bridge is seen in its red, white and blue livery. The bridge wasn't painted this way until the Queen's Silver Jubilee in 1977, and was a plain brown in 1933. See more »
5,000 years ago, a fierce warrior known as the Scorpion King led a great army on a campaign to conquer the known world.
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At the end credits of the film, the main cast and crews' names are first presented in hieroglyphics, then change into Roman (English) fonts that have a hieroglyphic-like look to them. (The rest of the credits are also in this font). After the main cast and crew is named, the rest of the credits, instead of scrolling down in traditional straight lines, are staggered in snake-like patterns, while hieroglyphics are placed in various areas of the credits and on the screen. See more »
If you've seen the trailer for this movie, you're probably expecting fast paced adventure, non-stop action and a special effects extravaganza with just enough story to keep it all interesting. And if that's what you're hoping for, you certainly won't be disappointed; because that's exactly what you get in `The Mummy Returns,' written and directed by Stephen Sommers. The story begins in Egypt, where Rick O'Connell (Brendan Fraser) and his wife, Evelyn (Rachel Weisz) discover an ancient bracelet that had once belonged to a warrior known as `The Scorpion King (The Rock),' who, back in the day, had sold his soul to the god, Anubis, for control of his armies and domination of the world. Now, it seems, The Scorpion King's resurrection is imminent, and if he succeeds and once again raises the armies of Anubis, he could very well take over or destroy the world. Followers of Im-Ho-Tep (Arnold Vosloo), however, who are privy to this information as well, decide to resurrect their dark leader so that he can face The Scorpion King, defeat him, take control of Anubis' armies and conquer the world himself, putting them in control. But the key to the whole plan lies with who has control of the bracelet at the time of The Scorpion King's resurrection. And the O'Connells have taken it back home with them to London.
So the adventure begins in earnest, moving from Egypt to London, then back again to Egypt. Along the way, there's plenty of mummies, fighting, and bugs, but very few surprises, except for one scene near the end when something quite unexpected happens. The story itself gets somewhat lost in the muddle, but it doesn't really matter; plot is fairly insignificant in a movie like this, as long as it maintains at least a thread of credibility and can give the action some context. And that it does, so all is well and it allows you to get on with what this movie is really all about, which-- simply put-- is having a good time.
With shades of `Indiana Jones' and `Star Wars' abounding, the real success of this movie lies in the fact that it never pretends to be anything other than what it is or what it was meant to be, and that is an entertaining, fun movie. It's visually explosive, from the sweeping, desert vistas of the converging, battling armies, to the mummies and assorted demons and creatures generously sprinkled throughout. And the hand-to-hand combat scenes between Evelyn and Anck-Su-Namun (Patricia Velazquez) are especially thrilling. The one element of the film that doesn't seem to work too well has to do with a particular mode of transportation to which the O'Connells must resort upon their return to Egypt, and which ultimately plays a significant part in the outcome of the whole adventure. It's something that seemingly would have been more appropriate in `The Adventures of Baron Munchausen' or `Peter Pan.'
As far as the performances, suffice to say that the actors involved all do their jobs well; after all, in a movie like this you're not going to find anyone struggling with `The Method.' Fraser strikes a handsome, heroic pose-- call him a poor man's Indiana Jones-- and Weisz is becoming as Evelyn. Most importantly, they all walk the walk and talk the talk, and Sommers keeps them on track and wisely avoids allowing any lapses into `camp' or tongue-in-cheek character interpretations, which makes this a solid, fun-filled, action-adventure movie that is what it is.
The supporting cast includes John Hannah (providing some comic relief as Jonathan Carnahan), Adewale Akinnuoye-Agbaje (Lock Nah), Freddie Boath (Alex O'Connell) and Obed Fehr (Ardeth Bay). As with most sequels, you'll get more out of `The Mummy Returns' if you've seen the original, which had more of a story and, of course, would give you the background of the characters. But even on it's own and taken at face value, this movie is a feast for the senses, and just a lot of good fun. Just don't go in expecting anything more than what the trailer promises; if you can do that, chances are you're going to enjoy the movie and have a good time. I rate this one 7/10.
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