In 1933 New York, an overly ambitious movie producer coerces his cast and hired ship crew to travel to mysterious Skull Island, where they encounter Kong, a giant ape who is immediately smitten with leading lady Ann Darrow.
Selene, a beautiful vampire warrior, entrenched in a war between the vampire and werewolf races. Although she is aligned with the vampires, she falls in love with Michael, a human who is sought by werewolves for unknown reasons.
Many years ago, in Ancient Egypt, the Scorpion King led a menacing army, but when he sold his soul to Anubis, he was erased from history. Now he is only a myth...or is he? Rick and Evelyn O'Connell are still discovering new artifacts, along with their 8 year old son Alex. They discover the Bracelet of Anubis. But someone else is after the bracelet. High Priest Imhotep has been brought back from the dead once again and wants the bracelet, to control the Scorpion King's army. That's not the only problem. Imhotep now has Alex and with the bracelet attached to him, doesn't have long to live. Written by
During the bus-fight, numerous windows are destroyed as a result of the fight, but in exterior shots of the bus driving through the streets, all windows appear to be intact. See more »
This thing was filled with gas. Not hot air - gas. I need gas to get this thing off the ground. Where am I gonna get gas from around here? Huh? Bananas? Mangos? Tarzan's ass? Well maybe I can finagle it to take hot air. But do you know how many cubic meters I'd need? I mean, it's too big!
If anybody can fill this thing up with hot air, Izzy... it's you.
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At the end credits of the film, the main cast and crews' names are first presented in hieroglyphics, then change into Roman (English) fonts that have a hieroglyphic-like look to them. (The rest of the credits are also in this font). After the main cast and crew is named, the rest of the credits, instead of scrolling down in traditional straight lines, are staggered in snake-like patterns, while hieroglyphics are placed in various areas of the credits and on the screen. See more »
The Mummy Returns is maybe a step above the first one. The action is non-stop, and it does manage, for the most part, to rouse the audience, or at least me. The good guys are likable. Brendan Fraser is where he belongs. Rachel Weisz is beautiful. John Hannah amuses as Jonathan, and Freddie Boath manages not to annoy as Alex, the kid. He's pretty good as a smart-mouthed brat. The bad guys are, for the most part, fun to hate. Im-Ho-Tep is a good villain. Maybe he isn't given enough to do here, but he's still cool. Patricia Valazquez is a real stunner as his love interst, Anck-Su-Namun. She's probably the best thing about the film. Adewale Akinnuoye-Agbaje was good as Lock Nah, the main henchman. Perhaps the weakest part of the film is the Rock as the Scorpion King. The narration during the film's prologue is not nearly as good as it would be if we were watching the story develop. The Scorpion King is basically a boring character. His computer-animated doppleganger at the film's climax is neat, but it would have been better if there were some feelings towards that character.
People who know their action flicks will notice that the Mummy Returns steals about every action scene from every action movie made in the past 20 years, quoting movies like Aliens, Indiana Jones, Jurassic Park 2 (why? that movie was terrible), and especially Star Wars Episode I: The Phantom Menace, with which, if you remember, The Mummy I was competing with in the box office successfully in May of 1999. They don't try to hide any of it. They even make a jest at Spielberg with a shadow against the moon from ET and Amblin Entertainment. It's all in good fun. You shouldn't be too angry at the sloppy script. If you are going to be angry, the shoddy computer animation should be your target. Still, it's not bad.
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