In 1933 New York, an overly ambitious movie producer coerces his cast and hired ship crew to travel to mysterious Skull Island, where they encounter Kong, a giant ape who is immediately smitten with leading lady Ann Darrow.
Selene, a beautiful vampire warrior, entrenched in a war between the vampire and werewolf races. Although she is aligned with the vampires, she falls in love with Michael, a human who is sought by werewolves for unknown reasons.
Many years ago, in Ancient Egypt, the Scorpion King led a menacing army, but when he sold his soul to Anubis, he was erased from history. Now he is only a myth...or is he? Rick and Evelyn O'Connell are still discovering new artifacts, along with their 8 year old son Alex. They discover the Bracelet of Anubis. But someone else is after the bracelet. High Priest Imhotep has been brought back from the dead once again and wants the bracelet, to control the Scorpion King's army. That's not the only problem. Imhotep now has Alex and with the bracelet attached to him, doesn't have long to live. Written by
In Evey's first vision, which shows the bracelet being locked up, it is evident that she sees herself but as Nefertiri. She is wearing the same clothes and ornaments, the night Pharoah is killed by Imhotep and Anck-Su-Namun. See more »
The sai, the weapon used by Nefertiri and Anck-Su-Namun, was never used by the Egyptians and never existed in that region. The weapon was developed in Okinawa and was adapted from a farm tool for use against occupying Japanese. See more »
[Evelyn drags a bench to block the museum's entrance]
Honey, what are you doing? These guys don't use doors.
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The end credits feature objects in the background such as embalming cloth and walls with hieroglyphics. Some of the backgrounds relate to the character. When Arnold Vosloo's and Patricia Velasquez's credits appear, a mummy is seen in the background. When The Rock's credit appears, a scorpion crawls in the background. When John Hannah's credits appear, gold statues can be seen in the background (for his obsession of all things gold). See more »
The Mummy Returns is maybe a step above the first one. The action is non-stop, and it does manage, for the most part, to rouse the audience, or at least me. The good guys are likable. Brendan Fraser is where he belongs. Rachel Weisz is beautiful. John Hannah amuses as Jonathan, and Freddie Boath manages not to annoy as Alex, the kid. He's pretty good as a smart-mouthed brat. The bad guys are, for the most part, fun to hate. Im-Ho-Tep is a good villain. Maybe he isn't given enough to do here, but he's still cool. Patricia Valazquez is a real stunner as his love interst, Anck-Su-Namun. She's probably the best thing about the film. Adewale Akinnuoye-Agbaje was good as Lock Nah, the main henchman. Perhaps the weakest part of the film is the Rock as the Scorpion King. The narration during the film's prologue is not nearly as good as it would be if we were watching the story develop. The Scorpion King is basically a boring character. His computer-animated doppleganger at the film's climax is neat, but it would have been better if there were some feelings towards that character.
People who know their action flicks will notice that the Mummy Returns steals about every action scene from every action movie made in the past 20 years, quoting movies like Aliens, Indiana Jones, Jurassic Park 2 (why? that movie was terrible), and especially Star Wars Episode I: The Phantom Menace, with which, if you remember, The Mummy I was competing with in the box office successfully in May of 1999. They don't try to hide any of it. They even make a jest at Spielberg with a shadow against the moon from ET and Amblin Entertainment. It's all in good fun. You shouldn't be too angry at the sloppy script. If you are going to be angry, the shoddy computer animation should be your target. Still, it's not bad.
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