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An auteur of nine ambitious and distinct films, Christopher Nolan is a filmmaker of singular vision as this new video tribute highlights. Featuring clips from his first film "Following," juxtaposed with some memorable scenes from Nolan’s "The Dark Knight" trilogy, and revisiting the ambitious and unforgettable "Memento" (also my personal favorite). Of course, there are just-as-honorable mentions for "The Prestige" (winner of the best cameo ever award, with David Bowie as Nikola Tesla), "Insomnia," the unforgettably pulsating "Inception" and his most recent love affair with outer space, "Interstellar." Read More: Christopher Nolan Talks "Bleak Future" Of Cinema & How Studios Will "Relearn" The Value Of The Theatrical Experience This intricate and expeditious mashup was created by Nikita Malko. These memorable scenes and moments like Michael Caine reading Dylan Thomas; »
- Samantha Vacca
The next Christopher Nolan film has been announced - but it's very different from the blockbusters we're used to seeing from him.
Titled Quay, the documentary centres on Stephen and Timothy Quay, as viewers will get an insight into the "inner workings of the brothers' studio".
If there’s a reason Miguel Branco’s Christopher Nolan supercut strikes you as epic, it’s because that’s exactly what most of the British filmmaker’s movies are. Ambitious in terms of scope, concept, and often runtime, Christopher Nolan’s films have grossed well over $4 billion worldwide, and Branco pays modest and genuine tribute to the visionary writer-director in his not quite three-and-a-half-minute video. The 206-second supercut spans the world, as well as dreamt worlds, and the galaxies. It witnesses the rise and fall of heroes and their villains. And it features gorgeous music from Hans Zimmer, including “A Watchful Guardian” from “The Dark Knight,” which he wrote with James Newton Howard. Of course, for those whose first introduction to Nolan came in the form of either a “Dark Knight” film, “Inception,” or “Interstellar,” it’s forgivable to forget the helmer’s first features were more humble. “Following »
- Zach Hollwedel
Based on Susannah Cahalan’s New York Times bestselling memoir Brain on Fire: My Month of Madness, the award-tipped drama will center on Susannah (Moretz), a rising journalist at The New York Post who inexplicably falls victim to an unknown illness that causes her to hear voices, hallucinate and become violent. Terrified but unable to prevent herself from descending further into insanity, Susannah faces the possibility that she’ll never recover – until one doctor provides a diagnosis that may hold the key to a cure.
Perry is set to take on the supporting role of Richard, who oversees Susannah at The New York Post and shocked to see her condition transform her.
- Isaac Feldberg
Well, if this hyper-charged spot wasn’t just made for Comic-Con, then I don’t know what is. The ominous techno music throbs hard and the stares are steely and humorless in this new action-packed trailer for “Blindspot,” a new series from “Stargate: Atlantis” producer Martin Gero, and by the looks of it, this new hour-long drama may very well share some of that earlier show’s fanboy-friendly DNA. Jamie Alexander, loaded with enough high-caliber weaponry for a dozen David Ayer flicks and covered in “don’t touch me” tattoos, plays our badass heroine Jane Doe. The trailer voiceover promises that Jane comes equipped with a special set of “skills,” making her sound eerily similar to the protagonist of a certain lucrative action franchise. Sullivan Stapleton will play a tough-as-nails fed whose primary task is to decipher the riddle that Jane’s tattoos may pose, and if they point to some larger criminal conspiracy. »
- Nicholas Laskin
"I think audiences get too comfortable and familiar in today's movies. They believe everything they're hearing and seeing... I like to shake that up." If you're a longtime reader of this blog, you already know that I am outspoken fan of filmmaker Christopher Nolan. I think he's one of the best filmmakers working today, and his movies are incomparable in their grandeur and intelligent design. Not everyone agrees, but we all have our own opinions of course. Criticisms aside, Nolan has made some very intelligent, very bold films - including Memento and The Prestige. He has a style and storytelling technique that is refined and sleek, yet still cinematic and engaging. This extended but excellent video tribute made by a fellow fan (found via The Playlist) highlights many of his themes and tricks. And it makes me love his work even more. Enjoy! From the Vimeo description: "Hello everyone, I »
- Alex Billington
It’s not surprising that a recurring element of the pilot for Blindspot is the looking over of the tattoos that cover the body of Jane Doe (Thor’s Jaimie Alexander), the mysterious woman that is found in a duffel bag in Times Square with no memories. The mural of inked images, numbers, and symbols that take up most of the woman’s body is both the obvious hook and only really fascinating element of NBC’s new action-mystery series, which combines elements of The Bourne Identity, Memento, and a handful of procedural shows (NCIS and CSI, primarily) into a competent but hugely derivative and predictable bit of intrigue. Unlike Christopher Nolan’s film or, say, David Cronenberg’s Eastern Promises, the tattoos are not expressions of a tormented inner self and personal, cultural history but rather a map of crimes that will ploddingly lead the audience toward a criminal »
- Chris Cabin
Guy Pearce (born October 5, 1967) is a British-Australian actor and musician. Pearce is well-known for his work on both film and television. In Australia, his breakout performances came in the series Neighbours and the film The Adventures of Priscilla, Queen of the Desert. International audiences recognize him from L.A. Confidential, Memento, The Hurt Locker, […]
The post Guy Pearce Bio appeared first on uInterview. »
- Ryan McDonnell
Principal photography is underway in Europe on Martin Koolhoven thriller.
Dakota Fanning (Night Moves) and Kit Harington (Game of Thrones) have replaced Mia Wasikowska (Alice in Wonderland) and Robert Pattinson (Twilight), respectively, in Martin Koolhoven’s thriller Brimstone, which is now underway in Europe.
The story follows a young woman (Fanning) who goes on the run and is chased by a diabolical preacher known as The Reverend (Pearce).
Producer Els Vandevorst issued the following statement to Screen about the cast changes: “Mia Wasikowska left the film due to unforeseen personal circumstances and Dakota Fanning immediately jumped into the leading starring role. Kit Harington was so consistently passionate about the script that his enthusiasm and total creative commitment made him a must for the role which »
The film, which is written and directed by Martin Koolhoven (“Winter in Wartime”), stars Dakota Fanning (“Night Moves,” “The Runaways” and the upcoming “Franny”), Guy Pearce (“Memento,” “Lawless”) and Carice van Houten (“Black Book,” “Valkyrie”). Fanning stars as Liz, a heroine on the run from her past and chased by Pearce’s character, the diabolical Preacher. The movie is described as “a vivid and powerful epic of one woman’s defiant resistance.”
Els Vandevorst (“Winter in Wartime,” “The Surprise,” “Dogville”) of Holland’s N279 Entertainment produces, alongside Uwe Schott (“Cloud Atlas,” “Amour”) of X-Filme. Antonino Lombardo of Belgium’s Prime Time, »
- Leo Barraclough
We've all been there - waiting impatiently at the ticket office queue, glancing up anxiously at the clock and hoping that the trailers are playing for even longer than usual, because otherwise you've got no chance of making it for the start of the film.
In most cases you can piece together what you missed in the first few minutes; but sometimes it's essential to catch the film from the very start, whether for crucial plot details, later call-backs, or simply because it's the best part.
Here's our pick of 11 films you can't afford to miss the start of.
It takes a hardened soul not to well up watching Carl Fredricksen lose his beloved wife Ellie to a sudden illness in the opening montage of Up.
Not only is it probably the best sequence in the film, but it makes the crotchety Carl immediately sympathetic by showing his softer »
Writer/director Andrew Bujalski ("Computer Chess”) is making his bones quickly. He's only made four independently financed feature films, and his fourth is his biggest and best yet. A dynamite cast helps, but Bujalski's tentative move towards the mainstream doesn't tamp down his funny and observational sensibilities. His latest, "Results," stars the criminally underused Kevin Corrigan ("Pineapple Express"), Guy Pearce ("Memento"), Cobie Smulders “(“The Avengers"), Giovanni Ribisi and Anthony Michael Hall in the weirdest role you will ever see him in. “Results” is centered on the culture of self-improvement. The comedy focuses on two mismatched personal trainers, self-styled guru/owner Trevor (Pearce) and irresistibly acerbic trainer Kat (Smulders), whose lives are upended by the actions of a wealthy client (Corrigan). As their three lives become inextricably knotted, the plot go from complicated to super messy, and as our »
- Chase Whale
Photo: Warner Bros. / Lionsgate / Paramount Christopher Nolan was asked, during a Q&A at the Tribeca Film Festival, to choose which sequence from his films he considers his favorite. The log chase scene in Insomniac The semi-flip in The Dark Knightc The docking sequence in Interstellarc Every single one of themc Nope. The director answered as some may have expected, with the opening scene from The Dark Knight Rises, often discussed as his most impressive stunt sequence thus far in his directorial career. Call it the prologue scene, call it the airplane hijacking scene, call it what you want, Nolan is proud of it no matter what title you give it. "It took us about two days in Scotland," he told host Bennett Miller and the crowd. He continued: "It was an incredible sort of coming together of months and months of planning by a lot of different members of »
- Jordan Benesh
Has being the director of a film in a major franchise become a high-stakes gamble? Ryan looks at the pressures faced by modern filmmakers.
The process of making the behemoth that is Avengers: Age Of Ultron has clearly taken its toll on Joss Whedon. In each successive interview with the press, he’s talked with surprising openness about the process of making the superhero sequel and his battles to places an individual stamp on it; this culminated in a recent podcast with Empire, in which he described the “really, really unpleasant” fight to keep certain scenes in the film.
For an established writer and director like Whedon, who’s been working in TV and film since the 90s, taking on a project as huge and loaded with expectation as a Marvel film is evidently punishing, both physically and psychologically. Imagine how difficult it must be, then, to make the jump »
Interstellar and Dark Knight director Christopher Nolan was on hand at this year's Tribeca Film Festival for a conversation with Foxcatcher director Bennett Miller, and their chat covered a number of different topics -- from Nolan's first influences (Star Wars) to his massive success as a filmmaker (“I do attribute a lot of it to luck"). What else is going on inside the nerdy mind of the guy who gave us Inception and Memento? Here are three Christopher Nolan fun facts to break out at your next movie party 1. His favorite movie of 2014 “I really loved Whiplash last year. I thought that was an incredible piece of work. That was the kind of film where when you see it, it’s very precisely put together and you’re very...
- Erik Davis
As an interview subject, Christopher Nolan is an expert diplomat: He’s great at sounding forthright while not saying anything particularly revealing. But, holding forth on his career in an hour-long conversation with Foxcatcher director Bennett Miller at the Tribeca Film Festival last night, the Dark Knight and Inception director did open up at a couple of points. Maybe it was the fact that he was talking shop with a fellow filmmaker, but Nolan seemed refreshingly reflective, particularly as he discussed some of the opportunities he’d been given in his career.“If there’s one thing that I’ve been fortunate in, in my development as a filmmaker, it’s that I’ve always worked at a comfortable scale,” Nolan said. “I started very very small [with the no-budget feature Following]. Then, after I had done Following … I was able to show people the script for Memento, and it had a similarly nonlinear structure. »
- Bilge Ebiri
On Monday evening, Christopher Nolan, acclaimed director of "Memento," Inception" and "Interstellar" visited the 2015 Tribeca Film Festival for one of their Tribeca Talks panels. His moderator was Bennett Miller, acclaimed director of "Moneyball" and "Foxcatcher." Throughout the panel, Miller kept the focus mostly on Nolan's filmmaking history, his influences, his processes and his family, but did manage to include a story referencing Amy Pascal and his own experiences with studios. Check out the highlights from the panel below which dive into Nolan's process: Nolan's first memory of film."My first memory of going to a film is probably seeing 'Snow White' in re-release," Nolan said. "I very much remember seeing the evil witch, the evil queen who transforms herself into the witch, with the apple and »
- Casey Cipriani
Christopher Nolan described his filmmaking process as “some combination of intuition and geometry” in one of the Tribeca Talks series of public conversations at the 2015 Tribeca Film Festival.
“I don’t write a story outline,” he told a packed house of festivalgoers during the discussion with fellow director Bennett Miller (“Foxcatcher,” “Moneyball”). “Usually my answer right off the bat is that I work intuitively, but I draw a lot of diagrams when I work. I do a lot of thinking about etchings by Escher, for instance. That frees me, finding a mathematical model or a scientific model. I’ll draw pictures and diagrams that illustrate the movement or the rhythm than I’m after.”
Intuition, he noted, comes to the fore in his editing process. “I’ve always edited in a huge hurry, tried to catch that lightning in a bottle, just so the energy is there,” he said. “I »
- Gordon Cox
Director Bennett Miller went mano a mano with director Christopher Nolan Monday evening before a packed, film-crazy crowd at the Tribeca Performing Arts Center. Actually, the Tribeca Film Festival event was more bromance than smackdown, as Miller (Foxcatcher, Moneyball, Capote) played admiring interlocutor to the amiable Nolan (Interstellar, Inception, Memento). Their only prior work together had been in the area of keeping the use of film stock alive. After running… »
Christopher Nolan is one of the most successful filmmakers working today. In fact, he’s one of very few directors (maybe the only one) that basically have carte blanche when it comes to choosing projects and getting them made without any fuss. He makes massive, ambitious original films like Inception and Interstellar, and audiences turn out on a scale normally reserved for superhero movies or the next Transformers sequel. It’s an impressive feat, and it’s no wonder that he’s able to assemble such impressive ensembles in front of the camera. While everyone’s waiting to hear what Nolan will do next, a new video tribute to the filmmaker has landed online that runs through his entire filmography, from his feature debut Following to last year’s Interstellar and everything in between. It’s a serviceable ode to Nolan, and while a few of the cuts are a bit jarring, »
- Adam Chitwood
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