| Photos (See all 23 | slideshow) |
| Adam Chubbuck | ... | Ken Park | |
| James Bullard | ... | Shawn | |
| Seth Gray | ... | Shawn's Brother | |
| Eddie Daniels | ... | Shawn's Mother | |
| Zara McDowell | ... | Zoe (as Zara Mcdowell) | |
| Maeve Quinlan | ... | Rhonda | |
| Stephen Jasso | ... | Claude | |
| Wade Williams | ... | Claude's Father (as Wade Andrew Williams) | |
| Tiffany Limos | ... | Peaches | |
| Julio Oscar Mechoso | ... | Peaches' Father (as Julio Oscar Mochoso) | |
| James Ransone | ... | Tate | |
| Patricia Place | ... | Tate's Grandmother | |
| Amanda Plummer | ... | Claude's Mother | |
| Mike Apaletegui | ... | Curtis | |
| Harrison Young | ... | Tate's Grandfather | |
| Ashley Crisp | ... | Rebekah (as Ashley E. Crisp) | |
| Lazavier James | ... | Rebekah's Friend | |
| Daniel Helwick | ... | Friend #1 | |
| Gabe Nava | ... | Friend #2 | |
| Sam Baptista | ... | Friend #3 | |
| Shanie Calahan | ... | Hannah | |
| Chelsey Earlywine | ... | Hannah's Girlfriend | |
| Bill Fagerbakke | ... | Bob (as Bill Faggerbakke) | |
| Richard Riehle | ... | Murph | |
| Caroline Kristiahn | ... | Prostitute | |
| Loranne Maze | ... | Ken Park's Girlfriend | |
| Luna | ... | Legs | |
| rest of cast listed alphabetically: | |||
| Larry Clark | ... | Hot-dog seller (uncredited) | |
| Elvis Strange | ... | (uncredited) | |
Directed by | |||
| Larry Clark | |||
| Edward Lachman | (as Ed Lachman) | ||
Writing credits | ||
| Harmony Korine | (screenplay) | |
| Larry Clark | (based on stories and characters by) | |
Produced by | |||
| Pascal Breton | .... | executive producer | |
| Olivier Brémond | .... | executive producer (as Olivier Bremond) | |
| Victoria Goodall | .... | line producer | |
| Kees Kasander | .... | producer | |
| Jean-Louis Piel | .... | producer | |
| Wang Wei | .... | associate producer | |
Cinematography by | |||
| Larry Clark | (photography) | ||
| Edward Lachman | (photography) (as Ed Lachman) | ||
Film Editing by | |||
| Andrew Hafitz | |||
Casting by | |||
| Carmen Cuba | |||
Production Design by | |||
| John DeMeo | (as John De Meo) | ||
Costume Design by | |||
| Michele Posch | |||
Makeup Department | |||
| Sabina Bonvillain | .... | hair designer (as Sabine M. Bonvillain) | |
| Sabina Bonvillain | .... | makeup designer (as Sabine M. Bonvillain) | |
| Jamie Escarra | .... | additional hair stylist | |
| Stacey Panepinto | .... | hair assistant | |
| Stacey Panepinto | .... | makeup assistant | |
Production Management | |||
| Charlie Vogel | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Jennifer Fragoso | .... | second second assistant director | |
| Chad Rosen | .... | first assistant director | |
| Dawn Stewart | .... | second assistant director | |
Art Department | |||
| Reed Bernstein | .... | prop master | |
| Krit Fagtongpun | .... | swing | |
| Craig Getman | .... | lead man | |
| Jim Kingslan | .... | swing | |
Sound Department | |||
| Dennis Grzesik | .... | sound mixer (as Dennis 'Big D' Grzesik) | |
| Malaika Langa | .... | audio post coordinator | |
| Dominick Tavella | .... | sound re-recording mixer | |
| Roland Vajs | .... | additional mixing | |
| Roland Vajs | .... | sound editor | |
| Magdaline Volaitis | .... | sound editor | |
| Stacey A. Washer | .... | boom operator | |
Special Effects by | |||
| Kam Cooney | .... | special effects (as Cam Kooney) | |
| P. David Miller | .... | special effects crew (as Paul D. Miller) | |
Visual Effects by | |||
| Reinier van Brummelen | .... | digital effects (as Reinier Van Brummelen) | |
Stunts | |||
| Lou Simon | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Nicolas Amato | .... | best boy electric | |
| Bennett Cerf | .... | additional second assistant camera (as Bennet Cerf) | |
| Dale Cole | .... | grip | |
| John W. DeBlau | .... | lighting (as John W. Deblau) | |
| Jeff Dyer | .... | first assistant camera (as Jeff Dryer) | |
| Scott Eades | .... | best boy grip | |
| Gayle Hilary | .... | loader | |
| Courtney Jones | .... | key grip | |
| Julie Kovermusz | .... | grip: second unit | |
| Miek Krajci | .... | second assistant camera | |
| Leigh Ledare | .... | still photographer | |
| Dean Lent | .... | additional camera | |
| Dean Lent | .... | additional camera: second unit | |
| James McMillan | .... | key grip: second unit (as Jim Mcmillan) | |
| Steve Mulcahey | .... | key grip: second unit | |
| Tuan Nguyen | .... | video camera: second unit | |
| Kevin Blair Rogers | .... | additional loader (as Blair Rogers) | |
Casting Department | |||
| Natasha Cuba | .... | assistant casting director | |
| Joey 'Pain' Young | .... | extras casting: second unit | |
Costume and Wardrobe Department | |||
| Jasmine Kostraba | .... | assistant costume designer (as Jasmine Christina Kostraba) | |
| Michael Maize | .... | wardrobe assistant | |
Music Department | |||
| Matt Clark | .... | music consultant | |
| Howard Paar | .... | music supervisor | |
Transportation Department | |||
| George M. Geminiano | .... | driver (as George Geminjano) | |
| Doug S. MacLean | .... | transportation captain (as Doug S. Maclean) | |
| Mark E. Mobley | .... | transportation coordinator | |
Other crew | |||
| Rhonda Bingham | .... | paymaster | |
| Maxine Brooks | .... | studio teacher | |
| Krenton Caudle | .... | emergency medical technician: second unit (as Nrenton Caudle) | |
| Dwight Hovey | .... | studio teacher | |
| Brent M. Jones | .... | production consultant | |
| Leslie Kharma | .... | production office assistant | |
| Max Kraus | .... | assistant location manager | |
| Kent Linker | .... | studio teacher (as Kent Lanker) | |
| Jay Mason | .... | script supervisor | |
| Barb Maze | .... | baby wrangler | |
| Jonathan McCoy | .... | production coordinator (as Jonathan Mccoy) | |
| Joe McGraw | .... | locations (as Joe Mcgraw) | |
| Maggie Means | .... | production accountant | |
| Mark Moore | .... | set medic | |
| Jane Nisselson | .... | title design | |
| Mrs. Parker | .... | production therapist | |
| Irwin M. Rappaport | .... | legal services (as Irwin Rappaport) | |
| Leslie Rogers | .... | assistant production coordinator | |
| Leslie Rogers | .... | post production coordinator | |
| Steven Ruecker | .... | assistant to directors | |
| Gerry Villareal | .... | title design | |
| Dan Riley | .... | legal assistant (uncredited) | |
| Lou Simon | .... | fight choreographer (uncredited) | |
Thanks | |||
| Bruce Bennett | .... | thanks | |
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| Bully | Savage Grace | My Own Private Idaho | Head On | 1900 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Ugh, I should have known better...Ken Park - the third installment in Clark's portraits of teenage alienation - is even worse than Kids and Bully. This guy deserves his status and reputation of artistic film-maker as much as I deserve the Nobel peace-price. I hope, when all the hype cools down, more and more people will realize that he's nothing more than an untalented and dull cineast who's only out to shock audiences. When watching his films, I get the idea that his only goal is to get banned and censored in as much countries as humanly possible...because that provides him with an easily deserved cult reputation. The story and especially the characters in Ken Park are pathetic, uninspired, empty and not at all that offensive... And this film is completely arrogant and egocentric. You can actually hear Larry Clark thinking: "Oh, look at me...I'm controversial". Bah, how pitiful. There's nothing artistic about explicit and outrageous sex scenes (read: semi-pornographically scenes)! When I first saw this film - at a festival - the public spontaneously started to applaud at the close up of a masturbation sequence...Why, why...WHY, I ask?!? If things like masturbation, sodomy and incest can be considered 'artistic', then why is everybody embarrassed to admit they watch porno? Ken Park is a soporific and utterly annoying anthology that unites a couple of messed up teenagers (and their even more messed up parents) you don't care about to begin with, anyway. I surely hope your VCR-player has a fast-forward button! Yet, the most hilarious statement I keep hearing is that Larry Clark movies are eye-openers and realistic portraits of society nowadays...What a load of nonsense is that? Life isn't like this and surely people aren't as stupid and depressing as Clark pictures them. And if you think they are, you should go out more...or at least start to watch better movies.