A failed London musician meets once a week with a woman for a series of intense sexual encounters to get away from the realities of life. But when he begins inquiring about her, it puts their relationship at risk.
THIS SPECIAL FRIENDSHIP tells of the tender relationship between a twelve-year-old boy and the upperclassman who is the object of his desire. All set in the rigid atmosphere of a Jesuit run... See full summary »
Pedro, a gay man with an active social life and big circle of friends, takes in his nephew Bernardo for a couple weeks. When it appears as though it might become a permanent arrangement, ... See full summary »
José Luis García Pérez,
An aspiring author during the civil rights movement of the 1960s decides to write a book detailing the African-American maids' point of view on the white families for which they work, and the hardships they go through on a daily basis.
A 15 year old boy (Beni) falls in love with Fögi, a singer in a Rock band. As Fögi seduces him, he is only willing to follow him where ever Fögi wants to. But Fögi is a drug addict and ... See full summary »
Urs Peter Halter
Ken Park focuses on several teenagers and their tormented home lives. Shawn seems to be the most conventional. Tate is brimming with psychotic rage; Claude is habitually harassed by his brutish father and coddled, rather uncomfortably, by his enormously pregnant mother. Peaches looks after her devoutly religious father, but yearns for freedom. They're all rather tight, or so they claim. But they spend precious little time together and none of them seems to know much about one another's family lives. This bizarre dichotomy underscores their alienation # the result of suburban ennui, a teenager's inherent sense of melodrama, and the disturbing nature of their home environments. Written by
I have no problems with the explicit content in the film, go ahead and show whatever you like, just do it for a reason other than to push the boundries. There's nothing less interesting than watching a movie that is based on the premise of Let's Make People Accept Something New. That's lame. It's cheap. The movie is not interesting in the least. It never goes anywhere. It seems as though Larry Clark's ideas for characters were just him thinking he wanted to push the limits of sex on film, and so that's what the characters are doing. They are in no way representative of a real person as this film tries to convince us. This film would be boundry pushing if it was able to contextualize the behaviour and not just put it on a screen. At the film festival Clark answered a question about the inclusion of the character of Ken Park, who seemed to exist for no real reason other than to begin the film with a suicide. Clark responded by saying that he wanted to deal with teenage suicide in the movie, which is fine, but just showing someone shoot themselves in the head is not dealing with teenage suicide. It just exploits violence. There doesn't seem to be any thought, beyond the voyeuristic tendancies of the film makers, in this movie at all.
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