La stanza del figlio (2001)

Director:

Nanni Moretti

Writers:

Nanni Moretti (story)
Nanni Moretti (screenplay) ...

Release Date:

9 March 2001 (Italy)

Genre:

Drama | Mystery

Plot:

A psychoanalyst and his family go through profound emotional trauma when their son dies in a scuba diving accident.

Plot Keywords:

Psychoanalyst | Diving | Scuba Diving | Patient | Stealing

Awards:

9 wins & 24 nominations

Cast

Nanni Moretti	...	Giovanni
Laura Morante	...	Paola
Jasmine Trinca	...	Irene
Giuseppe Sanfelice	...	Andrea
Sofia Vigliar	...	Arianna
Renato Scarpa	...	Headmaster
Roberto Nobile	...	Priest
Paolo De Vita	...	Luciano's Father
Roberto De Francesco	...	Record Store Clerk
Claudio Santamaria	...	Dive Shop Clerk
Antonio Petrocelli	...	Enrico
Lorenzo Alessandri	...	Filippo's Father
Alessandro Infusini	...	Matteo
Silvia Bonucci	...	Carla
Marcello Bernacchini	...	Luciano

Also Known As:

The Son's Room (International: English title) (UK) (USA)
Giovanni (Italy) (working title)
La chambre du fils (France)

MPAA:

Rated R for language and some sexuality.

Runtime:

99 min

Country:

Italy | France

Language:

Italian | Latin

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital

Certification:

Portugal:M/12 | Italy:T | Argentina:13 | Australia:M | Chile:TE | Finland:K-11 | France:U | Germany:12 | Hong Kong:IIB | Japan:PG-12 | Netherlands:AL | Norway:11 | Peru:PT | Singapore:NC-16 | South Korea:12 | Spain:13 | Sweden:7 | Switzerland:0 (canton of the Grisons) | Switzerland:12 (canton of Geneva) | Switzerland:12 (canton of Vaud) | UK:15 | USA:R

Filming Locations:

Ancona, Marche, Italy

Company:

Rai Cinemafiction

Trivia:

Chosen by "Les Cahiers du cinéma" (France) as one of the 10 best pictures of 2001 (#09)

Movie Connections:

Referenced in Film Geek (2005)

Soundtrack:

By This River

An Italian Kieslowski

It takes a certain amount of cheek to write, direct and star in your own films and Nanni Moretti's earlier work, 'Carao Diaro', was certainly eccentric, as he played himself as an annoying and socially limited loner. In 'The Son's Room', he proves he can act a role, in a more orthodox portrait of a family struggling to come to terms with the death of their son. The portrait of inter-generational relationships seems over-idealised (and how many teenagers are into Brian Eno?), but the real strength of this film is its sense of inicidentality. Instead of playing as straight melodrama, we see the family trying to continue with their lives, and in particular Moretti's character, a psychotherapist, interacting with his patients. The importance attached to the chance juxtaposition of events is reminiscent of Kieslowski, as is some of the dialogue: stylised but profound, even (or even because) its relationship to the main events is oblique: the whole carries meaning precisely because the individual parts are not overloaded, everything is potentially symbolic but nothing is forced. At the end of the day you believe in these characters; as a result, their tragedy rings with truth.