Years ago, Jack Carter left his Seattle home to become a Las Vegas mob casino financial enforcer. He returns for the funeral of his brother Richard 'Richie' after a car crash during a storm...
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Stallone plays a cop who comes undone after witnessing a brutal scene on the job. He checks into a rehab clinic that specializes in treating law enforcement officials. Soon, he finds that his fellow patients are being murdered one by one.
Charles S. Dutton,
Years ago, Jack Carter left his Seattle home to become a Las Vegas mob casino financial enforcer. He returns for the funeral of his brother Richard 'Richie' after a car crash during a storm, atypical of the careful house-father. Talking to the widow, daughter Doreen and enigmatic Geraldine, Jack suspects it was murder. Cliff Brumby, whose club Richie ran, is financially linked to porn and prostitution baron Cyrus Paice, who claims to be just a front-man for ITC tycoon Jeremy Kinnear. Someone hired goon Thorpey to make Jack return to Las Vegas. There Jack's partner Les Fletcher is restless, apparently about their boss Con McCarty whose wife had an affair with Jack. Someone breaks into Richie's home, looking for a crucial CD. Written by
Director Stephen Kay clashed with Franchise Pictures, the financier, over the tone of the film. Kay wanted the film to be more of an "anti-revenge" film, while Franchise wanted a more traditional Stallone action picture. See more »
When Stallone throws his Baretta 9mm semi-automatic away in the final scene with Alan Cummings, Stallone uses it on Michael Caine in the next scene. See more »
Hello, Mr. Davis. My name is Jack Carter, and you don't want to know me.
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Opening quote: "That's all we expect of man, this side the grave: his good is - knowing he is bad." --Robert BrowningSee more »
Las Vegas mob enforcer Jack Carter travels to Seattle to investigate his brother's mysterious death. Local crime lords want him out, but Carter unrelentingly proceeds in finding the truth.
Starting with a promising beginning (though it remains amusing that someone thought that Stallone can match Caine's acting) the film soon slumps into a bad case of mediocrity. It has the same idea as the original and tries to be as badass with its kinetic and almost experimental direction, but ends up being just poor. Stallone's Carter is given an almost soft side that goes complete against the character from the first film. On top of that there are some enjoyable car chases, but they serve as sensationalism that was critically lacking from the first film.
Then there is the ending, which has some merit (since the film already establish Carter as softer then the original), but even so, it is still pretty stupid and leaves the film with little to say or resonate with. That ultimately makes this is second rate crime movie that you might enjoy, but don't count it. --- 5/10
Rated R for violence and profanity
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