When a serial killer turns his attention on the lead detective he is asked to check into a clinic treating law enforcement officials who cant face their jobs. As the patients begin being murdered they restart doing what they do best.
Charles S. Dutton,
Years ago, Jack Carter left his Seattle home to become a Las Vegas mob casino financial enforcer. He returns for the funeral of his brother Richard 'Richie' after a car crash during a storm, atypical of the careful house-father. Talking to the widow, daughter Doreen and enigmatic Geraldine, Jack suspects it was murder. Cliff Brumby, whose club Richie ran, is financially linked to porn and prostitution baron Cyrus Paice, who claims to be just a front-man for ITC tycoon Jeremy Kinnear. Someone hired goon Thorpey to make Jack return to Las Vegas. There Jack's partner Les Fletcher is restless, apparently about their boss Con McCarty whose wife had an affair with Jack. Someone breaks into Richie's home, looking for a crucial CD. Written by
Franchise Pictures was reluctant to cast Mickey Rourke, in light of his troubled past as a Hollywood bad-boy. Friend Sylvester Stallone, who put Rourke up for the role, guaranteed a portion of his salary, so if Rourke did cause any delays or problems, the production would be covered. Rourke turned up every day on time, and was a complete professional. His work impressed Franchise enough that they hired him shortly after for their next film, The Pledge (2001). See more »
On the elevator, Con says to Jack "Say Jack, when I said you take care of the business or the business will take care of you, did we have a bad connection on the cell? Maybe you weren't listening?" Only, Con never said this to Jack "on the cell" or during a phone conversation. Con said his "business will take care of you" line to Jack in person, when the two were together at the beginning, before Jack left Vegas. See more »
Hello, Mr. Davis. My name is Jack Carter, and you don't want to know me.
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Opening quote: "That's all we expect of man, this side the grave: his good is - knowing he is bad." --Robert BrowningSee more »
It hurts me to say it, but another misfire from Stallone...
I must confess I hadn't seen the original Get Carter before watching this.
I'm glad, this way I'm not biased.
Carter is a 'heavy' for a loanshark. When he hears about his brothers death he travels back to his home town he left years ago to dish out some pain, and (of course) play father to his Brother's daughter. What follows is a gangster farce about porn, hookers and 'Mr. Bigs'. Sounds cool?, in fact Sly even looks cool, but unfortunately it isn't.
Get Carter (2002) is one of the best looking movies stallone has ever been cast in. The cinematography of Mauro Fiore (Training Day) is exquisite. It's a shame that Director Stephen Kay couldn't match that. And I'm not sure what went wrong with the editing (strange, because it was the same guy who edited 'Apocalypse Now'). The Film just feels out of sync. It doesnt flow very well at all. The action is good(if too sparse) but seems to have an unwelcome comedy feel to it throughout. John McGinley, and Mickey Rourke in particular, give excellent performances as the bad guys. What bothers me is Stallone's attempt to play a 'hard man' and 'long lost loving uncle' at the same time. It just doesn't work. Stallone isn't helped either by the rest of the cast which boasts Rhona Mitra as a main character(with a particularly poor performance). Miranda Richardson suffers too in this movie as Carter's Brother's wife. Surprisingly, Michael Caine makes a cameo too, although I can't help thinking I wish he hadn't.
It could have been brilliant, but instead it's (dare I say it) a hard to follow, badly paced, and forgettable film. That sounds bad, but it's still worth a rent though (even just for the fact it looks great).
I'll give it 5/10. Average.
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