Years ago, Jack Carter left his Seattle home to become a Las Vegas mob casino financial enforcer. He returns for the funeral of his brother Richard 'Richie' after a car crash during a storm... See full summary »
A woman (Madeleine Stowe) who has just discovered she is the daughter of a murdered Mafia chieftain (Anthony Quinn) seeks revenge, with the aide of her Father's faithful bodyguard (Sylvester Stallone).
Stallone plays a cop who comes undone after witnessing a brutal scene on the job. He checks into a rehab clinic that specializes in treating law enforcement officials. Soon, he finds that his fellow patients are being murdered one by one.
Charles S. Dutton,
Shade is set in the world of poker hustlers working the clubs and martini bars of Los Angeles. The tale unfolds as a group of hustlers encounter "The Dean" and pull off a successful sting ... See full summary »
Carl Mazzocone Sr.,
Years ago, Jack Carter left his Seattle home to become a Las Vegas mob casino financial enforcer. He returns for the funeral of his brother Richard 'Richie' after a car crash during a storm, atypical of the careful house-father. Talking to the widow, daughter Doreen and enigmatic Geraldine, Jack suspects it was murder. Cliff Brumby, whose club Richie ran, is financially linked to porn and prostitution baron Cyrus Paice, who claims to be just a front-man for ITC tycoon Jeremy Kinnear. Someone hired goon Thorpey to make Jack return to Las Vegas. There Jack's partner Les Fletcher is restless, apparently about their boss Con McCarty whose wife had an affair with Jack. Someone breaks into Richie's home, looking for a crucial CD. Written by
Before Sylvester Stallone and Mickey Rourke worked together, they both were considered to play Axel Foley in Beverly Hills Cop and butch Coolidge in pulp fiction. See more »
In the chase between the Cadillac STS and the Jaguar, a Datsun pickup (with covered bed) is hit at an intersection. Later on, the two chase cars pass the same pickup again (which is now undamaged). The same pickup is also used as a prop in the night chase between the Volvo and the old Cadillac. See more »
Hello, Mr. Davis. My name is Jack Carter, and you don't want to know me.
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Opening quote: "That's all we expect of man, this side the grave: his good is - knowing he is bad." --Robert BrowningSee more »
Performed by Delerium
Written by Kristy Lee Thirsk (as Kristy Thirsk) / Bill Leeb (as Wilhelm Leeb) / Rhys Fulber
Published by Nettsongs Publishing (SOCAN) / Chrysalis Songs (BMI) / Esoteria Publishing (SOCAN) / Nett Music Publishing (SOCAN) / Chrysalis Music (ASCAP) / Cherub Music (SOCAN)
Courtesy of Nettwerk Productions See more »
Effective. Complex. Layered. Well acted. Sharp. Smart.
I simply do not get what certain people have against this movie. Sure, it's not a cinematic breakthrough, but it is very sharp, smart and focused. Jack Carter's brother, Richie, dies under mysterious circumstances. Jack goes back to his home town to check things out and perhaps find out the truth. What he finds is not all that easy to get to grips with.
This is not your usual run of the mill revenge movie. The story has some layers to it and I am surprised to see that people did not appreciate that. Jack Carter is not a good guy. He is a bad man working in bad town doing bad things. Always was a bad guy. But he reaches a moment in his life when the things that take place between him and his boss's girl Audrey, the things that he finds out about his brother and his brother's family, all of them act as a catalyst. For once in his life he tries to set things right. How does he do that? By doing what he knows to do. He does bad things. The guys he goes up against are a little a out of the reach of the law. To wait for justice to set things right is not a concept Jack is familiar with. The only things he knows is to take care of his own dirty laundry. And at the moment his life is his dirty laundry. He was not there for his brother, for his niece and he missed some oportunities... Time to set things right. But he does only bad things in this movie. He kills people by shooting them, by throwing them out of the balcony, by beating them up in the elevator. WHY? Because these are the same things that would happen to him if he let his guard down.
Great acting performances form most guys in the movie. Stallone seems to have found some serious acting genes within himself. This is some of his best work and his best is very good. Not only for the genre. Although when looking back at Oscar (his 1991 comedy), D-Tox (a very underrated movie) and Copland I have to say that this is not a one off. No sir. When the script, the director and the rest of the cast are good he can act big time. Michael Caine made a very good movie called get Carter back in 1971. I love that movie and is always one of my favorites to watch on Turner Classic Movies. The remake, I felt, is just as good. Sure it has the sort of usual happy ending, but that is just the American Way of ending action movies. They love a hero. Mickey Rourke, Alan Cummings, Michael Caine and Rachael Leigh-Cook are very good in this one. Somehow Miranda Richardson seemed a little over the top in her angry widow/mother scenes.
Michael Caine acted in this one simply because he knew it was good. The movie could have been done without him, without a doubt. But he did it because unlike other remakes, this one is just as good as the original. It has it's own style, a somewhat different story and a happier ending. Otherwise, they are two very similar movies. And even if some consider the original as better, they should not write this one off. The layers are there, you just have to dig. And this only because the producers did not get this movie. The director, the cast, everybody got this movie and knew what they were making except for the producers who seem to have been thinking of another movie. Michael Caine seems to have given his seal off approval to Stallone's acting in this one. The producers wanted a classic 80's action movie. At least that's what I feel. So, this is a very good movie. Just as good (or almost as good, depending on how you look at it) as the original. It has great acting, sharp directing, nice car chase scenes, nice action scenes, some great moments, some wonderful music, a simple yet effective storyline that keeps you guessing and wanting to see more. And as someone put it, crap like XXX, The Fast and The Furious (+sequel, at least is has some cars), Charlie's Angels (+sequel. could not even watch) and other such teen-hormone-slang-flash-driven movies have a higher rating, IT SIMPLY ISN'T RIGHT!!!!!! 7.5/10
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