Years ago, Jack Carter left his Seattle home to become a Las Vegas mob casino financial enforcer. He returns for the funeral of his brother Richard 'Richie' after a car crash during a storm... See full summary »
A woman (Madeleine Stowe) who has just discovered she is the daughter of a murdered Mafia chieftain (Anthony Quinn) seeks revenge, with the aide of her Father's faithful bodyguard (Sylvester Stallone).
Stallone plays a cop who comes undone after witnessing a brutal scene on the job. He checks into a rehab clinic that specializes in treating law enforcement officials. Soon, he finds that his fellow patients are being murdered one by one.
Charles S. Dutton,
Shade is set in the world of poker hustlers working the clubs and martini bars of Los Angeles. The tale unfolds as a group of hustlers encounter "The Dean" and pull off a successful sting ... See full summary »
Carl Mazzocone Sr.,
Years ago, Jack Carter left his Seattle home to become a Las Vegas mob casino financial enforcer. He returns for the funeral of his brother Richard 'Richie' after a car crash during a storm, atypical of the careful house-father. Talking to the widow, daughter Doreen and enigmatic Geraldine, Jack suspects it was murder. Cliff Brumby, whose club Richie ran, is financially linked to porn and prostitution baron Cyrus Paice, who claims to be just a front-man for ITC tycoon Jeremy Kinnear. Someone hired goon Thorpey to make Jack return to Las Vegas. There Jack's partner Les Fletcher is restless, apparently about their boss Con McCarty whose wife had an affair with Jack. Someone breaks into Richie's home, looking for a crucial CD. Written by
For the flashback scenes that show Richie's murder, Stephen Kay wanted the film to look grainy and damaged, so he asked Deluxe, the film processor, to think outside the box. Happy to oblige, the techs at Deluxe tied the film to the back of a car and drove it around their parking lot - creating the scratched look. The experiment was short-lived when a Deluxe executive saw it, and ordered them to stop - fearing it would give the company a bad name. See more »
Carter's Cadillac has a headlight out after the big chase scene with the boys from Vegas. But when Carter pulls up to the nightclub both headlights work. See more »
Hello, Mr. Davis. My name is Jack Carter, and you don't want to know me.
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Opening quote: "That's all we expect of man, this side the grave: his good is - knowing he is bad." --Robert BrowningSee more »
Performed by Jellybean Benítez (as Jellybean)
Produced by Jellybean Benítez (as Jellybean) & Adam Marano
PD Arrangement by Jellybean Benítez (as Jellybean Benitez) (BMI); Adam Marano (ASCAP)
Published by House of Fun Music, Inc. (BMI); Marano Songs (ASCAP)
Courtesy of Jellybean Recordings, Inc. See more »
Approximately 1/10th as good as the original, this version of GET CARTER doesn't even have the courage to use the original ending. And it is edited in today's hyper-trendy style using extremely brief shots edited together in a welter of images hoping to create an impression of kinetic action. Instead, it's just indecipherable chaos.
Stallone tries his best, but his mustache and goatee have the odd effect of squeezing his lips together increasing his resemblance to a fish. He's also saddled with long, boring scenes with his niece (or maybe she's his daughter) that really don't lead anywhere. This has a different main villain than the original, but it's hardly a surprise since Mickey Rourke's character gives it away in his first scene. (But what happens to Mickey Rourke later? If he's dead, why wasn't there some kind of reaction from the numerous bystanders?) Stallone needs to forget about the audience liking him, and go for the realism of the character, but he never, never will show that kind of imagination and integrity.
Showy, trendy junk.
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