Years ago, Jack Carter left his Seattle home to become a Las Vegas mob casino financial enforcer. He returns for the funeral of his brother Richard 'Richie' after a car crash during a storm... See full summary »
A gun-for-hire known only as Agent 47 hired by a group known only as 'The Organization' is ensnared in a political conspiracy, which finds him pursued by both Interpol and the Russian military as he treks across Russia and Eastern Europe.
Years ago, Jack Carter left his Seattle home to become a Las Vegas mob casino financial enforcer. He returns for the funeral of his brother Richard 'Richie' after a car crash during a storm, atypical of the careful house-father. Talking to the widow, daughter Doreen and enigmatic Geraldine, Jack suspects it was murder. Cliff Brumby, whose club Richie ran, is financially linked to porn and prostitution baron Cyrus Paice, who claims to be just a front-man for ITC tycoon Jeremy Kinnear. Someone hired goon Thorpey to make Jack return to Las Vegas. There Jack's partner Les Fletcher is restless, apparently about their boss Con McCarty whose wife had an affair with Jack. Someone breaks into Richie's home, looking for a crucial CD. Written by
When Doreen asks Carter why he went away for so long, Carter responds, "That's a long story." Doreen replies, "It's a long ride back." These lines were also spoken in Rambo: First Blood Part II when John Rambo is speaking with his Vietnamese insider. See more »
In the chase between the Cadillac STS and the Jaguar, a Datsun pickup (with covered bed) is hit at an intersection. Later on, the two chase cars pass the same pickup again (which is now undamaged). The same pickup is also used as a prop in the night chase between the Volvo and the old Cadillac. See more »
Hello, Mr. Davis. My name is Jack Carter, and you don't want to know me.
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Opening quote: "That's all we expect of man, this side the grave: his good is - knowing he is bad." --Robert BrowningSee more »
Performed by Red Snapper
Produced by Red Snapper
Written by Richard Thair (as Thair), David Ayers (as Ayers), Ali Friend (as Friend)
Published by Warp Music/EMI Music Publishing (ASCAP)
Courtesy of Warp Records See more »
It hurts me to say it, but another misfire from Stallone...
I must confess I hadn't seen the original Get Carter before watching this.
I'm glad, this way I'm not biased.
Carter is a 'heavy' for a loanshark. When he hears about his brothers death he travels back to his home town he left years ago to dish out some pain, and (of course) play father to his Brother's daughter. What follows is a gangster farce about porn, hookers and 'Mr. Bigs'. Sounds cool?, in fact Sly even looks cool, but unfortunately it isn't.
Get Carter (2002) is one of the best looking movies stallone has ever been cast in. The cinematography of Mauro Fiore (Training Day) is exquisite. It's a shame that Director Stephen Kay couldn't match that. And I'm not sure what went wrong with the editing (strange, because it was the same guy who edited 'Apocalypse Now'). The Film just feels out of sync. It doesnt flow very well at all. The action is good(if too sparse) but seems to have an unwelcome comedy feel to it throughout. John McGinley, and Mickey Rourke in particular, give excellent performances as the bad guys. What bothers me is Stallone's attempt to play a 'hard man' and 'long lost loving uncle' at the same time. It just doesn't work. Stallone isn't helped either by the rest of the cast which boasts Rhona Mitra as a main character(with a particularly poor performance). Miranda Richardson suffers too in this movie as Carter's Brother's wife. Surprisingly, Michael Caine makes a cameo too, although I can't help thinking I wish he hadn't.
It could have been brilliant, but instead it's (dare I say it) a hard to follow, badly paced, and forgettable film. That sounds bad, but it's still worth a rent though (even just for the fact it looks great).
I'll give it 5/10. Average.
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