Years ago, Jack Carter left his Seattle home to become a Las Vegas mob casino financial enforcer. He returns for the funeral of his brother Richard 'Richie' after a car crash during a storm... See full summary »
Keep track of everything you watch; tell your friends.
If your account is linked with Facebook and you have turned on sharing, this will show up in your activity feed. If not, you can turn on sharing
here
.
An aging cop is assigned the ordinary task of escorting a fast-talking witness from police custody to a courthouse. There are however forces at work trying to stop prevent them from making it.
An ex-con sets out to avenge his brother's death after they were double-crossed during a heist years ago. During his campaign, however, he's tracked by a veteran cop and an egocentric hit man.
Director:
George Tillman Jr.
Stars:
Dwayne Johnson,
Mauricio Lopez,
Billy Bob Thornton
Dominic Toretto and his crew of street racers plan a massive heist to buy their freedom while in the sights of a powerful Brazilian drug lord and a dangerous federal agent.
Years ago, Jack Carter left his Seattle home to become a Las Vegas mob casino financial enforcer. He returns for the funeral of his brother Richard 'Richie' after a car crash during a storm, atypical of the careful house-father. Talking to the widow, daughter Doreen and enigmatic Geraldine, Jack suspects it was murder. Cliff Brumby, whose club Richie ran, is financially linked to porn and prostitution baron Cyrus Paice, who claims to be just a front-man for ITC tycoon Jeremy Kinnear. Someone hired goon Thorpey to make Jack return to Las Vegas. There Jack's partner Les Fletcher is restless, apparently about their boss Con McCarty whose wife had an affair with Jack. Someone breaks into Richie's home, looking for a crucial CD. Written by
KGF Vissers
When Doreen asks Carter why he went away for so long, Carter responds, "That's a long story." Doreen replies, "It's a long ride back." These lines were also spoken in Rambo: First Blood Part II when John Rambo is speaking with his Vietnamese insider. See more »
Goofs
During the chase, Carter pushes sideways a towed car with his Cadillac. Carter's car escapes undamaged. See more »
Quotes
[first lines]
Jack Carter:
Hello, Mr. Davis. My name is Jack Carter, and you don't want to know me.
See more »
Crazy Credits
Opening quote: "That's all we expect of man, this side the grave: his good is - knowing he is bad." --Robert BrowningSee more »
"Joy to the World"
Performed by The Accidentals
PD Arrangement by Margaret Dom, BMI, Danny Pelfrey, BMI, Linda Lawley, BMI
Published by Amusicom Publishing, BMI & Tonalvision, ASCAP
Courtesy of Amusicom Records See more »
Approximately 1/10th as good as the original, this version of GET CARTER doesn't even have the courage to use the original ending. And it is edited in today's hyper-trendy style using extremely brief shots edited together in a welter of images hoping to create an impression of kinetic action. Instead, it's just indecipherable chaos.
Stallone tries his best, but his mustache and goatee have the odd effect of squeezing his lips together increasing his resemblance to a fish. He's also saddled with long, boring scenes with his niece (or maybe she's his daughter) that really don't lead anywhere. This has a different main villain than the original, but it's hardly a surprise since Mickey Rourke's character gives it away in his first scene. (But what happens to Mickey Rourke later? If he's dead, why wasn't there some kind of reaction from the numerous bystanders?) Stallone needs to forget about the audience liking him, and go for the realism of the character, but he never, never will show that kind of imagination and integrity.
Showy, trendy junk.
5 of 6 people found this review helpful.
Was this review helpful to you?
Approximately 1/10th as good as the original, this version of GET CARTER doesn't even have the courage to use the original ending. And it is edited in today's hyper-trendy style using extremely brief shots edited together in a welter of images hoping to create an impression of kinetic action. Instead, it's just indecipherable chaos.
Stallone tries his best, but his mustache and goatee have the odd effect of squeezing his lips together increasing his resemblance to a fish. He's also saddled with long, boring scenes with his niece (or maybe she's his daughter) that really don't lead anywhere. This has a different main villain than the original, but it's hardly a surprise since Mickey Rourke's character gives it away in his first scene. (But what happens to Mickey Rourke later? If he's dead, why wasn't there some kind of reaction from the numerous bystanders?) Stallone needs to forget about the audience liking him, and go for the realism of the character, but he never, never will show that kind of imagination and integrity.
Showy, trendy junk.