Years ago, Jack Carter left his Seattle home to become a Las Vegas mob casino financial enforcer. He returns for the funeral of his brother Richard 'Richie' after a car crash during a storm... See full summary »
Years ago, Jack Carter left his Seattle home to become a Las Vegas mob casino financial enforcer. He returns for the funeral of his brother Richard 'Richie' after a car crash during a storm, atypical of the careful house-father. Talking to the widow, daughter Doreen and enigmatic Geraldine, Jack suspects it was murder. Cliff Brumby, whose club Richie ran, is financially linked to porn and prostitution baron Cyrus Paice, who claims to be just a front-man for ITC tycoon Jeremy Kinnear. Someone hired goon Thorpey to make Jack return to Las Vegas. There Jack's partner Les Fletcher is restless, apparently about their boss Con McCarty whose wife had an affair with Jack. Someone breaks into Richie's home, looking for a crucial CD. Written by
During the chase scene between Carter and the boys from Vegas the chase jumps from SoDo, to Yesler, to Queen Anne and various other locals from north to south Seattle with a mere turn. Also, beneath the viaduct is portrayed as an actual road in areas where it's only a parking lot. See more »
Hello, Mr. Davis. My name is Jack Carter, and you don't want to know me.
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Opening quote: "That's all we expect of man, this side the grave: his good is - knowing he is bad." --Robert BrowningSee more »
Performed by Red Snapper
Produced by Red Snapper
Written by Richard Thair (as Thair), David Ayers (as Ayers), Ali Friend (as Friend)
Published by Warp Music/EMI Music Publishing (ASCAP)
Courtesy of Warp Records See more »
STAR RATING:*****Unmissable****Very Good***Okay**You Could Go Out For A Meal Instead*Avoid At All Costs
Stallone's remake of the 1971 classic of the same title finally arrives over on British shores.Only it arrives straight to video.This probably isn't very surprising anyway.The Michael Caine (who also appears here,albeit not in the title role again!) original is seen as an untouchable classic by our movie-going public,and an American re-make would probably be interpreted as the ultimate kick-in-the-teeth.
But for those not bothered about cultural rivalry or who weren't alive when the original was released,this really isn't that bad a film.It has a really involving camera style and the mystery of Stallone's brothers death is intriguing.There are some interesting characters,with Caine as a mysterious promoter type,Mickey Rourke as an old rival of Stallone's and Miranda Richardson as his deceased brother's wife.
This is sadly though,however,a real case of style over substance,all of these things are really well thought out but for some weird reason,they don't really blend that well together.
Still,considering Stallone's recent turkeys,this is quite likely his best in a long while and really not a bad effort.***
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