A bittersweet and heartfelt story about going back. In the twenty-four hours before their 20th high school reunion, five friends, a younger brother and a mysterious photojournalist are reunited by determined Mayor Margaret to remember the good times of 1981
Skagerrak is the story of being hit by happiness when you least expect it. In their late twenties and tired of partying their way around the world, Danish Marie and Irish Sophie come ashore... See full summary »
A psychological drama about Ulrich, a workaholic whose life takes a drastic turn when he is involved in a fatal accident. As his guilt grows, his life slowly crumbles around him. Next, an ... See full summary »
Anne Sofie Espersen,
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Tomas Villum Jensen
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Lasse Spang Olsen
Tomas Villum Jensen,
Nikolaj Lie Kaas,
Camilla Overbye Roos
Set in Tokyo, Ice brings her amnesiac older brother Haruo home from the hospital to care for him. He is reluctant to go, until Ice tells him that she is his lover. Since he has no memory of... See full summary »
While shifting airports by bus in Africa, a group of passengers is driven to the middle of nowhere in the desert by the driver that is following a defective compass. They run out of gas and they reach a ghost village inhabited by a single man, Kanana. One passenger that has experience with desert gives five advices to the others to survive in the spot, among them to keep the spirit high, while he travels through the desert seeking for help. One intellectual in the stranded group suggests the performance of King Lear to keep the morale of the survivors. Along the days, while hope decreases, the tension increases among the survivors. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
I remain unimpressed, worried, and confused about "Dogma". Is there anything fresh being done here? As for the existential possibilities of a group stranded together in unfamiliar, perhaps threatening conditions; as for the warped-mirroring of theatre and life; and as for disjointed filming and bumpy cameras -- please, don't anyone get their hopes up that there's anything revealing, glimmering, or meaningful here. The film takes a small view of human nature, yet there is one character, the native who watches and narrates, who seems to have a genuine eye. Why couldn't this have been the film- maker's eye? Perhaps ancient cultures are just not "Dogmatic" enough for this postmodern world. I am only glad that the film-makers had room in their hearts for this character.
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