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Chelsea Girls (1966)
Drama
    1 2 3 4 5 6 7 8 9 10 6.4/10 X  

Lacking a formal narrative, Warhol's art house classic follows various residents of the Chelsea Hotel in 1966 New York City, presented in a split screen with a single audio track in conjunction with one side of screen.

Directors: Paul Morrissey, Andy Warhol
Stars: Brigid Berlin, Randy Borscheidt, Christian Päffgen
My Hustler (1965)
Drama
    1 2 3 4 5 6 7 8 9 10 6.5/10 X  

Filmed on Fire Island, this two reel, 70 minute Warhol film covers the activities of the "Dial A Hustler" service, as an older man seeks a young hustler for a companion.

Directors: Andy Warhol, Chuck Wein
Stars: Paul America, Joseph Campbell, Genevieve Charbon
Vinyl (1965)
Sci-Fi
    1 2 3 4 5 6 7 8 9 10 5/10 X  

Warhol's strange interpretation of "A Clockwork Orange." Includes Gerard dancing to the Martha and the Vandellas classic "Nowhere to Run" and being tortured by professional sadists.

Director: Andy Warhol
Stars: Tosh Carillo, Larry Latrae, Gerard Malanga
Kiss (1963)
    1 2 3 4 5 6 7 8 9 10 5.3/10 X  

Close-ups of couples kissing for three minutes each.

Director: Andy Warhol
Stars: Rufus Collins, Johnny Dodd, Fred Herko
Biography | Drama | Romance
    1 2 3 4 5 6 7 8 9 10 6/10 X  

CIAO! MANHATTAN parallels Andy Warhol Factory star Edie Sedgwick's glory days in the late 60's through her inevitable downfall and the tragic addiction that would take her life only weeks after filming wrapped in 1971.

Directors: John Palmer, David Weisman
Stars: Edie Sedgwick, Wesley Hayes, Isabel Jewell
Blow Job (1963)
Short
    1 2 3 4 5 6 7 8 9 10 4.9/10 X  

Andy Warhol directs a single 35-minute shot of a man's face to capture his facial expressions as he receives the sexual act depicted in the title.

Director: Andy Warhol
Stars: DeVeren Bookwalter, Willard Maas
    1 2 3 4 5 6 7 8 9 10 6.1/10 X  

A young, jobless woman stays in bed, reads, talks on the phone, smokes cigarettes, makes fresh coffee, and tries on some clothes from a large wardrobe.

Director: Andy Warhol
Stars: Edie Sedgwick
Kitchen (1965)
    1 2 3 4 5 6 7 8 9 10 7.3/10 X  
Directors: Andy Warhol, Ronald Tavel
Stars: Ronald Tavel, Edie Sedgwick, Roger Trudeau
Short
    1 2 3 4 5 6 7 8 9 10 7/10 X  
Director: Andy Warhol
Stars: Edie Sedgwick
Face (1966)
    1 2 3 4 5 6 7 8 9 10 -/10 X  
Director: Andy Warhol
Stars: Edie Sedgwick
Horse (1965)
Fantasy
    1 2 3 4 5 6 7 8 9 10 5.4/10 X  
Director: Andy Warhol
Stars: Gregory Battcock, Tosh Carillo, Daniel Cassidy Jr.
    1 2 3 4 5 6 7 8 9 10 6.6/10 X  
Director: Andy Warhol
Stars: Olga Adorno, Sally Kirkland
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Cast

Credited cast:
Gino Piserchio
Edie Sedgwick
Chuck Wein
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17 July 1965 (USA)  »

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Connections

Referenced in Ciao Manhattan (1972) See more »

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Warhol's Visions of Beauty
11 October 2006 | by (Berkeley, Ca) – See all my reviews

Beauty No.2 reminds me of being in love. If I remembered the last time that I was in love and then decided to talk about it, depending on my mood, I could pretty much describe it in two ways; amazing and f**cked up. Warhol and Wein (among others) both saw something in Sedgewick that provoked feelings like love, amazement, and violence. Beauty No.2 is a collaboration between these people that show all three antagonists in brilliant form.

Sedgwick holds her own to Weins often pompous monologues/observations and co-star's obvious attempts for attention. Sedgwick can appear to be both, naive and intellectual. Gino is just a stand-by that looks beautiful in underwear, and Wein is a stupid smart-ass. Warhol is there to show and "produce" this work between the lovers. Gerard Malanga comes in to whisper something halfway during the film but, is not shown on camera.

Like most of Warhol's films it is both beautiful and boring. Sedgwick is in a swim suit, smoking furiously through the film and paying, excuse me Chuck, "giving" most of her attention to Wein. Wein is off camera and instigating/co-directing the actress. Piserchio, well...sits there and looks pretty. It's also both intriguing and embarrassing to watch his calculated attempt to try to sleep with Sedgwick, resulting in a hilarious and sexy second half of the film.

Warhol's name is said in the "credits" at the beginning of the reel and from that moment forward, you feel like you are placed in the artists' shoes; a bored voyeur. Clearly, an experience worth seeing at least once for it's artistic, contemporary, and historical value on love and beauty. A lasting impression was made on me for it's sheer effort and passive nature.


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