The Nuremberg trials, 1946 Goering and the Nazi high command stand trial. Within the prison a dangerous mind game is being conducted by Goering and the prison guards who stand watch over the perpetrators of the Holocaust.
A precise, real-time (exactly 85 minutes - the length of the actual event) reenactment of the infamous Wannsee Conference, a meeting called in January, 1942 to map out the implementation of... See full summary »
Friedrich G. Beckhaus
Based upon the final confession of Adolf Eichmann, made before his execution in Israel as he accounts to Captain Avner Less, a young Israeli Police Officer, of his past as the architect of ... See full summary »
Avner W. Less,
Following the defeat of Germany in WWII, the Allies determine that there must be an accounting of German war crimes. Twenty-four Nazis, representative of all sections of military and civilian life are chosen to stand trial for the crimes of conspiracy to commit aggression, commission of aggression, crimes during war and crimes against humanity. The preparations for the trial, the trial itself and its aftermath are shown through the eyes of Chief Prosecutor Robert Jackson and through the eyes of Reichsmarshal Hermann Goering, the ranking Nazi defendant. Written by
Jason A. Cormier
Brian Cox claimed that the sequence in which the courtroom is shown a film of Nazi concentration camps was filmed take after take with the actual film being projected, and that there was genuine walkouts on-set from crew members who couldn't take watching it anymore. See more »
As the camera passes Walter Funk when he pleads, "Nicht schuldig," Albert Speer lowers his headphones onto his shoulders. When the camera returns and it is Speer's turn to plead, the headphones are back over his ears. See more »
This is a strange subject for a modern TV series designed to entice an audience to whom World War II is as distant as the Pelopenesian Wars. Yet this is a tough, well produced, historically accurate and thoroughly compelling film. Brian Cox steals the show with a masterful recreation of Hermann Goering as a beguiling rogue. And the production techniques excel, for example the sound track as silent film of the concentration camps is shown to the trial. It puts the horror in context without exploiting it or sensationalizing it. A brilliant piece of historical film making.
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