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Santo contra el rey del crimen (1962)

 -  Action | Crime | Drama  -  1963 (USA)
5.2
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Ratings: 5.2/10 from 26 users  
Reviews: 1 user | 2 critic

El Santo and his loyal friends will try to disarm a dangerous criminal organization.

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(adaptation), (story), 1 more credit »
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Title: Santo contra el rey del crimen (1962)

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Cast

Cast overview, first billed only:
Fernando Casanova ...
Fernando Lavalle
Ana Bertha Lepe ...
Virginia
Roberto Ramírez Garza ...
(as Beto 'el Boticario')
Begoña Palacios ...
Dancer in club
René Cardona ...
Sr. Roberto de la Llata
Yolanda Ciani ...
Mercedes
Augusto Benedico ...
Matias
Víctor Velázquez
Guillermo Álvarez Bianchi ...
Don Cosme (as Guillermo A. Bianchi)
Antonio Raxel ...
Freddy (henchman)
Fernando Osés
Enrique Couto
Alberto Mariscal
Santanón ...
(as Enano 'Santanón')
Francisco Curiel ...
Roberto de la Llata as a boy (as El niño Francisco Curiel)
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Storyline

El Santo and his loyal friends will try to disarm a dangerous criminal organization.

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Genres:

Action | Crime | Drama

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Release Date:

1963 (USA)  »

Also Known As:

Santo vs. the King of Crime  »

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Soundtracks

Blues Fantasma
Written by Fredy Guzmán
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User Reviews

 
Unspectacular and not very original
8 March 2013 | by (Germany) – See all my reviews

Mexico City. Some day a schoolboy named Roberto sees a little girl being harassed by a few hooligans. He steps out of a group of classmates and helps the girl. During the scuffle he gets a bloody nose. His father is mighty proud of him and initiates him into a secret: Behind a painting in his office hangs a silver mask. It is the mask of Mexican wrestler and heroic fighter against evil: Santo - El Enmascarado de Plata. For years it was Roberto's father, who, as El Santo, confronted criminals of all kinds with courage and determination, and who had got the silver mask decades ago from his father. One day Roberto should also accept the legacy of his father and assume the role of Santo. After many years, it's finally time that the now grown Roberto puts on the silver mask. He is then guided by the faithful servant Matias to a secret room in the basement of the house. Here is Santos headquarter, with radios and countless technological gadgets. From now on, a new Santo will take up the fight against evil. And the first challenge is already waiting... Virginia, a journalist of the daily newspaper "Novedades", her friend, the policeman Fernando Lavalle and his assistant Conrado visit one evening a sporting event. At the ballgame known as "Jai Alai", Virginia observes three men in the hall that make suspicious hand signs to one of the players. Virginia suspects that the game should be manipulated and senses a big story. Fernando is skeptical and forbids her to carry out further research. But it soon turns out that her suspicion is correct. The crime boss Don Cosme and his minions manipulate the games to win large sums of money when betting. Some time later Virginia reports a wrestling match between Santo and another wrestler by order of her publisher. Suddenly she discovers the same three men in the audience who she had already seen at the Jai Alai game. She observes that one of the men secretly put a liquid on Santos towel. Just in time, she can warn Santo, who then finds out that it is acid. As the crooks try to make off, there is a wild brawl between the gangsters and the police, but in the confusion the men escape. From now on, not only the police but also Santo is interested in who is behind the machinations. Fernando and Conrado soon follow a clue that leads to the nightclub "Trocadero". There they become witnesses as one of Don Cosmes henchmen try to persuade a Jai Alai player to manipulate a game, but the man refuses. During the next game he is mortally wounded by a ball thrown against his head. The incident is classified by the police as an accident, but the truth is that the player Tony who is on Don Cosmes payroll killed the uncooperative player deliberately. A little later, as Santo tries to learn from Tony who is the mastermind behind the betting scams, Tony is shot from ambush. By now, Don Cosme has enough of Santos interference with his lucrative business and he flies in a wrestler from Germany named Max Stromberg. He should fight against Santo in the ring to get rid off the masked wrestler once and for all. To be on the safe side, one of Don Cosmes men will shoot at Santo with a gun at a suitable moment. But the plan goes awry, however, and instead of Santo, Max Stromberg is fatally wounded. Don Cosme is not happy about this and as a last resort, he now kidnaps Virginia and Fernando to set a trap for Santo. As Santo rushes to the aid of the two, Don Cosme and his men are already waiting for him. With a trick and his outstanding abilities Santo can finally overcome all gangsters and hand over Don Cosme to justice... SANTO CONTRA EL REY DEL CRIMEN tells a largely unspectacular story of organized crime and betting frauds. The film is quite jittery and the mise en scène is not very stringent. Only the corpulent villain Don Cosme, the "King of Crime", provides some interesting moments. Don Cosme is sitting most of the time behind his desk, which is crowded with five or six phones. He constantly places bets somewhere, while his men do the dirty work. A hunchbacked dwarf scuttles around him all the time or is sitting next to him on the desk(!) to make telephone calls by Don Cosmes instructions or hand him a glass of water. In a funny scene (for German spectators at least) the linguistically gifted Don Cosme even makes a phone call to "Amburgo" in German ! Despite the film's title, El Santo himself is seen relatively seldom in action. He interferes a few times in fistfights, participates in a Jai Alai game, appears twice in the ring and saves the day at the end. At the beginning of the film, Santo is even seen without a mask, but only from behind. Even if the settlement of the story in the milieu of the the Jai Alai game is unusual, the film as a whole is not particular original and the episodic structure of the movies staging prevents something like tension in the first place, especially since the audience knows early on about the machinations of the villain. To bring the film to a reasonable length, there are not only a lot of scenes from Jai Alai games being shown, but also two longer wrestling sequences, and the "Fredy Guzman Combo" also got the opportunity to play their instruments extensively. Technically the film is competently made, but the art direction is rather modest due to a small budget and most of the action scenes seem a bit awkward. But the scenes in the ring between Santo and Fernando Oses or "Max Stromberg" are rather dynamic and entertainingly staged, while the trivial and boring Jai Alai game scenes are presented in too much detail.


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