In the opulent St. Petersburg of the Empire period, Eugene Onegin is a jaded but dashing aristocrat - a man often lacking in empathy, who suffers from restlessness, melancholy and, finally,... See full summary »
In mid-1800's England, Oscar is a young Anglican priest, a misfit and an outcast, but with the soul of an angel. As a boy, even though from a strict Pentecostal family, he felt God told him... See full summary »
Following the lives of ten characters through their letters and diaries in the ten days before D-Day. The mini-series contains documentary interviews with the people on which the book, and this mini-series were based.
What can one man do against the might of Caesar?
What do they fear, hmm? What do Kings and Emperors fear? They fear the people. When they rise like one man, when they follow one man!
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Of the many life of Christ films, this should be rated as one of the best. Some viewers have called it a "claymation" film, it is not. This is a stop motion puppet film. Anyone who has the DVD version can view the "making of" film and see that the figures are flexible puppets made of foam and plastic and not the crude figures done for "claymation". There is a vast difference in stop motion puppets and claymation figures.
What sets this film apart is that through the puppet medium, the figures look like people from the time and place of the original happening, not Hollywood actors in costumes and make up. Since the viewer does not associate a certain actor with the part, it is much easier to accept the puppet as the "real" character. You don't see Jeffrey Hunter, the actor in "King of Kings", playing a part but see more acceptable versions of Christ and the apostles.
The combination of 3D and 2D animation works well in separating the parable stories from the "real" action. It is a jolt at first, but becomes very acceptable as the film goes on.
Don't let the "puppet" idea keep an adult viewer away from this wonderful film. It is a concept that makes the Bible stories wonderfully accessible to all age groups.
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