Ruby Weaver has man trouble: she tries to fix them, so she's stuck herself with a string of losers. Her current lover, Sam Deed, seems different: he's sweet, tender, just in from Dubuque. ...
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Ruby Weaver has man trouble: she tries to fix them, so she's stuck herself with a string of losers. Her current lover, Sam Deed, seems different: he's sweet, tender, just in from Dubuque. But, as Ruby tells her therapist about Sam, in flashbacks we see someone not quite of this world. In fact, Sam informs Ruby that he's from the future, 2470 to be exact. Ruby's sure he's delusional, but most of the time she wants to keep him - and maybe fix him. Although he seems sane, maybe Sam hasn't told her the real story: what's he up to, and who is Chrystie Delancey? Written by
In the shot of Sam shown just as Ruby starts the record playing during their first date in Ruby's apartment, a boom microphone is visible in the top center of the shot for approximately six frames. See more »
Murder? Oh God, Sam, murder?
It wasn't me.
Nobody could understand this, Sam, it's too much. It's too much.
I think it would be easier if I told you a little at a time. It would sink in a little at a time.
Sink in a little at a time? You... you just dropped an emotional anvil on my head. Look at me, I'm flat as a pancake.
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I tend to like character-driven movies and am quickly put off by movies that follow one of the familiar Hollywood stories. This movie successfully ventures into interesting and largely untested ground.
The story is about a man (Vincent D'Onofrio) who becomes romantically involved with a woman (Marisa Tomei) who has a history of co-dependence and failed relationships. He claims that he is from the future. The plot takes us on the journey of their relationship and her questioning of the truth to his claims vs. whether he is another in a string of loser guys that she seems to cling to.
The plot synopsis sounded a little odd, but it was my hope that these two talented actors could pull it off. Both Tomei and D'Onofrio turn in excellent performances. They present complex, interesting and flawed characters who engage our interest. The writing is very good and enjoyable.
My only complaint is the the story sags a little about 2/3 of the way through. A little tighter editing of about 10 minutes of essentially redundant scenes would have made the movie a more engaging.
I rate it a 8/10 and encourage those who like well-written, character-driven movies to check this one out.
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