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Moonlight Whispers (1999)

Gekkô no sasayaki (original title)
Two seemingly innocent school kids are obsessed in fetishistic s&m games.


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Credited cast:
Kenji Mizuhashi ...
Takuya Hidaka
Tsugumi ...
Satsuki Kitahara
Kôta Kusano ...
Tadashi Uematsu
Harumi Inoue ...
Shizuka Kitahara
Rest of cast listed alphabetically:
Shino Aizawa
Chika Fujimura ...
Satsuki's Friend
Ako Kawakami
Kei Marimura
Yoshiki Sekino ...
Kiriko Shimizu
Sachiko Shinozaki
Hideaki Yamaura


An offbeat study of the adult games that men and women play filtered through the actions of two seemingly innocent Japanese school kids, Satsuki and Takuya, two 17-year-olds who first meet practising kendo but later fall head over heels in love. They then discover the ways they can most exuberantly express their love for one another, no matter how perverse. It all starts with Takuya stealing Satsuki's belongings like socks, secretly photographing her beautiful legs, and... When Satsuki discovers this, she takes revenge by dominating him and forcing him to watch her having sex with a schoolmate... Written by L.H. Wong <lhw@sfs.org.sg>

Plot Summary | Add Synopsis

Plot Keywords:

school | love | stealing | socks | sex | See All (96) »


Takuya wants to be Satsuki's dog. Satsuki likes to see Takuya cry. Love hurts.


Drama | Romance

Motion Picture Rating (MPAA)

Rated R for aberrant sexual behavior | See all certifications »


Official Sites:



Release Date:

23 December 2000 (Hong Kong)  »

Also Known As:

Moonlight Whispers  »

Company Credits

Production Co:

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Technical Specs



Aspect Ratio:

1.85 : 1
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User Reviews

A brilliant and disturbing film
1 December 2003 | by (Vancouver, B.C.) – See all my reviews

In Moonlight Whispers, the first film by Akihiko Shiota (Don't Look Back, Harmful Insect), a young Japanese student Hidaka Takuya (Kenji Mizuhashi) will do anything to prove his love for Kendo partner Kitihara Satsuki (Tsugumi). This includes licking the sweat off of her feet, listening to her having sex with a friend, and even jumping over a waterfall. Based on a manga (Japanese comic book) by Masahiko Kikumi, the film is not about kinky sex but about adolescents involved in a love so deep it completely distorts their sense of perspective. Shiota's wry observational camera captures a marginal but valid aspect of the adolescent experience as profoundly as Van Sant's Elephant captured the high school milieu that led to guns and violence.

Takuya and Satsuki are shy students at the same high school and belong to the Kendo club (a sport involving two single combatants who wear padded gear, then try to beat each other with either end of a padded stick). Satsuki is a top player and a most sought-after companion. Backed by the soft guitar melodies of Shinsuke Honda, the two friends begin dating and everything seems normal until she discovers that he is more interested in sniffing her underwear, photographing articles of her clothing, and making audio tapes of her going to the bathroom than in having sex. When Takuya puts a twist on the meaning of "puppy love" and tells her he wants to be like her obedient dog, she calls him a pervert and begins spending more time with another classmate, Uematsu Tadashi (Kusano Kitahara).

With a fast turnaround that seems a bit out of character, Satsuki soon discovers that she finds pleasure in playing the dominating role and begins ordering the compliant Takuya around, asking him to do more and more outlandish things. The two feed off of each other, however, and continue a relationship of domination and submission with Takuya willing to go to degrading lengths to gain Satsuki's approval. In recent years, a number of theorists have suggested that sadomasochism can be a healthy form of sexual arousal among consenting individuals. While there may be a core of truth to this, this film is not a good example. There is a strong element of self-destruction and lack of self-respect in the behavior of the two lovers and Satsuki admits she has thought of suicide.

Although I'm not sure what the director had in mind in making this film, Moonlight Whispers touched me deeply and, even when I was repulsed by the behavior of the characters, I felt a deep compassion for their pain. There is no trace of exploitation in Shiota's film and, while mental health experts might frown, the relationship feels organic to the characters and not pathological. The director makes no judgments, showing only the lengths people with low self-esteem will go to feel wanted and needed. I was reminded of the words of author Georges Bernanos when he wrote, "How easy it is to hate oneself. True grace is to forget. Yet if pride could die in us, the supreme grace would be to love oneself in all simplicity". What this brilliant and disturbing film says to me more than anything else is that we cannot truly love another human being unless we learn to love ourselves.

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