| Andre Gregory | ... | Dimitri Weismann | |
| Arthur Rubin | ... | Roscoe | |
| Barbara Cook | ... | Sally Durant Plummer | |
| George Hearn | ... | Benjamin Stone | |
| Jim Walton | ... | Young Buddy | |
| Howard McGillin | ... | Young Ben | |
| Mandy Patinkin | ... | Buddy Plummer | |
| Lee Remick | ... | Phyllis Rogers Stone | |
| Liz Callaway | ... | Young Sally | |
| Daisy Prince | ... | Young Phyllis | |
| Betty Comden | ... | Emily Whitman | |
| Adolph Green | ... | Theordore Whitman | |
| Liliane Montevecchi | ... | Solange Lafitte | |
| Elaine Stritch | ... | Hattie Walker | |
| Phyllis Newman | ... | Stella Deems | |
| Carol Burnett | ... | Carlotta Campion | |
| Licia Albanese | ... | Heidi Schiller | |
| Erie Mills | ... | Young Heidi | |
| Ronn Carroll | ... | Chorus | |
| Susan Cella | ... | Chorus | |
| Robert Henderson | ... | Chorus | |
| Frank Kopyc | ... | Chorus | |
| Marti Morris | ... | Chorus | |
| Ted Sperling | ... | Chorus | |
| Susan Terry | ... | Chorus | |
| Sandra Wheeler | ... | Chorus | |
| Karen E. Fraction | ... | Dancer (as Karen Fraction) | |
| Jamie M. Pisano | ... | Dancer | |
| Elvera Sciarra | ... | Dancer | |
| rest of cast listed alphabetically: | |||
| Paul Gemignani | ... | Himself - Interviewee | |
| Herbert Ross | ... | Himself - Interviewee | |
| Roy Scheider | ... | Narrator | |
| Thomas Z. Shepard | ... | Himself - Interviewee | |
| Stephen Sondheim | ... | Himself - Interviewee | |
| Episode Crew |
Directed by | |||
| Michael Houldey | |||
Writing credits(in alphabetical order) | ||
| James Goldman | libretto | |
Produced by | |||
| Ellen Krass | .... | producer | |
| Thomas Z. Shepherd | .... | producer | |
Sound Department | |||
| Rob James | .... | sound re-recording mixer | |
Music Department | |||
| Paul Gemignani | .... | musical director | |
| Stephen Sondheim | .... | music and lyrics by | |
Other crew | |||
| Michael Bennett | .... | stage director | |
| Danny Daniels | .... | choreographer | |
| Harold Prince | .... | stage director | |
| Harold Prince | .... | stage producer | |
| Herbert Ross | .... | concert director | |
| Fred Rose | |||
| Barbara Walsh |
| Series Crew These people are regular crew members. Were they in this episode? |
Directed by | |||
| John Doyle | |||
| John Glenmeister | (episode "Man Who Married a French Wife, the") | ||
| Nick Havinga | (episode "Girls in Their Summer Dresses") (episode "Monument, The") | ||
Writing credits(in alphabetical order) | ||
| Marion J. Caffey | creator | |
| Daniel Ezralow | creator | |
| Josh Groban | creator | |
| Main series | Episode guide | Full cast and crew |
| Company credits | External reviews | IMDb TV section |
| IMDb Drama section | IMDb USA section |
Stephen Sondheim's 1971 musical "Follies" was a long-running show which failed to win back its investment. It has been performed dozens of times all over the world, yet prior to this 1985 Lincoln Center Concert had never been completely recorded. While the concert does not fully tell the story of the original show, it did, for the first time, fully capture the glorious score on the recording. Broadway veterans Barbara Cook, Mandy Pantinkan, George Hearn, Betty Comden, Adolph Green, and Elaine Stritch were joined by film and TV stars Carol Burnett and Lee Remick (both of whom had stage experience as well) to give full life to the magic that is Sondheim. They first take us behind the scenes in a rehearsal hall where we are introduced to the performers (also including Lilianne Montevecchi, Erie Mills, among others), then to the actual place where it will come alive in front of a sold-out audience. There are bits of the performer's real personalities coming out (particularly Elaine Stritch's) as the rehearsal moves onto opening night of the concert. Shots of Herbert Ross (the director) are interspersed with the music. The sequences of the concert are abbreviated for time, but most of the numbers (particularly Phyllis Newman's production number "Who's That Woman?") are fairly intact. No one can stop a show like Stritch can (as proved by her recent one-woman show), and she gets the largest round of applause with her entrance. Her performance of "Broadway Baby" (abbreviated here a bit, but heard completely on the concert recording and her own one-woman show CD) is equivelent in power to her earlier Sondheim showstopper "The Ladies Who Lunch" (from "Company"); If you saw her one-woman show (which I did), you get a glimpse of the delightfully eccentric and witty woman she naturally is. While there have been several recordings of "Follies" since this (the Paper Mill Playhouse recording includes songs cut before the 1971 production, plus some of this cast as well), this is one that will go down in legends. "Follies", as I have seen twice on stage, is a hard show to produce for several reasons. The 2001 Broadway Revival got mixed reviews for its lack of production design, but was filled with magnificent performances, while a recent Los Angeles All-Star cast could not do justice even with the many names among the cast. So with a movie version of the film not available (or likely to be done), this record of what the show is about is a more than average alternative.