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"Snatch" is fantastic; and not least because it demonstrates emphatically
that the British movie industry is capable of rivaling even the best of
Hollywood can offer.
"Lock, Stock and Two Smoking Barrels" was one of the funniest movies released in recent years, and "Snatch" takes everything that "Lock, Stock..." did so well and does it even better.
Back are the cleverly intertwined plotlines, the hilarious one-liners, and the simultaneously intimidating and comedic London villains. So is the skillful editing, and often original cinematographic style. This time however, it all looks somewhat slicker and better funded, and alongside the British regulars are the odd American celebrity (Brad Pitt, Benicio Del Toro).
Everyone in the film puts in an excellent performance, but Pitt stands out as a charismatic and near-incomprehensible Gypsy boxer.
Like Ritchie's earlier film, this one takes a little while to find its feet, but once it does the pace doesn't slacken until the finale. One scene featuring three guys and a squeaking dog in a stolen car stands out particularly, and left the audience at my local cinema almost weeping as punchline after punchline was uttered.
When it comes to comedies, I cannot recommend this one highly enough. If you're after a good laugh, you won't find much to better "Snatch".
I was never really too keen on "Lock, Stock And Two Smoking Barrels". All
my friends constantly quoted it, raved and ranted, and then when "Snatch"
came out, everyone made an even bigger deal of that. I watched Lock Stock,
and though I did like it, it didn't really tickle my fancy. But Snatch,
that's a completely different story all together.
When I saw Snatch at the cinemas, I was shocked to see a couple leave only fifteen minutes into the film. As they left, you could hear their intellectually deficient comments; "this movie is so boring". I couldn't believe it! I'd recommend this movie to ANYONE, The Pope even!
There are hundreds of thousands of reasons for anyone to see this movie; each word of the script being a reason.
Snatch is possibly one of THE best written movies I've seen. It's smart, witty, funny and has just the right touches of dark humour. With characters like Turkish, Mickey, Tommy, Brick Top, Bullet Tooth Tony and Cousin Avi; their witty repartee will have your personal quotes list full for months after watching it. The camera work and editing complement each other to keep the film's pace on its toes, much like the boxers at the center of the character's stories.
Jason Statham has some of THE best lines in the movie, constantly slamming anything even slightly intelligent his partner Tommy has to say. Brad Pitt turns out an excellent performance as the Irish-Gypsy-Pykie Mickey; his accent is hilarious.
Even though the story line is only a simple one (following a massive Diamond through England's criminal underworld), it is the connections each character has to the diamond and each other that really makes this film stand out from all the usual jewel-heist films.
Another 10 / 10 from me on this one, it's just a pity the follow up to Snatch was a "collaborative effort" from Mr. Richie and his um.......wife.
A film about boxing, diamonds, gangsters pretending to be Jews, a fat getaway driver, a rather vicious dog and man eating pigs. Guy Richie has followed the success of Lock, Stock with an equally stunning and ambitious return just as Tarantino did with Pulp Fiction. The characters are so colourful they jump right off the screen, the dialogue so snappy you want to learn it by heart and the acting simply wonderful. Vinnie Jones reveals he can act and Brad Pitt shows that he is far more than a pretty face and could well win a best supporting actor oscar for his role as Irish Mickey. See this movie!!!!
Read this review carefully, please.
First off, Snatch is an amazing movie in every sense of the word. There are very few movies made where the director obviously did not let one FRAME onto the screen without a reason, and Snatch is one of them. Nothing happens onscreen without it having an effect on the plot.
By now you know the plot, or plots. We follow a diamond-heist and the various characters trying to get theirs, at the same time following participants in an illegal boxing ring. The incredible part of the movie is how every scene ties in with the rest somehow, every character connects with the rest at least once.
There are complaints that the movie is confusing, or muddled. There are a lot of things that they don't tell you (such as what the dog has to do with anything, but he's a VERY important character), and that's a good thing. Too many movies force feed the audience its plot points (Think The Ring vs. Ringu, did we need the "How long could you survive down there all alone?" line?). Rather, we just watch occurrences, and have to piece together what ties everything together, the plot weaves together beautifully.
The cinematography and performances are fantastic as well. Even the soundtrack is perfect. The camera style during the fight scenes (slowdown/stop/go) makes it difficult to stop watching, the sound effects fit in quietly in the background without being overwhelming. And it will be IMPOSSIBLE to watch this movie without repeating many of the lines around your friends. I found myself saying "Zee Germans" and things like "It's not like he's a set of car keys, now is it?" quite a bit. Naturally, Brad Pitt's pikey is one of the most outlandish I've ever seen.
Summary: watch the movie, and don't expect to be TOLD everything, expect to have to pay attention.
This movie is perfect in all its categories: credits, sound track,
production, casting, writing, photography, editing, acting, and
I was amazed with the freedom of the use of the camera. This movie will change the way movies are made. Slow-mo, stills, black and white, and color were all used to brilliant effect.
I must pick out specific actors who were just over the top - meaning 10+!
Jason Statham as "Turkish" is simply superb - a star of very high caliber. (You should see him in anything he made, and read my comment about John Carpenter's movie: "Ghosts of Mars.")
Alan Ford as "Brick Top" is terrifying - his forced speaking style made me think that he was chewing on the flesh of his previous victim.
Vinnie Jones as "Bullet Tooth Tony" is total tough head to foot tough - a walking brick wall - a marine for all seasons - none tougher.
Brad Pitt as "Mickey O'Neil" is utterly 110% convincing. I never liked Mr. Pitt's work before this - but this one totally sold me - he is as solid an actor as ever came out of Hollywood... and better!
Finally, Guy Ritchie should be recognized as a Michelangelo of film.
Guy Richie's follow up to Lock Stock and Two Smoking barrels is every bit as astonishing as its predecessor. The humour is better and I have never seen people in a cinema laugh as loud and as frequently as they did here. Vinnie Jones plays a similar role as Big Chris, here as Bullet Tooth Tony. His appearance is limited but boy does he make an impact. Even when he is not on screen there is much to savour from Dennis Farina as Avi and a trio of pawnbrokers who are sent to rob a bookies. Brad Pitt sheds his movie start personna and preforms impressively as an Irish gypsie. Unlike Lock Stock.. the humour will appeal to all nationalities. However they mind some slang expressions such as Pikey and blag hard to understand. Good preformances, fantastic characters, razor sharp diologue, expert direction and camera work and brilliant humour, Snatch will make you laugh more than any other movie this year. See it now.
Imagine what would happen if you took 8 or 10 criminals of various
professions, threw them into a maze, gave one of the criminals a diamond the
size of a fist, and yelled out load, "SOMEONE IN THIS MAZE HAS A HUGE
DIAMOND! WHOEVER FINDS IT AND IS THE LAST MAN STANDING, WINS!" What do you
think would happen? Snatch is what happens.
Snatch is a confusing, twisting, crazy movie. Let me repeat that. This movie is crazy! Imagine the Mr. Toad's Wild Ride at Disney Word on acid, and this is what you get my friend. Believe it or not, this mass confusion and complete insanity is very, very entertaining.
The movie has it's problems. First off, for those of you who have seen Snatch's predecessor, (Lock, Stock and Two Smoking Barrels), you know that Guy Richie (the writer and director of both films) has a very music-video style as far as the camera angles, movements, and cinematography goes. The strange camera techniques get so mad with lunacy that I noticed people walking out of the theater. I was also turned off by this madness. However, most of this insane crap gets over within the first hour, so it doesn't last.
If any of you people out there loved Lock Stock as much as I did, do yourself a favor and see this movie as fast as you can. Snatch is a bit more serious than Lock Stock, but when it's funny, you'll laugh till your lungs burst. It was nice to see Vinnie Jones, who was Big Chris in the last movie, return as the same basic character (only now named Bullet Tooth Tony) and doing the same "slamming victim's head in a car door" act again. The performances were just as great as Lock Stock, with Jason Statham and Pitt leading the pack. I was disappointed to see that Bendicio Del Toro didn't have a bigger role. I was expecting him to be a lead character, but he's not.
So, in conclusion, if you have never seen Lock, Stock, and Two Smoking Barrels, I would see that first before seeing Snatch so you can get adjusted to Guy Richie's style. I still think that it is stupid to compare either two movies to Pulp Fiction (unlike most people), but it is in the same ballpark as Pulp. That means if you liked Pulp, you will most likely like Snatch and Lock, Stock. If you have never seen Pulp or Lock Stock, you have deprived your life of culture.
The release of Tarantino's "Pulp Fiction" in 1994 prompted a schism in the
staid gangster movie genre: the standard hallmarks - serious characters,
gunfights, intrigue and damsels in distress - were enhanced with snappy
dialogue, and gallows humour. The biggest change however was the
introduction of the mobius strip-style plot line, where the concept of time
is no longer linear, instead constantly folding in upon itself, flitting
between past, present and future that forces the viewer to pay close
attention lest they miss some subtle detail. Inevitably, numerous copycat
films emerged that tried to capitalize on Tarantino's success, but it
until 1998 when Guy Ritchie, an unknown British director, took on the
challenge that a successor was found. Now Ritchie is determined to prove
that his first time out wasn't a fluke.
Turkish is a young man with an entrepreneurial bent, who, when he's not running his gambling operation, manages bareknuckle boxers. Through a business deal gone wrong, he becomes acquainted with one Mickey O'Neil, a mumbling manic motor-mouthed piker who also happens to be a one-punch marvel. Turkish persuades Mickey to join his stable of fighters, but soon discovers that Mickey has his own agenda, and gets Turkish in trouble with the gangsters who run the underground boxing circuit. Other characters that become involved in the drama include a four-fingered degenerate gambler/jewel thief, a vicious boxing promoter, a gang of inept robbers, a polite hitman, a crazed Russian gun runner, a group of Irish gypsies, a crooked New York jeweler and a pugnacious pet. The common thread binding them all is a perfect diamond the size of a peach pit. If you aren't confused yet, you soon will be.
"Lock, Stock and Two Smoking Barrels", Mr. Madonna's (Ritchie) first film, was shot on a small budget, with a no-name cast (except for football bad boy Vinnie Jones) and quickly became a rousing success at home and found receptive audiences abroad. While not a technically a sequel "Snatch" is stylistically very similar to "Lock, Stock ": Ritchie utilizes his trademark bombastic staccato sequences, and repeatedly bounces off on radical tangents to throw the viewer off balance. He did however opt for a decidedly darker satirical tone in this film, that may make some people uncomfortable (think "Very Bad Things"). What struck me as particularly daring was his decision to create a story with such a voluminous cast.
Ritchie faced a daunting task with this film: how, with roughly twenty principal characters, does one adequately flesh out each character, and not hopelessly confuse the audience? The feat was made doubly difficult, as several cast members are big name stars. Somehow Ritchie manages - each actor is full bodied, receives ample screen time, and no one character is the centerpiece. With so many talented actors, it is difficult to pick out one performance that stands out: Rade Serbedzija is hilarious as the mad Russian who blithely burns through each of his nine lives, as is Vinnie Jones' manic gentleman hitman. On the other end of the spectrum, is Alan Ford as Brick Top, the promoter with a penchant for pigs, who epitomizes cold-blooded viciousness. If forced to pick my favorite however, I would have to go with Brad Pitt
Pitt resurrects his trailer trash look from "Kalifornia" and adopts a nearly indecipherable brogue that sounds like my best friend's Uncle Wally on a bad day. As Mickey O'Neil, the hard drinking wily grifter and part-time pugilist, Pitt displays a wide range of emotions, demonstrating again that he is not only a star, but also a gifted character actor. And I would be remiss if I didn't mention the dog that subtly stole every scene he appeared in.
While "Snatch" initially struggles to find its stride, and is very similar to Ritchie's earlier film, it is fresh and funny enough to make you forget any minor shortfalls and stand on its own.
`Snatch', written and directed by Guy Ritchie is by far one of my favorite
films of all time it is easily in my personal Top Thirty. In the film,
about (what else?) several schemes that happen to go very wrong yet manage
to intertwine and (for better or worse) resolve themselves in the end,
Ritchie assembles one of the funniest cast of characters in recent memory.
Let's see if we can keep this straight:
Turkish (Jason Statham) and his partner Tommy (Stephen Graham) are amateur boxing promoters who, after their premier fighter is wounded, have to find a replacement to fight, or one of the meanest guys in London, Brick Top (Alan Ford), who just happens to run the boxing matches and stands to make a lot of money off of the fight is going to impart his unique brand of justice on them. Enter Mickey (Brad Pitt) the gypsy who knocked their fighter out, who is an unintelligible drunk with quite a right hook. Meanwhile, there is a diamond `the size of a fist' that has been stolen by Franky Four Fingers (Benicio Del Toro). On his way back from London to America where he is planning on fencing the diamond, trouble ensues, and his fence, Cousin Avi (Dennis Farina) is forced to come to London to find both Franky and the diamond with the help of characters like Bullet Tooth Tony (Vinnie Jones) and Doug `The Head' Denovitz (Mike Reid). Of course, this can't happen easily, as there are a trio of inept thieves on the trail of the diamond as well as my personal favorite character in the film, Boris `The Blade' Yurinov (Rade Serbedzija) or as he's better known, `Boris the Bullet Dodger'.
Did you get all that? The performances by all of the above actors, and several more that I didn't even mention are all really good, particularly Brad Pitt's. Every single actor in `Snatch' looks like they are having one hell of a good time working in the film. This story, while complex and with many ramifications from the core plot is absolutely brilliant and a lot of fun. There are many one-liners that I still personally use four years after first seeing the film, and the intricate weaving of the characters to tell a very simple heist story is just SO good. `Snatch' would be a great film due to its story alone, but Guy Ritchie's direction is so dead on, the film transcends brilliant and becomes FAN-insert your choice of expletive here-TASTIC. The slick cinematography, lightning-fast pacing and fun camera angles are right on target with the story. Add on a great soundtrack that spans Oasis, techno and a traditional-sounding Hasidic song and Ritchie has presented the viewer with an instant classic.
While this was not the first time I had seen the film `Snatch', it was the first time I'd watched the film knowing that I would have to analyze it slightly in order to funnel my thoughts from the film just being `Phenomenal!' to `Phenomenal because ..' While I can certainly be classified as an unabashed Madonna fan, and have been for the last two decades, I REALLY hope that Ritchie decides to drop his wife from his film work and not continue on the `Swept Away' path, rather, to get back to the work that has earned him well-deserved high praise. Sorry Madge.
*** This review may contain spoilers ***
I saw the first showing of Snatch in my town this past Friday. I loved
I am quite a fan of Guy Ritchie's first and was expecting more of the same
with Snatch. Rarely do a film's opening credits hype an audience as much
Snatch. Quick paced action-to-freeze-frame-cuts introduce each cast
in situations that identify their character sort. Then we're right in
It's true, similarities abound between Snatch and Lock, Stock and Two
Smoking Barrels. From Vinnie Jones' character's tough as nails
means, to oft referred to in-jokes between characters ('Zee Germans' here
compared to 'Tubby Tommy' in LS&2SB). Still the film is fresh and not
really a Lock, Stock take 2 of any sort.
The humor is more frequent in this one and a major difference is how dark
this film is compared to the previous. Alan Ford's Brick Top is the
SOB I can remember on film since Mr. Blonde in Reservoir Dogs. Brad Pitt
a standout too as the never to be trusted One Punch Mickey-he's not as
incomprehensible as the trailers make him out to be, but still that pikey
accent is a huge laugh. And the scene where he is glaring at a burning
trailer lumped my throat (when you find the context by which that scene is
drawn it should get a reaction from anyone).
The use of violence as humor is more embellished in Snatch as well (eg:
Bullet Tooth Tony and Boris the Blade showdown).
Secondary characters are all over the movie and all grab laughs from their
scenes , especially the dog and the tank of a getaway driver, Tyrone.
See this movie for it's frenetic energy, retribution for the "good guys" is all that ties the end together but the ride to the finale is what makes this movie great. After all, as a wiser man than myself once said, it's not where you go, it's how you get there. Snatch is all about the ride.
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