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Directed by | |||
| Guy Ritchie | |||
Writing credits | ||
| Guy Ritchie | (written by) | |
Original Music by | |||
| John Murphy | |||
Cinematography by | |||
| Tim Maurice-Jones | (director of photography) | ||
Film Editing by | |||
| Jon Harris | |||
Casting by | |||
| Lucinda Syson | |||
Production Design by | |||
| Hugo Luczyc-Wyhowski | |||
Art Direction by | |||
| Julie Philpott | |||
Set Decoration by | |||
| Linda Wilson | |||
Costume Design by | |||
| Verity Hawkes | |||
Makeup Department | |||
| Jean Ann Black | .... | makeup artist: Mr Pitt (as Jean Black) | |
| Fae Hammond | .... | chief hair stylist | |
| Fae Hammond | .... | chief makeup artist | |
| Fae Hammond | .... | chief tattoos | |
| Belinda Parish | .... | hair stylist (as Belinda Parrish) | |
| Belinda Parish | .... | makeup artist (as Belinda Parrish) | |
| Pebbles | .... | key hair stylist | |
| Pebbles | .... | key makeup artist | |
| Pebbles | .... | key tattoos | |
Production Management | |||
| Adam Bohling | .... | production manager | |
| Ashton Radcliffe | .... | location unit manager | |
Second Unit Director or Assistant Director | |||
| David Reid | .... | first assistant director | |
| Daniel Toland | .... | second assistant director (as Dan Toland) | |
| Mick Ward | .... | third assistant director | |
| Tom Delmar | .... | action unit director (uncredited) | |
| Tom Rye | .... | third assistant director (uncredited) | |
| Mick Ward | .... | second unit director (uncredited) | |
Art Department | |||
| Peter Burden | .... | dressing props | |
| Will Cann | .... | stand-by props | |
| Graham Cole | .... | stand-by carpenter | |
| Chris Cutler | .... | dressing props | |
| Sandra Fattorre | .... | art department production assistant | |
| Martin Foley | .... | assistant art director | |
| Gerry Higgins | .... | stand-by rigger | |
| Verena Kahn | .... | assistant art director (as Verena Khan) | |
| Thomas Martin | .... | carpenter | |
| Campbell Mitchell | .... | stand-by props | |
| Tom Pleydell-Pearce | .... | property master | |
| John Roberts | .... | supervising painter | |
| Tom Roberts | .... | stand-by painter (as Tommy Roberts) | |
| David Smith | .... | stagehand | |
| Philip Smith | .... | supervising carpenter (as Phillip Smith) | |
| Dennis Wilson | .... | construction coordinator (as Denis Wilson) | |
Sound Department | |||
| Matthew Collinge | .... | sound designer | |
| Matthew Collinge | .... | sound effects editor | |
| Mike Dowson | .... | sound re-recording mixer | |
| Arthur Fenn | .... | boom operator (as Arthur Turner) | |
| Diane Greaves | .... | foley artist (as Dianne Greaves) | |
| James Harris | .... | cableman | |
| Simon Hayes | .... | sound mixer | |
| Robin Johnson | .... | cableman | |
| Michael Redfern | .... | foley editor | |
| Danny Sheehan | .... | dialogue editor | |
| Jason Swanscott | .... | foley artist | |
| Mark Taylor | .... | sound re-recording mixer | |
| Darren McQuade | .... | adr mixer (uncredited) | |
Special Effects by | |||
| Casper Lailey | .... | special effects technician (as Caspar Lailey) | |
| Ken Lailey | .... | special effects supervisor | |
| Alastair Vardy | .... | special effects technician (uncredited) | |
| Gareth Wingrove | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Paul Conway | .... | compositing artist: The Moving Picture Company | |
| Gavin Digby | .... | compositing artist: The Moving Picture Company | |
| Michael Elson | .... | digital effects producer: The Moving Picture Company | |
| Kristin Emblem | .... | digital effects producer: The Moving Picture Company | |
| Ed Hawkins | .... | compositing artist: The Moving Picture Company | |
| Gregory Salter | .... | compositing artist: The Moving Picture Company | |
| Jean-Clement Soret | .... | digital colourist: The Moving Picture Company | |
| Mark Stannard | .... | compositing artist: The Moving Picture Company | |
| Jelena Stojanovic | .... | compositing artist: The Moving Picture Company | |
| Tom Wood | .... | compositing artist: The Moving Picture Company | |
| Michael Elson | .... | head of production: The Moving Picture Company (uncredited) | |
| Willi Geiger | .... | research and development (uncredited) | |
| Alasdair MacCuish | .... | senior data-op: The Moving Picture Company (uncredited) | |
| Daniel Walton | .... | digital artist (uncredited) | |
Stunts | |||
| Tom Delmar | .... | stunt coordinator (as Tom Delmar-McCormick) | |
| Tom Delmar | .... | fight director (uncredited) | |
| Charles Jarman | .... | stunt double: Robbie Gee (uncredited) | |
Camera and Electrical Department | |||
| Ray Bateman | .... | electrician | |
| Frank Cox | .... | electrician | |
| Andy Duncan | .... | chief lighting technician | |
| Stuart Graham | .... | focus puller | |
| Elizabeth Hoar | .... | camera trainee | |
| Jake Marcuson | .... | clapper loader (as Jake Marcusson) | |
| Richard Oxley | .... | assistant chief lighting technician | |
| Sebastian Pearson | .... | still photographer | |
| Chris Polden | .... | electrician | |
| Peter Wignall | .... | Steadicam operator: "a" camera | |
| Peter Wignall | .... | camera operator | |
| Terry Williams | .... | key grip | |
| Sam Barnes | .... | focus puller: second unit (uncredited) | |
| Stuart Howell | .... | additional Steadicam operator (uncredited) | |
| Jon Mitchell | .... | daily clapper loader (uncredited) | |
Casting Department | |||
| Vanessa Baker | .... | adr voice casting | |
| Emma Engers | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Melina Fragkia | .... | wardrobe | |
| Sharon Gilham | .... | costume supervisor | |
| Caroline McCall | .... | wardrobe | |
| Nicki Varney | .... | costume assistant (as Nicky Varney) | |
Editorial Department | |||
| Jatinderpal Chohan | .... | post-production | |
| Peter Dansie | .... | assistant editor | |
| Les Healey | .... | co-editor | |
| David Rees | .... | color timer | |
| Paul Swinburne | .... | first assistant editor | |
Music Department | |||
| Matt Biffa | .... | music researcher | |
| Karen Elliott | .... | music researcher | |
| Daniel L. Griffiths | .... | score engineer (as Daniel L Griffiths) | |
| Daniel L. Griffiths | .... | score mixer (as Daniel L Griffiths) | |
| Ged Lynch | .... | music contractor | |
| Ian Neil | .... | music consultant | |
| Danny Sheehan | .... | music editor | |
| Patricia Joseph | .... | soundtrack producer (uncredited) | |
Transportation Department | |||
| Simon Barker | .... | transportation captain | |
| Fergus Cotter | .... | driver | |
| Colin Giffin | .... | driver | |
| Melvin Kiernan | .... | driver | |
| Steve Rogers | .... | driver | |
| Mark White | .... | transportation | |
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| Bad Boys II | Pulp Fiction | Kiss Kiss Bang Bang | Lock, Stock and Two Smoking Barrels | Lucky Number Slevin |
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Imagine what would happen if you took 8 or 10 criminals of various professions, threw them into a maze, gave one of the criminals a diamond the size of a fist, and yelled out load, "SOMEONE IN THIS MAZE HAS A HUGE DIAMOND! WHOEVER FINDS IT AND IS THE LAST MAN STANDING, WINS!" What do you think would happen? Snatch is what happens.
Snatch is a confusing, twisting, crazy movie. Let me repeat that. This movie is crazy! Imagine the Mr. Toad's Wild Ride at Disney Word on acid, and this is what you get my friend. Believe it or not, this mass confusion and complete insanity is very, very entertaining.
The movie has it's problems. First off, for those of you who have seen Snatch's predecessor, (Lock, Stock and Two Smoking Barrels), you know that Guy Richie (the writer and director of both films) has a very music-video style as far as the camera angles, movements, and cinematography goes. The strange camera techniques get so mad with lunacy that I noticed people walking out of the theater. I was also turned off by this madness. However, most of this insane crap gets over within the first hour, so it doesn't last.
If any of you people out there loved Lock Stock as much as I did, do yourself a favor and see this movie as fast as you can. Snatch is a bit more serious than Lock Stock, but when it's funny, you'll laugh till your lungs burst. It was nice to see Vinnie Jones, who was Big Chris in the last movie, return as the same basic character (only now named Bullet Tooth Tony) and doing the same "slamming victim's head in a car door" act again. The performances were just as great as Lock Stock, with Jason Statham and Pitt leading the pack. I was disappointed to see that Bendicio Del Toro didn't have a bigger role. I was expecting him to be a lead character, but he's not.
So, in conclusion, if you have never seen Lock, Stock, and Two Smoking Barrels, I would see that first before seeing Snatch so you can get adjusted to Guy Richie's style. I still think that it is stupid to compare either two movies to Pulp Fiction (unlike most people), but it is in the same ballpark as Pulp. That means if you liked Pulp, you will most likely like Snatch and Lock, Stock. If you have never seen Pulp or Lock Stock, you have deprived your life of culture.
9/10