A botched card game in London triggers four friends, thugs, weed-growers, hard gangsters, loan sharks and debt collectors to collide with each other in a series of unexpected events, all for the sake of weed, cash and two antique shotguns.
Turkish and his close friend/accomplice Tommy get pulled into the world of match fixing by the notorious Brick Top. Things get complicated when the boxer they had lined up gets badly beaten by Pitt, a 'pikey' ( slang for an Irish Gypsy)- who comes into the equation after Turkish, an unlicensed boxing promoter wants to buy a caravan off the Irish Gypsies. They then try to convince Pitt not only to fight for them, but to lose for them too. Whilst all this is going on, a huge diamond heist takes place, and a fistful of motley characters enter the story, including 'Cousin Avi', 'Boris The Blade', 'Franky Four Fingers' and 'Bullet Tooth Tony'. Things go from bad to worse as it all becomes about the money, the guns, and the damned dog! Written by
Nearly every death in the movie takes place off-screen. See more »
When Tony intercepts Vinny and Sol outside Brick Top's place, he acts as if he knew they were going to be there. This, even though he had no idea about their deal with Brick Top. (This is, however, explained in a deleted scene.) See more »
My name is Turkish. Funny name for an Englishman, I know. My parents to be were on the same plane when it crashed. That's how they met. They named me after the name of the plane. Not many people are named after a plane crash. That's Tommy. He tells people he was named after a gun, but I know he was really named after a famous 19th century ballet dancer.
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In the closing credits, "Gypsy kids" is misspelled "Gyspy kids." See more »
Cross The Tracks (We Better Go Back)
Written by James Brown
Performed by Maceo Parker (as Maceo) and the Macks
Courtesy of Polydor UK Ltd
Licensed by kind permission from the Universal Music Group See more »
"Snatch" is fantastic; and not least because it demonstrates emphatically that the British movie industry is capable of rivaling even the best of what Hollywood can offer.
"Lock, Stock and Two Smoking Barrels" was one of the funniest movies released in recent years, and "Snatch" takes everything that "Lock, Stock..." did so well and does it even better.
Back are the cleverly intertwined plotlines, the hilarious one-liners, and the simultaneously intimidating and comedic London villains. So is the skillful editing, and often original cinematographic style. This time however, it all looks somewhat slicker and better funded, and alongside the British regulars are the odd American celebrity (Brad Pitt, Benicio Del Toro).
Everyone in the film puts in an excellent performance, but Pitt stands out as a charismatic and near-incomprehensible Gypsy boxer.
Like Ritchie's earlier film, this one takes a little while to find its feet, but once it does the pace doesn't slacken until the finale. One scene featuring three guys and a squeaking dog in a stolen car stands out particularly, and left the audience at my local cinema almost weeping as punchline after punchline was uttered.
When it comes to comedies, I cannot recommend this one highly enough. If you're after a good laugh, you won't find much to better "Snatch".
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