Directed by | |||
| Raoul Servais | |||
Writing credits | ||
| Raoul Servais | ||
Original Music by | |||
| Ralph Darbo | |||
Sound Department | |||
| Jean De Cock | .... | sound editor | |
Animation Department | |||
| Veronique Arkosi | .... | assistant animator | |
| Annie Berdal | .... | assistant animator | |
| Rita Carbonez | .... | assistant animator | |
| Norbert Deseyn | .... | assistant animator | |
| Jean Pierre Glineur | .... | assistant animator | |
| Raoul Servais | .... | animator | |
| Marinette Vandevijvere | .... | assistant animator | |
| Willy Verschelde | .... | assistant animator | |
| Norbert Deseyn | .... | background artist (uncredited) | |
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| The General | Monsters vs Aliens | The Holy Mountain | The Torch | Coup de grâce |
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| Full cast and crew | Company credits | External reviews |
| IMDb Animation section | IMDb Belgium section |
The film consists of a tiny army of men entering a town and shooting anything with color--making everything gray and dull. Then, once they obtained control, they put the people into a machine that erases who they are--making everyone the same. All ethnic differences are now gone and everyone is wearing prison garb. Into this horrible new world wanders a red jester. Can he do anything to change this situation or will he, too, become just another gray and miserable person?
CHROMOPHOBIA is a piece of the 1960s that seems to make less sense today than it did back then. First, while the animation is pretty ugly, for a 1960s film it actually looks pretty good. Sure, the frame rate and quality of the artwork is pretty poor, but this was the norm for this time period. Second, its message sure ain't subtle but as another observer pointed out, the message seemed to have a political edge--how Communism at the time was in favor of homogenization and conformity. Seen today, it's an entirely different film.