Sarah Smith, an artist and government hydrologist, sets out on a post-fire stream survey in a remote part of the Kalmiopsis Wilderness of southwestern Oregon. In the course of her journey ... See full summary »
Jason Butler Harner,
Isaac C. Singleton Jr.
The Yosemite Valley Railroad, which runs through the breathtaking scenery and stunning vistas of the Merced River Canyon to its terminus at El Portal outside Yosemite National Park, is on ... See full summary »
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Tim Blake Nelson
Mary Kay Place,
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Frances had been a radio DJ in Florida; she's now living in San Francisco and dying of cancer, with one son living nearby whose work as a photographer is beginning to take off and another, mostly estranged, living in London. She makes a trip to rural Pennsylvania to visit an old lover (and his wife). Meanwhile, Rebecca is searching for her birth mother, who is, of course, Frances. Their lives intersect in other unexpected ways as her search and her work, inspecting the books of radio stations being acquired, progress. Written by
Jon Reeves <email@example.com>
I can't help thinking that this film thought it was a much better film than it actually was. I just couldn't connect with it. It came off as pretentious. I also couldn't help but notice a heavy stylistic influence from Woody Allen of all people here (editing and music style, but done clumsily) which didn't fit at all. Also, what was with the Spanish guitar music? This whole film just seemed incoherent. The acting didn't work - little really worked right in this film. Maybe I missed the point because I was too asleep to follow it. I found it even difficult to enjoy the San Francisco scenery. This movie was just work to watch.
=by the way, what's so beautiful about Jacqueline Bisset? Anyone else notice that every time she said the word "idea" it came out as "IDEAR"? - very annoying.
This director is going nowhere.
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