What To Do In Case of Fire? tells the humorous and touching story of six former creative anarchists who lived as house squatters in Berlin during its heyday in the 80s when Berlin was still...
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Alexandra Maria Lara,
Christoph Maria Herbst
What To Do In Case of Fire? tells the humorous and touching story of six former creative anarchists who lived as house squatters in Berlin during its heyday in the 80s when Berlin was still an island in the middle of the former eastern Germany. At the end of the 80s they went their separate ways with the exception of Tim and Hotte, who have remained true to their ideals and continue to fight the issues they did as a group. In 2000, with Berlin as Germany's new capital, an event happens forcing the group out of existential reason to reunite and, ultimately, come to grips with the reason they separated 12 years ago. Written by
Sujit R. Varma
During the early 80s, squatters in Berlin have been mostly students on an adventure holiday, some years later they were mostly full time bums on a permanent "Do you have a Mark to spare"-quest. They had their fair amount of street fighting activities, their weapon of choice was the cobble, and sometimes they threw it through the glass of a bank building. But they were no terrorists. Maybe wannabe revolutionaries, in their dreams. Nobody took them really serious.
Now some of them seem to have made this movie. Just let me tell you what happens during the first 15 minutes.
A group of Berlin squatters decides to blow up an empty old villa. Must be a very evil villa, because basically squatting was about saving empty buildings from neglect.
They do an amateur movie about this heroic deed, maybe they think there is a market for Building-Snuff-Videos.
Their bomb doesn't explode. They don't care, they just forget about the whole thing. Even though the entrance they took was very obvious and easy to detect, the next 13 years nobody enters the villa.
Not even the real estate agent who in 2000 wants to show it to a client. Why should she make sure that there are no unpleasant surprises waiting inside, like squatters, homeless, garbage, animals, broken mains, collapsing floors ... ? The main door will not open, so the client uses some force to open it, and the old bomb, that had been waiting patiently behind it, finally explodes. He and the real estate newbie get slightly hurt.
The client has been a government big shot. Hell breaks loose, police raids start.
Of course, amongst their prime suspects are two veteran squatters, who still stay at a formerly occupied tenement-house. The police confiscates .... all of their super-8-films. Believe me, they really do, I'm not making this up, it's even the main part of the plot: The Berlin police in the year 2000, looking for some bomb-building terrorists confiscates the 80s super-8-films of some broken down bums. Please don't ask why. But imagine how the authors and producers had to get people interested in such a story. And they succeeded, which is even more unlikely.
The two die-hard squatters will try to get the band together again and rescue what contained once proud memories of their glory days and now fatal evidence of their stupidity from the well guarded chambers of the police.
By now you will know that you are not watching a movie, but are instead trapped inside the dream of some pathetic drunken 80s squatters, "a bunch of mindless jerks who'll be the first against the wall when the revolution comes". Frightening? No, just a strange and boring childish mind-scape.
I realize that there really IS a market for stuff like this, the infamous lovers of dilettantish and inane films. Here they'll find a lot for their liking. This is a very, VERY bad movie, and by all means, they should check it out.
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