Two young misfits head for New York City to celebrate their idol and muse, Stevie Nicks, at The Night of 1,000 Stevies. Along the road, in order for them to escape their painful pasts, they... See full summary »
A long weekend brings four women together in the countryside. Virtual strangers, the women are forced to navigate the depths of social interaction. On the surface all seems placid. But the atmosphere of calm is a facade.
The disturbed arts teacher, Anna Veigh, is hired by Mr. Laing as a governess to raise Flora and her brother Miles. Anna believes that the ghosts of the former governess, Miss Jessel, and ... See full summary »
Zao, a retired cook living alone in an apartment. His day-to-day life consists mostly of routine; he meets with a fellow retiree, waters his plants, etc. But his predictable lifestyle is ... See full summary »
Jennifer does not fit in. A total misfit, she's as wacky as a teenager can be. Goth-ed out with multiple piercings, tattoos, and dyed hair, she listens to strange music, watches vintage TV, eats primarily chocolate, and self injures. But now high school is over and she needs a job. Can she possibly have anything in common with the overweight middle-aged man in the haberdashery window? He gives her a job, not to mention a real friendship. Written by
Martin Lewison <firstname.lastname@example.org>
J has 4 copies of Anne Rice's "Interview With the Vampire" books on her table as well as The Sleeping Beauty Trilogy (erotic BDSM novels) by Anne Rice published under the pseudonym of A. N. Roquelaure. 'LeLe Sobieski', who plays J in My First Mister, purportedly auditioned for the role of Claudia in the film version of Anne Rice's Interview With the Vampire but lost to Kirsten Dunst. See more »
When J is removing her piercings, she pulls out a safety pin from her nose that was never there in the first place. See more »
Fun? Fun was dropping acid in the 60's. Fun was streaking at my sister's prom. Fun was staging a sit-in at a titty bar on Sunset. This... this is very bad Fellini we're about to enter into.
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I can't forget that first half, where 2 human beings, unencumbered by any expectation other than their own need for connection, follow none of the formulas but love on its own terms.
May to December can be the cruelest months if they're about a relationship between a young woman and an older man. `American Beauty' and more recently `Ghost World' carried the usual criticism of this socially questionable alliance, from downright damage in the former to uncertainty about how it could ever work in the latter.
In `My First Mister,' starring Albert Brooks and Leelee Sobieski, the union works so beautifully in the first half of the film I thought even I could try it. Director Christine Lahti, who won an Oscar for best short film, "Lieberman in Love," concentrates on the flowering friendship between a Goth girl who needs a friend and a job and a 49 year-old haberdasher who has jettisoned everyone in order to live out his life painlessly for everyone.
Jill Franklyn, who wrote the "Yada Yada" episode of "Seinfeld," pens perfect lines for the understated Brooks, such as when he first sees Sobieski: "Scram. Shoo. Why don't you go get your eyeballs pierced?" and another time when he says, "I want the smallest tattoo you have. Can you give me a dot, or a period?"
Director Lahti shows her originality by letting us painfully and slowly watch a purple-haired Sobieski pull out her nose and face rings. This film is the best I have ever seen to give respect to a much-maligned paring in movies. The 17-year-old punker helps him awaken to life's interesting couplings like cavorting mannequins, and he shows her love unalloyed. When the time comes for sex, as it always does in Hollywood, no one cares, even the audience, because the point is the friendship.
In the second half of the film Lahti lets go of her originality to indulge the genre with the usual fatal twist, easy reconciliation of family, and renewal for Sobieski found in a most unbelievable coincidence. Yet I can't forget that first half, where 2 human beings, unencumbered by any expectation other than their own need for connection, follow none of the formulas but love on its own terms.
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