A long weekend brings four women together in the countryside. Virtual strangers, the women are forced to navigate the depths of social interaction. On the surface all seems placid. But the atmosphere of calm is a facade.
Two young misfits head for New York City to celebrate their idol and muse, Stevie Nicks, at The Night of 1,000 Stevies. Along the road, in order for them to escape their painful pasts, they... See full summary »
The disturbed arts teacher, Anna Veigh, is hired by Mr. Laing as a governess to raise Flora and her brother Miles. Anna believes that the ghosts of the former governess, Miss Jessel, and ... See full summary »
Zao, a retired cook living alone in an apartment. His day-to-day life consists mostly of routine; he meets with a fellow retiree, waters his plants, etc. But his predictable lifestyle is ... See full summary »
A man named Flyn (Il Lim) is on a mission on killing the men who raped his wife Olivia (Leelee Sobieski). He finds himself living a double life as a killer and a husband. He finds an ... See full summary »
Jennifer does not fit in. A total misfit, she's as wacky as a teenager can be. Goth-ed out with multiple piercings, tattoos, and dyed hair, she listens to strange music, watches vintage TV, eats primarily chocolate, and self injures. But now high school is over and she needs a job. Can she possibly have anything in common with the overweight middle-aged man in the haberdashery window? He gives her a job, not to mention a real friendship. Written by
Martin Lewison <firstname.lastname@example.org>
Michael McKean and 'Christine Lahti' worked together before. They were in rehearsals for a partly-improvised comedy film titled "Kiss the Bride." The project never came to the silver screen. It would have been directed by Bob Balaban. See more »
When J is talking to Randy from her car after first meeting him, the door is open from his point of view but closed from hers. See more »
I See You Baby
Written by Andrew Cato (as Andy Cato), Tom Findlay (as Thomas Findlay), Tod Wooten (as Toi Wooten)
Performed by Groove Armada with Gramma Funk
Used by permission of Jive Electro/Pepper Records
(Publishers: Warner-Chappell Music Ltd (ASCAP) Universal Music Co. (ASCAP) & Don't Funk with My Gramma Music (ASCAP) See more »
I can't forget that first half, where 2 human beings, unencumbered by any expectation other than their own need for connection, follow none of the formulas but love on its own terms.
May to December can be the cruelest months if they're about a relationship between a young woman and an older man. `American Beauty' and more recently `Ghost World' carried the usual criticism of this socially questionable alliance, from downright damage in the former to uncertainty about how it could ever work in the latter.
In `My First Mister,' starring Albert Brooks and Leelee Sobieski, the union works so beautifully in the first half of the film I thought even I could try it. Director Christine Lahti, who won an Oscar for best short film, "Lieberman in Love," concentrates on the flowering friendship between a Goth girl who needs a friend and a job and a 49 year-old haberdasher who has jettisoned everyone in order to live out his life painlessly for everyone.
Jill Franklyn, who wrote the "Yada Yada" episode of "Seinfeld," pens perfect lines for the understated Brooks, such as when he first sees Sobieski: "Scram. Shoo. Why don't you go get your eyeballs pierced?" and another time when he says, "I want the smallest tattoo you have. Can you give me a dot, or a period?"
Director Lahti shows her originality by letting us painfully and slowly watch a purple-haired Sobieski pull out her nose and face rings. This film is the best I have ever seen to give respect to a much-maligned paring in movies. The 17-year-old punker helps him awaken to life's interesting couplings like cavorting mannequins, and he shows her love unalloyed. When the time comes for sex, as it always does in Hollywood, no one cares, even the audience, because the point is the friendship.
In the second half of the film Lahti lets go of her originality to indulge the genre with the usual fatal twist, easy reconciliation of family, and renewal for Sobieski found in a most unbelievable coincidence. Yet I can't forget that first half, where 2 human beings, unencumbered by any expectation other than their own need for connection, follow none of the formulas but love on its own terms.
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