Zao, a retired cook living alone in an apartment. His day-to-day life consists mostly of routine; he meets with a fellow retiree, waters his plants, etc. But his predictable lifestyle is ... See full summary »
Jennifer does not fit in. A total misfit, she's as wacky as a teenager can be. Goth-ed out with multiple piercings, tattoos, and dyed hair, she listens to strange music, watches vintage TV, eats primarily chocolate, and self injures. But now high school is over and she needs a job. Can she possibly have anything in common with the overweight middle-aged man in the haberdashery window? He gives her a job, not to mention a real friendship. Written by
Martin Lewison <firstname.lastname@example.org>
Michael McKean and 'Christine Lahti' worked together before. They were in rehearsals for a partly-improvised comedy film titled "Kiss the Bride." The project never came to the silver screen. It would have been directed by Bob Balaban. See more »
When J is talking to Randy from her car after first meeting him, the door is open from his point of view but closed from hers. See more »
Technically I'm still a virgin. There was this one day in third grade when Matthew Kingsley came over and we played doctor. He confused my vagina with my anus and took my temperature with a fire engine red crayon. From then on whenever I'd hear a siren I'd giggle.
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A feel good weeper comedy/light-drama, "My First Mister" tells of the coming of age of a teenaged pin cushion goth female (Sobrieski) who's into self mutilation and talking to dead people and her platonic love affair with a middle aged conservative and phobic man (Brooks). In this flick about strange bedfellows and a Spring/Autumn relationship, Lahti turns the lens on the female character illuminating many of the insecurities which beset and befuddle teen females and proves once again on celluloid that love conquers all. As the film wears on it plateaus and becomes somewhat muddled by unnecessary quirky characters and an side plot about Brook's past in an apparent attempt to jerk the last tear and keep feel good moments coming. Nonetheless, rising star Sobrieski proves to be a capable and durable centerpiece for a film worth watching front to back.
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